Average customer rating:
- Great movies
- Collection does not overlap the other Best Picture collections
- Hollywood masterpieces
- Very good value -- even if you own a couple already!
- Clever Packaging!
|
Studio Classics - Best Picture Collection (Sunrise / How Green Was My Valley / Gentleman's Agreement / All About Eve)
Starring:
Bette Davis ,
Anne Baxter ,
George Sanders ,
Celeste Holm , and
Gary Merrill
Director:
Joseph L. Mankiewicz ,
Elia Kazan , and
John Ford
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD
General
| Drama
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Bates, Barbara
| ( B )
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Baxter, Anne
| ( B )
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Borden, Eugene
| ( B )
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Davis, Bette
| ( D )
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Hampden, Walter
| ( H )
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Hill, Craig
| ( H )
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Holm, Celeste
| ( H )
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Marlowe, Hugh
| ( M )
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Merrill, Gary
| ( M )
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Monroe, Marilyn
| ( M )
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Ratoff, Gregory
| ( R )
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Ritter, Thelma
| ( R )
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Sanders, George
| ( S )
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Stuart, Randy
| ( S )
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Ford, John
| ( F )
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Kazan, Elia
| ( K )
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Mankiewicz, Joseph L
| ( M )
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Similar Items:
-
Best Picture Oscar Collection (18-Pack)
-
Double Indemnity (Universal Legacy Series)
-
Battleship Potemkin
-
Classic Comedies Collection (Bringing Up Baby / The Philadelphia Story Two-Disc Special Edition / Dinner at Eight / Libeled Lady / Stage Door / To Be or Not to Be)
-
Preston Sturges - The Filmmaker Collection (Sullivan's Travels/The Lady Eve/The Palm Beach Story/Hail the Conquering Hero/The Great McGinty/Christmas in July/The Great Moment)
ASIN: B0000AINLS
Release Date: 2003-10-14 |
Amazon.com
Sunrise (1927)
There are those who rate Sunrise the greatest of all silent films. Then again, some consider it the finest film from any era. Such claims invite a backlash, but do yourself a favor and give it a look. At the very least, you'll know you've seen a movie of extraordinary visual beauty and emotional purity. This universal tale of a farm couple's journey from country to city and back again was the first American film for F.W. Murnau, the German director of Nosferatu and The Last Laugh whose everyday scenes seemed haunted by phantoms and whose most extravagant visions never lost touch with reality. Hollywood afforded him the technical resources to unleash his imagination, and in turn he opened up the power of camera movement and composition for a generation of American filmmakers. You'll never forget the walk in the swamp, the ripples on the lake, the trolley ride from forest to metropolis. This movie defines the cinema. --Richard T. Jameson
How Green Was My Valley (1941)
John Ford's beautiful, heartfelt drama about a close-knit family of Welsh coal miners is one of the greatest films of Hollywood's golden age--a gentle masterpiece that beat Citizen Kane in the Best Picture race for the 1941 Academy Awards. The picture also won Oscars for Best Director (Ford), Best Supporting Actor (Donald Crisp), Best Art Direction, and Best Cinematography; all of those awards were richly deserved, even if they came at the expense of Kane and Orson Welles. Based on the novel by Richard Llewellyn, the film focuses its eventful story on 10-year-old Huw (Roddy McDowall), youngest of seven children to Mr. and Mrs. Morgan (Donald Crisp, Sarah Allgood), a hardy couple who've seen the best and worst of times in their South Wales mining town. They're facing one of the worst times as Mr. Morgan refuses to join a miners union whose members have begun a long-term strike. Family tensions grow and Huw must learn many of life's harsher lessons under the tutelage of the local preacher (Walter Pidgeon), who has fallen in love with Huw's sister (Maureen O'Hara). As various crises are confronted and devastating losses endured, How Green Was My Valley unfolds as a rich, moving portrait of family strength and integrity. It's also a nod to a simpler, more innocent time--and to the preciousness of memory and the inevitable passage from youth to adulthood. An all-time classic, not to be missed. --Jeff Shannon
Gentleman's Agreement (1947)
Elia Kazan directed this sometimes powerful study of anti-Semitism in nicer circles, based on Laura Z. Hobson's post-World War II novel. Gregory Peck is a hotshot magazine writer who has been blind to the problem; to ferret it out, he passes himself off as Jewish and watches the WASPs squirm. Seen a half-century later, the attitudes seem quaint and dated: Could it really have been like this? Yet the truth of the story comes through, in the wounded dignity of John Garfield, the upright indignation of Peck, and the hidden ways bigotry and hatred can poison relationships. That's particularly true in the Oscar-winning performance of Celeste Holm, who finds more layers than you'd expect in what seems like a stock character. --Marshall Fine
