Mademoiselle

Customer Reviews:

Interesting, But Lacking At Its Core.......2006-08-23

The legendary Jeanne Moreau stars as Mademoiselle, a school teacher, filled with repressed sexual urges, in a small French village. She finds ways to vent her desires, mostly through arson and other destructive acts.

Mademoiselle seems like a film that desperately wants to be profound. It seems like a film that wants to say something about repressing desires, and the insignificance of mankind against nature. For the most part, it fails. It is unclear whether Mademoiselle's violent actions are the product of sexual desire or simple sadism. She sets fires and opens floodgates, but is it a sexual urge? Not really, she just seems to get a kick out of watching the townspeople scramble to save their lives and possessions.

And while the film is directed with an interesting visual flair that does often capture the beauty of nature quite well, it never really achieves a level of Lean-esque glory or magnificence. Sure, it's pretty to look at, but what's the point?

The acting is also sorely lacking. Ettore Manni, who plays Mademoiselle's (and everyone else's) sexual interest, is just not very good. He often unleashes these boisterous laughs, and every time I cringed. It's not even a little bit convincing. Even the usually wonderful Moreau fails to impress here. Her performance just feels hollow. As she has proved in the past that she can be very good, I blame director Tony Richardson, who, unlike someone like François Truffaut or Louis Malle, clearly doesn't grasp what Moreau is capable of.

That's not to say Mademoiselle is a failure. There are several deeply disturbing moments, one in particular involving a rabbit. The film seems to be trying to say that all human beings can be monsters at times, and we take out our suppressed aggression on whatever innocence may be around us. Still, the film seems to lack a core of genuine emotional depth, and therefore, lacks resonance. It doesn't help that it tends to move along at a remarkably slow pace, which causes it to try the viewer's patience at times.

However, I would probably give Mademoiselle a mild recommendation, if for nothing besides the attractive visuals and the fact that it contains Jeanne Moreau.

Disturbingly great tale of sexual obsession and repression.......2006-05-06

There have been a series of fires to the farms on a small French village. The villagers suspect a hunky Italian who has been sleeping around with their women, but the viewers know from the first scene that the culprit is "Mademoiselle," the schoolteacher played by Jeanne Moreau.

Scripted by Jean Genet, the plotline is merely an excuse to explore the violent dynamics of sexual desire, with the hunky Italian symbolizing masculine virility and the French schoolteacher symbolizing feminine repression. The two eventually clash, leading to a disturbingly erotic sequence with all of the sexual symbolism expected from Genet (including lovers spitting at each other).

Shot in black and white, British director Tony Richardson is at the top of his game, making the most of the sexual symbolism without verging on what could have easily become high camp. Although Jean Genet reportedly didn't like her in the part, I think Jeanne Moreau, as Mademoiselle, is simply excellent. She suggests more sexuality and especially perverse desire with a simple gesture of the mouth than someone like Sharon Stone ever did with all her nudity in the Basic Instinct movies. Ettore Manni, as the Italian object of Mademoiselle's affections, is merely required to look hot and virile, which he does.

This film is not for everybody, but the film will be of interest for anyone looking for a visually sophisticated take on sexual perversity and repression and for fans of the great Jeanne Moreau.

Desire can be poison.......2005-03-19

This is a unique film experience, complex and odd.

The story is that of a spinster school teacher, Mademoiselle, played by Jeanne Moreau. She is the adored school teacher in a rural French village. Yet, she engages in acts of secret destruction that bring havoc to the people of the little village. Her first act of destruction seems to be accidental but when she finds that her handsome Italian dream man comes to the rescue, she creates more and more havoc.

She meets the masculine handsome Italian woodcutter, Manou, in the forrest and insists that his adolescent son, Bruno, come to school. Yet, as her desire for Manou increases, she becomes more cruel to Manou's son and her destructive acts in the village increase. In one telling scene, Mademoiselle tells the school children of Gilles de Rais who cannibalized Franch village children

Jeanne Moreau does an excellent job of playing this complex and disturbed woman. She dresses up in spike heels and black lace gloves before flooding a farm or burning a barn. She is a woman tormented by her desires, both hating and loving the man of her desires.

Manou is also exceptionally well played. He is heroic, helping to save farm animals from drowning or saving belongings from burning farm houses. He loves women and makes love to many of the plain, French housewives in the village. He is entertained by women. He and Mademoiselle make love in the forrests and woods all night and Mademoiselle allows all her repressed sexuality to erupt. Manou laughs in amusement as she licks his dirty work boots. He calls her like a dog and she bows to him while trying to stay hidden in his shadow. She barks like a dog during their lovemaking and howls at the moon when he plays dead in the shallows of the lake. Yet, despite the sexual power he displays in the dominance he exerts on Mademoiselle, he is a big handsome dumb hunky fool. The tensions in the town rise to the breaking point. Manou is having sex with all the French farm women and their daughters and the men are getting pretty steamed-up. The fires, floods, and poisoned wells are detroying the town financially