All About Eve (1950)
Showered with Oscars, this wonderfully bitchy (and witty) comedy written and directed by Joseph L. Mankiewicz concerns an aging theater star (Bette Davis) whose life is being supplanted by a wolf-in-sheep's-clothing ingenue (Anne Baxter) whom she helped. This is a film for a viewer to take in like a box of chocolates, packed with scene-for-scene delights that make the entire story even better than it really is. The film also gives deviously talented actors such as George Sanders and Thelma Ritter a chance to speak dazzling lines; Davis bites into her role and never lets go. A classic from Mankiewicz, a legendary screenwriter and the brilliant director of A Letter to Three Wives, The Barefoot Contessa, and Sleuth. --Tom Keogh
Customer Reviews:
Great movies.......2007-05-11
I was looking for All About Eve, but I ended up three othet great movies. What a wonderful bonus
Collection does not overlap the other Best Picture collections.......2007-02-03
These are four of the eight Best Picture winners produced by Fox Film Corporation, the others being "Cavalcade", "Sound of Music", "Patton", and "The French Connection". I'll give a brief run down on my opinion of each film:
Sunrise (1927) - Winner of "Best Artistic Picture" of 1927-8, this is actually NOT a best picture winner in the strict sense. That film would be "Wings". However, this is a much better movie. The whole picture is a work of art. Director F.W. Murnau actually makes you somewhat sorry that silent pictures are obsolete, and the cinematography has to be seen to be believed. The story is simple - A farmer falls for a woman from the city, almost resorts to killing his wife to be rid of her, comes to his senses, and the man and wife remember why they got married in the first place while having a day of fun in the City. If you don't like artistic pictures, you may not like this one, but it is one of my favorites.
How Green Was My Valley (1941) - The most amazing factoid about this film is that it beat Citizen Kane for Best Picture, and yet today it is relatively forgotten compared to that film. The film is pretty good though. It is about a Welsh family and the impact of how their green lush Welsh valley is ruined by mining at the turn of the twentieth century. John Ford directs.
Gentleman's Agreement (1947) - One of the first "socially relevant" films to win Best Picture. Gregory Peck pretends to be Jewish to collect material for a story on being Jewish in America. The message is powerful, but there are some distracting subplots going on - most notably Peck and his relationship with his sick mother, and Peck's romance with Dorothy McGuire that rings hollow.
All About Eve (1950) - This is a great one. Powerful acting by everyone. Just when you think there is nobody more evil than Anne Baxter's Eve Harrington, along comes George Sander's Addison DeWitt and kicks her to the curb in that category. Then there's the wonderful Bette Davis as aging star Margo Channing. This role reinvigorated Davis' career, which had been on a downward slide for a few years.
In summary you get two great Best Pictures - Sunrise and All About Eve, and two good Best Pictures - How Green was My Valley and Gentleman's Agreement, all for a reasonable price that does not overlap with other Best Picture boxed sets and DVD bundles. I recommend it.
Hollywood masterpieces.......2007-01-16
I have been trying for over a year to obtain a copy of Sunrise. I had seen the film about two years ago on the Turner Classical Movies channel and it had a profound impact on me. The characters were so human and modern in their behavior. And, although certain directors of the 20's seemed to like advancing the plot or time element through superimposing one frame over another and it could be annoying and confusing, in this film it was a fascinating technique to watch. This is a film in which you can get totally engrossed. The story is timeless and poignant. I am so glad this film was included with the "talkie" best picture films (which, it goes without saying are among the superior films of the 30's and 40's).
Very good value -- even if you own a couple already!.......2005-07-01
I have to take issue with "Moviefanatic", who objected to having no lower-cost, 'Sunrise'-only alternative to this set.
I could see his point if they were charging a premium price for the set, but they're not. The cost of this 4-film set is less, for example, than for the 1-disk Criterion edition of 'The Passion of Joan of Arc', or the Kino or Image Entertainment versions of 'Intolerance'. (To say nothing of other silent masterpieces, like 'The Crowd', which have never received DVD release.)
If it helps, you can think of the other three films as bonus filler items. They are all worthy pictures. 'How Green Was My Valley' is often called sentimental, and in some ways it is, but it is a dark, sad movie, and one of Ford's best. 'Gentleman's Agreement' is the weakest film here, a sincere and well-intentioned attack on American anti-Semitism, but rather talky and slow. If it doesn't represent Kazan's best work, it still stands up as historically important. 'All About Eve' was for years the film with the most Oscar nominations (14); it too is talky, but with dialogue this memorable, talky is in this case a good thing.
But the big attraction of this set is 'Sunrise'. Technically, you could argue 'Sunrise' is out of place here, as is not exactly a "Best Picture" Oscar-winner. In the first year of the Academy Awards, 1927-28, the award for "Best Production" was split between 'Wings' and 'The Last Command', while 'Sunrise' got the award -- issued that year only -- for "Best Artistic Quality of Production", beating out 'The Crowd' and 'Chang: A Drama of the Wilderness'. (Incidentally, none of those three films were nominated for "Best Production", and 'The Crowd' would have taken the Artistic Quality award if not for an all-night fillibuster by L.B. Mayer.) But this is trivia; both 'Sunrise' and 'The Crowd' are legitimate masterpieces.
I had never heard of 'Chang', but it is available on DVD, from Image Entertainment -- for about the same price as this 4-disk set.
Bottom line: This set features three great movies, one of which is otherwise unavailable, and one good one. The set is a terrific bargain. Case closed; buy it.
Clever Packaging!.......2005-06-06
I have to admit that all of these movies are great. Unfortunately, all of them (except 'Sunrise') have been available in other editions. So what do the lovers of Murnau's masterpiece have to do? In order to get their hands on the cherished bonus, they have to buy three other movies that they have probably watched countless number of times. I have to give credit to this DVD set creators/promoters. This is business sense (shameless and greedy) at its best! And people flock to buy it and give praises. Everybody is happy (or furious)... You decide.
Average customer rating:
- Good-hearted but preachy
- Bravo, Celeste! Bravo, June!
- See it through to the end...you'll be glad you did
- It goes beyond entertainment
- The "Gentleman's Agreement" Era Greatly Impacted our Political Landscape
|
Gentleman's Agreement
Starring:
Gregory Peck ,
Dorothy McGuire ,
John Garfield ,
Celeste Holm , and
Anne Revere
Director:
Elia Kazan
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD
General
| Drama
| Genres
| DVD
| Video
Classics
| Drama
| Genres
| DVD
| Video
Dekker, Albert
| ( D )
| Actors & Actresses
| Stores
| DVD
| Video
Garfield, John
| ( G )
| Actors & Actresses
| Stores
| DVD
| Video
Havoc, June
| ( H )
| Actors & Actresses
| Stores
| DVD
| Video
Holm, Celeste
| ( H )
| Actors & Actresses
| Stores
| DVD
| Video
Jaffe, Sam
| ( J )
| Actors & Actresses
| Stores
| DVD
| Video
Joy, Nicholas
| ( J )
| Actors & Actresses
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| DVD
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Kilian, Victor
| ( K )
| Actors & Actresses
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| DVD
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McGuire, Dorothy
| ( M )
| Actors & Actresses
| Stores
| DVD
| Video
Peck, Gregory
| ( P )
| Actors & Actresses
| Stores
| DVD
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Revere, Anne
| ( R )
| Actors & Actresses
| Stores
| DVD
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Stockwell, Dean
| ( S )
| Actors & Actresses
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Treadwell, Laura
| ( T )
| Actors & Actresses
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| DVD
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Vermilyea, Harold
| ( V )
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| DVD
| Video
White, Jesse
| ( W )
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| DVD
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Wyatt, Jane
| ( W )
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Kazan, Elia
| ( K )
| Directors
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| Video
All Fox Titles
| 20th Century Fox Home Entertainment
| Studio Specials
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| DVD
| Video
DVDs Under $15
| Fox DVD Budget Store
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| Video
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( G )
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Similar Items:
-
How Green Was My Valley
-
The Man in the Gray Flannel Suit
-
Marty
-
All About Eve
-
The Best Years of Our Lives
ASIN: B00006RCO2
Release Date: 2003-01-14 |
Amazon.com essential video
Elia Kazan directed this sometimes powerful study of anti-Semitism in nicer circles, based on Laura Z. Hobson's post-World War II novel. Gregory Peck is a hotshot magazine writer who has been blind to the problem; to ferret it out, he passes himself off as Jewish and watches the WASPs squirm. Seen a half-century later, the attitudes seem quaint and dated: Could it really have been like this? Yet the truth of the story comes through, in the wounded dignity of John Garfield, the upright indignation of Peck, and the hidden ways bigotry and hatred can poison relationships. That's particularly true in the Oscar-winning performance of Celeste Holm, who finds more layers than you'd expect in what seems like a stock character. --Marshall Fine
Description
A journalist assigned to write a series of article on anti-semitism. Searching for an angle, he finally decides to pose as a Jew-and soon discovers what is to be a victim of religious intolerance.
Customer Reviews:
Good-hearted but preachy.......2007-06-16
This is a movie about anti-Semitism plain and simple. It hangs its blatant philosophies on a paper-thin storyline that is not really about the characters portrayed by excellent cast, but about an idea. The characters represent types: The idealistic journalist, the put-upon Jewish friend, etc., all used to express the filmmakers' concerns.
Not being alive when this movie was made, I cannot really speak about the accuracy of the way it protrays anti-Semitism back then, though I don't doubt that its depiction is pretty much on the nose, albeit melodramatic. When Gentile journalist Peck goes undercover and starts passing himself off as a Jew in order to write an expose, he encounters all sorts of prejudice--both blatant and subtle. Walking a mile in Jewish moccasins not only opens his eyes to what his Jewish childhood buddy has experienced his whole life (and by extension, all American Jews), it ends up endangering his family and his love life.
The script is for the most part very heavy handed, relying far too much on lecturing rather than showing, and including many tedious, almost embarassing speeches, about what it means to be an American, what the signers of the Constitution stood for, etc.
Still, it's a movie that's bound to generate interesting, and important, conversations about the nature of prejudice. Later audiences might be thinking more about how women, blacks, hispanics,gays, etc., are and have been the victims of such mindless hatred, but the message remains the same over and over again through the decades: Prejudice is an insidious, nasty phenomenon that needs to be routed out wherever it exists and in whatever form.
While, in the case of Gentleman's AGreement, it may not make for superb moviemaking or art, it is certainly a subject that needs to be broached openly and often, as long as prejudice exists, and from that point of view, this is a worthwhile movie, and one that probably needed to be made when it was.
Bravo, Celeste! Bravo, June!.......2007-04-16
Whereas there is much to admire about this movie, I found this flick annoying. The storyline was good enough - definitely worth the effort of sitting through the movie - but (like some other reviewers here have suggested) it is very heavy-handed, at times... clumsily written, at other times... with an unfortunate performance by Dorothy McGuire.
If you've not seen Dorothy McGuire in a movie before, do not judge her by this performance! Instead, watch her in A Tree Grows in Brooklyn, and you'll see what a brilliant actress she was. Unfortunately, in Gentleman's Agreement, her onscreen presence was annoying - practically ruining every scene she was in (for me, anyway). To her credit, though, she had one of the worst parts in the movie to convey - a difficult character, but also a badly-written character, too. It's hard to picture any actress being able to say some of the clumsy dialogue they gave her. (It didn't help that her make-up was also unflattering...) In almost all of her scenes, she had the same half-smile, dreamy-eyed look... regardless of what she was saying - as if she were a robot without a thought in her head. Too bad. She is a much, much better actress than what is presented here.
Gregory Peck was fine. John Garfield was fine. Ann Revere was great. Dean Stockwell was also pretty terrific (unusual for a child actor to not be cloying, back in 1940's Hollywood).
BUT, the movie belongs to Celeste Holm. Truthfully, I've never really been a great fan of hers, but now? I feel like I need to re-review anything I've seen her in. She is fantastic in this movie - subtle, witty, intelligent, feeling, and beautiful. I did not know she'd won the Academy Award for this movie, but - after having seen it - I can understand why. The movie may be 50+ years old (and showing its age), but whenever Celeste Holm comes onscreen, the movie is suddenly vibrant and alive. Bravo, Celeste.
Another surprise was June Havoc's performance. Like Celeste Holm, June Havoc makes the movie come alive. Suddenly, Gregory Peck seems a little less wooden, when he's on camera with Havoc. June Havoc is wonderful in this movie.
Unfortunately, much of the movie (in this day & age, now) reminds me of something we would've had to watch in high school, during an American History class... Too preachy. Too heavy-handed. Too slow. With characters too one-dimensional.
See the movie for the sake of Film History - and the performances of Celeste Holm and June Havoc. But for a good night at the movies? Uh... I'd try something else.
See it through to the end...you'll be glad you did.......2007-02-04
I agree with another review that the movie plods a lot in the first half. Someone could miss the first half hour or so and you could catch them up to the plot in less than 30 seconds.
But wait it out, get up and make some popcorn or knit a sweater while you watch, and make sure you watch to the end, cause it's the last ten minutes that deliver that powerful punch.
Pay close attention during the conversation between John Garfield and Dorothy McGuire, toward the end of the movie, and you will feel the movie hit home. You may see yourself in the dislikable character of Green's fiance, Cathy, all of a sudden and half to admit, I do that all the time. She forgot that there is a big difference between not liking racism, and doing something about it. Don't we all?
Watching a movie like this is like this: ....yawn....stretch...yawn...POW!
See it.
It goes beyond entertainment.......2007-01-30
This 'old' black and white movie really gets to the core of anti-Semitism in western society thought and practice.
The "Gentleman's Agreement" Era Greatly Impacted our Political Landscape.......2006-12-13
Everyone should see this 1947 film which highlighted the anti-Semitism prevalently found in Republican areas like Connecticut. And yes, this now firmly Democratic Party stronghold once was solidly in the GOP column. Far too many Republicans were anti-Semitic bigots and did everything possible to discriminate against Jews. Journalist Phillip Green (Gregory Peck) pretends to be Jewish so that he can find out about the reality of these exclusionary practices. He finds out quickly that the discrimination is much worse than could have earlier imagined. No, the establishment elites did not wear Nazi uniforms and swear allegiance to Adolph Hitler. Their prejudicial behavior was subtle and nonviolent. The goal was to turn Jewish-Americans into second class citizens. Regrettably, we have not overcome the resulting anger and bitterness of this era. Many Jewish voters still hesitate to vote Republican even when this might arguably be their logical choice.
I strongly urge all teachers to require their students to view this film. They need to understand the vast evolution American society has experienced in the last sixty years. No thinking citizen should ignore "Gentleman's Agreement." It should be on the top of those movies you---and your possible children must see in the near future.
David Thomson
Flares into Darkness
Average customer rating:
- Good-hearted but preachy
- Bravo, Celeste! Bravo, June!
- See it through to the end...you'll be glad you did
- It goes beyond entertainment
- The "Gentleman's Agreement" Era Greatly Impacted our Political Landscape
|
Gentleman's Agreement
Starring:
Gregory Peck ,
Dorothy McGuire ,
John Garfield ,
Celeste Holm , and
Anne Revere
Director:
Elia Kazan
Manufacturer: 20th Century Fox
ProductGroup: DVD
Binding: DVD
General
| Drama
| Genres
| DVD
| Video
Classics
| Drama
| Genres
| DVD
| Video
Social Injustice
| By Theme
| Drama
| Genres
| DVD
| Video
Race Relations
| By Theme
| Drama
| Genres
| DVD
| Video
Drama
| Kids & Family
| Genres
| DVD
| Video
Dekker, Albert
| ( D )
| Actors & Actresses
| Stores
| DVD
| Video
Garfield, John
| ( G )
| Actors & Actresses
| Stores
| DVD
| Video
Havoc, June
| ( H )
| Actors & Actresses
| Stores
| DVD
| Video
Holm, Celeste
| ( H )
| Actors & Actresses
| Stores
| DVD
| Video
Jaffe, Sam
| ( J )
| Actors & Actresses
| Stores
| DVD
| Video
Joy, Nicholas
| ( J )
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| Stores
| DVD
| Video
Kilian, Victor
| ( K )
| Actors & Actresses
| Stores
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McGuire, Dorothy
| ( M )
| Actors & Actresses
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Peck, Gregory
| ( P )
| Actors & Actresses
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Revere, Anne
| ( R )
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| DVD
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Stockwell, Dean
| ( S )
| Actors & Actresses
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Treadwell, Laura
| ( T )
| Actors & Actresses
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Vermilyea, Harold
| ( V )
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White, Jesse
| ( W )
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| Video
Wyatt, Jane
| ( W )
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Kazan, Elia
| ( K )
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Hollywood Vault
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Similar Items:
-
How Green Was My Valley
-
The Man in the Gray Flannel Suit
-
Marty
-
All About Eve
-
The Best Years of Our Lives
ASIN: B00000K3CT
Release Date: 1999-10-05 |
Amazon.com essential video
Elia Kazan directed this sometimes powerful study of anti-Semitism in nicer circles, based on Laura Z. Hobson's post-World War II novel. Gregory Peck is a hotshot magazine writer who has been blind to the problem; to ferret it out, he passes himself off as Jewish and watches the WASPs squirm. Seen a half-century later, the attitudes seem quaint and dated: Could it really have been like this? Yet the truth of the story comes through, in the wounded dignity of John Garfield, the upright indignation of Peck, and the hidden ways bigotry and hatred can poison relationships. That's particularly true in the Oscar-winning performance of Celeste Holm, who finds more layers than you'd expect in what seems like a stock character. --Marshall Fine
Customer Reviews:
Good-hearted but preachy.......2007-06-16
This is a movie about anti-Semitism plain and simple. It hangs its blatant philosophies on a paper-thin storyline that is not really about the characters portrayed by excellent cast, but about an idea. The characters represent types: The idealistic journalist, the put-upon Jewish friend, etc., all used to express the filmmakers' concerns.
Not being alive when this movie was made, I cannot really speak about the accuracy of the way it protrays anti-Semitism back then, though I don't doubt that its depiction is pretty much on the nose, albeit melodramatic. When Gentile journalist Peck goes undercover and starts passing himself off as a Jew in order to write an expose, he encounters all sorts of prejudice--both blatant and subtle. Walking a mile in Jewish moccasins not only opens his eyes to what his Jewish childhood buddy has experienced his whole life (and by extension, all American Jews), it ends up endangering his family and his love life.
The script is for the most part very heavy handed, relying far too much on lecturing rather than showing, and including many tedious, almost embarassing speeches, about what it means to be an American, what the signers of the Constitution stood for, etc.
Still, it's a movie that's bound to generate interesting, and important, conversations about the nature of prejudice. Later audiences might be thinking more about how women, blacks, hispanics,gays, etc., are and have been the victims of such mindless hatred, but the message remains the same over and over again through the decades: Prejudice is an insidious, nasty phenomenon that needs to be routed out wherever it exists and in whatever form.
While, in the case of Gentleman's AGreement, it may not make for superb moviemaking or art, it is certainly a subject that needs to be broached openly and often, as long as prejudice exists, and from that point of view, this is a worthwhile movie, and one that probably needed to be made when it was.
Bravo, Celeste! Bravo, June!.......2007-04-16
Whereas there is much to admire about this movie, I found this flick annoying. The storyline was good enough - definitely worth the effort of sitting through the movie - but (like some other reviewers here have suggested) it is very heavy-handed, at times... clumsily written, at other times... with an unfortunate performance by Dorothy McGuire.
If you've not seen Dorothy McGuire in a movie before, do not judge her by this performance! Instead, watch her in A Tree Grows in Brooklyn, and you'll see what a brilliant actress she was. Unfortunately, in Gentleman's Agreement, her onscreen presence was annoying - practically ruining every scene she was in (for me, anyway). To her credit, though, she had one of the worst parts in the movie to convey - a difficult character, but also a badly-written character, too. It's hard to picture any actress being able to say some of the clumsy dialogue they gave her. (It didn't help that her make-up was also unflattering...) In almost all of her scenes, she had the same half-smile, dreamy-eyed look... regardless of what she was saying - as if she were a robot without a thought in her head. Too bad. She is a much, much better actress than what is presented here.
Gregory Peck was fine. John Garfield was fine. Ann Revere was great. Dean Stockwell was also pretty terrific (unusual for a child actor to not be cloying, back in 1940's Hollywood).
BUT, the movie belongs to Celeste Holm. Truthfully, I've never really been a great fan of hers, but now? I feel like I need to re-review anything I've seen her in. She is fantastic in this movie - subtle, witty, intelligent, feeling, and beautiful. I did not know she'd won the Academy Award for this movie, but - after having seen it - I can understand why. The movie may be 50+ years old (and showing its age), but whenever Celeste Holm comes onscreen, the movie is suddenly vibrant and alive. Bravo, Celeste.
Another surprise was June Havoc's performance. Like Celeste Holm, June Havoc makes the movie come alive. Suddenly, Gregory Peck seems a little less wooden, when he's on camera with Havoc. June Havoc is wonderful in this movie.
Unfortunately, much of the movie (in this day & age, now) reminds me of something we would've had to watch in high school, during an American History class... Too preachy. Too heavy-handed. Too slow. With characters too one-dimensional.
See the movie for the sake of Film History - and the performances of Celeste Holm and June Havoc. But for a good night at the movies? Uh... I'd try something else.
See it through to the end...you'll be glad you did.......2007-02-04
I agree with another review that the movie plods a lot in the first half. Someone could miss the first half hour or so and you could catch them up to the plot in less than 30 seconds.
But wait it out, get up and make some popcorn or knit a sweater while you watch, and make sure you watch to the end, cause it's the last ten minutes that deliver that powerful punch.
Pay close attention during the conversation between John Garfield and Dorothy McGuire, toward the end of the movie, and you will feel the movie hit home. You may see yourself in the dislikable character of Green's fiance, Cathy, all of a sudden and half to admit, I do that all the time. She forgot that there is a big difference between not liking racism, and doing something about it. Don't we all?
Watching a movie like this is like this: ....yawn....stretch...yawn...POW!
See it.
It goes beyond entertainment.......2007-01-30
This 'old' black and white movie really gets to the core of anti-Semitism in western society thought and practice.
The "Gentleman's Agreement" Era Greatly Impacted our Political Landscape.......2006-12-13
Everyone should see this 1947 film which highlighted the anti-Semitism prevalently found in Republican areas like Connecticut. And yes, this now firmly Democratic Party stronghold once was solidly in the GOP column. Far too many Republicans were anti-Semitic bigots and did everything possible to discriminate against Jews. Journalist Phillip Green (Gregory Peck) pretends to be Jewish so that he can find out about the reality of these exclusionary practices. He finds out quickly that the discrimination is much worse than could have earlier imagined. No, the establishment elites did not wear Nazi uniforms and swear allegiance to Adolph Hitler. Their prejudicial behavior was subtle and nonviolent. The goal was to turn Jewish-Americans into second class citizens. Regrettably, we have not overcome the resulting anger and bitterness of this era. Many Jewish voters still hesitate to vote Republican even when this might arguably be their logical choice.
I strongly urge all teachers to require their students to view this film. They need to understand the vast evolution American society has experienced in the last sixty years. No thinking citizen should ignore "Gentleman's Agreement." It should be on the top of those movies you---and your possible children must see in the near future.
David Thomson
Flares into Darkness
Average customer rating:
|
Academy Awards Best Picture Collection, Vol. 1
ProductGroup: DVD
Binding: DVD
Genres
| DVD
| Video
| Action & Adventure
| African American Cinema
| Animation
| Anime & Manga
| Art House & International
| Classics
| Comedy
| Cult Movies
| Documentary
| Drama
| Educational
| Fitness & Yoga
| Gay & Lesbian
| Horror
| Kids & Family
| Military & War
| Music Video & Concerts
| Musicals & Performing Arts
| Mystery & Suspense
| Science Fiction & Fantasy
| Special Interests
| Sports
| Television
| Westerns
ASIN: B000RGU5SE
Release Date: 2007-07-03 |
Amazon.com
This DVD collection contains six Academy Award-winners for Best Picture, including: Patton, The French Connection, All About Eve, How Green Was My Valley, The Sound of Music, and Gentleman's Agreement.
Average customer rating:
- Good-hearted but preachy
- Bravo, Celeste! Bravo, June!
- See it through to the end...you'll be glad you did
- It goes beyond entertainment
- The "Gentleman's Agreement" Era Greatly Impacted our Political Landscape
|
Gentleman's Agreement [Region 2]
Starring:
Gregory Peck ,
Dorothy McGuire ,
John Garfield ,
Celeste Holm , and
Anne Revere
Director:
Elia Kazan
ProductGroup: DVD
Binding: DVD
General
| Drama
| Genres
| DVD
| Video
Deering, Olive
| ( D )
| Actors & Actresses
| Stores
| DVD
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Dekker, Albert
| ( D )
| Actors & Actresses
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| DVD
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Garfield, John
| ( G )
| Actors & Actresses
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| DVD
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Havoc, June
| ( H )
| Actors & Actresses
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| DVD
| Video
Holm, Celeste
| ( H )
| Actors & Actresses
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| DVD
| Video
Jaffe, Sam
| ( J )
| Actors & Actresses
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| DVD
| Video
Joy, Nicholas
| ( J )
| Actors & Actresses
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| DVD
| Video
McGuire, Dorothy
| ( M )
| Actors & Actresses
| Stores
| DVD
| Video
Peck, Gregory
| ( P )
| Actors & Actresses
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Revere, Anne
| ( R )
| Actors & Actresses
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Stockwell, Dean
| ( S )
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Vermilyea, Harold
| ( V )
| Actors & Actresses
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| Video
Warwick, Robert
| ( W )
| Actors & Actresses
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| DVD
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Wyatt, Jane
| ( W )
| Actors & Actresses
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Kazan, Elia
| ( K )
| Directors
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( G )
| Titles
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Similar Items:
-
How Green Was My Valley
-
The Man in the Gray Flannel Suit
-
Marty
-
All About Eve
-
The Best Years of Our Lives
ASIN: B000066NR9 |
Amazon.com essential video
Elia Kazan directed this sometimes powerful study of anti-Semitism in nicer circles, based on Laura Z. Hobson's post-World War II novel. Gregory Peck is a hotshot magazine writer who has been blind to the problem; to ferret it out, he passes himself off as Jewish and watches the WASPs squirm. Seen a half-century later, the attitudes seem quaint and dated: Could it really have been like this? Yet the truth of the story comes through, in the wounded dignity of John Garfield, the upright indignation of Peck, and the hidden ways bigotry and hatred can poison relationships. That's particularly true in the Oscar-winning performance of Celeste Holm, who finds more layers than you'd expect in what seems like a stock character. --Marshall Fine
Customer Reviews:
Good-hearted but preachy.......2007-06-16
This is a movie about anti-Semitism plain and simple. It hangs its blatant philosophies on a paper-thin storyline that is not really about the characters portrayed by excellent cast, but about an idea. The characters represent types: The idealistic journalist, the put-upon Jewish friend, etc., all used to express the filmmakers' concerns.
Not being alive when this movie was made, I cannot really speak about the accuracy of the way it protrays anti-Semitism back then, though I don't doubt that its depiction is pretty much on the nose, albeit melodramatic. When Gentile journalist Peck goes undercover and starts passing himself off as a Jew in order to write an expose, he encounters all sorts of prejudice--both blatant and subtle. Walking a mile in Jewish moccasins not only opens his eyes to what his Jewish childhood buddy has experienced his whole life (and by extension, all American Jews), it ends up endangering his family and his love life.
The script is for the most part very heavy handed, relying far too much on lecturing rather than showing, and including many tedious, almost embarassing speeches, about what it means to be an American, what the signers of the Constitution stood for, etc.
Still, it's a movie that's bound to generate interesting, and important, conversations about the nature of prejudice. Later audiences might be thinking more about how women, blacks, hispanics,gays, etc., are and have been the victims of such mindless hatred, but the message remains the same over and over again through the decades: Prejudice is an insidious, nasty phenomenon that needs to be routed out wherever it exists and in whatever form.
While, in the case of Gentleman's AGreement, it may not make for superb moviemaking or art, it is certainly a subject that needs to be broached openly and often, as long as prejudice exists, and from that point of view, this is a worthwhile movie, and one that probably needed to be made when it was.
Bravo, Celeste! Bravo, June!.......2007-04-16
Whereas there is much to admire about this movie, I found this flick annoying. The storyline was good enough - definitely worth the effort of sitting through the movie - but (like some other reviewers here have suggested) it is very heavy-handed, at times... clumsily written, at other times... with an unfortunate performance by Dorothy McGuire.
If you've not seen Dorothy McGuire in a movie before, do not judge her by this performance! Instead, watch her in A Tree Grows in Brooklyn, and you'll see what a brilliant actress she was. Unfortunately, in Gentleman's Agreement, her onscreen presence was annoying - practically ruining every scene she was in (for me, anyway). To her credit, though, she had one of the worst parts in the movie to convey - a difficult character, but also a badly-written character, too. It's hard to picture any actress being able to say some of the clumsy dialogue they gave her. (It didn't help that her make-up was also unflattering...) In almost all of her scenes, she had the same half-smile, dreamy-eyed look... regardless of what she was saying - as if she were a robot without a thought in her head. Too bad. She is a much, much better actress than what is presented here.
Gregory Peck was fine. John Garfield was fine. Ann Revere was great. Dean Stockwell was also pretty terrific (unusual for a child actor to not be cloying, back in 1940's Hollywood).
BUT, the movie belongs to Celeste Holm. Truthfully, I've never really been a great fan of hers, but now? I feel like I need to re-review anything I've seen her in. She is fantastic in this movie - subtle, witty, intelligent, feeling, and beautiful. I did not know she'd won the Academy Award for this movie, but - after having seen it - I can understand why. The movie may be 50+ years old (and showing its age), but whenever Celeste Holm comes onscreen, the movie is suddenly vibrant and alive. Bravo, Celeste.
Another surprise was June Havoc's performance. Like Celeste Holm, June Havoc makes the movie come alive. Suddenly, Gregory Peck seems a little less wooden, when he's on camera with Havoc. June Havoc is wonderful in this movie.
Unfortunately, much of the movie (in this day & age, now) reminds me of something we would've had to watch in high school, during an American History class... Too preachy. Too heavy-handed. Too slow. With characters too one-dimensional.
See the movie for the sake of Film History - and the performances of Celeste Holm and June Havoc. But for a good night at the movies? Uh... I'd try something else.
See it through to the end...you'll be glad you did.......2007-02-04
I agree with another review that the movie plods a lot in the first half. Someone could miss the first half hour or so and you could catch them up to the plot in less than 30 seconds.
But wait it out, get up and make some popcorn or knit a sweater while you watch, and make sure you watch to the end, cause it's the last ten minutes that deliver that powerful punch.
Pay close attention during the conversation between John Garfield and Dorothy McGuire, toward the end of the movie, and you will feel the movie hit home. You may see yourself in the dislikable character of Green's fiance, Cathy, all of a sudden and half to admit, I do that all the time. She forgot that there is a big difference between not liking racism, and doing something about it. Don't we all?
Watching a movie like this is like this: ....yawn....stretch...yawn...POW!
See it.
It goes beyond entertainment.......2007-01-30
This 'old' black and white movie really gets to the core of anti-Semitism in western society thought and practice.
The "Gentleman's Agreement" Era Greatly Impacted our Political Landscape.......2006-12-13
Everyone should see this 1947 film which highlighted the anti-Semitism prevalently found in Republican areas like Connecticut. And yes, this now firmly Democratic Party stronghold once was solidly in the GOP column. Far too many Republicans were anti-Semitic bigots and did everything possible to discriminate against Jews. Journalist Phillip Green (Gregory Peck) pretends to be Jewish so that he can find out about the reality of these exclusionary practices. He finds out quickly that the discrimination is much worse than could have earlier imagined. No, the establishment elites did not wear Nazi uniforms and swear allegiance to Adolph Hitler. Their prejudicial behavior was subtle and nonviolent. The goal was to turn Jewish-Americans into second class citizens. Regrettably, we have not overcome the resulting anger and bitterness of this era. Many Jewish voters still hesitate to vote Republican even when this might arguably be their logical choice.
I strongly urge all teachers to require their students to view this film. They need to understand the vast evolution American society has experienced in the last sixty years. No thinking citizen should ignore "Gentleman's Agreement." It should be on the top of those movies you---and your possible children must see in the near future.
David Thomson
Flares into Darkness
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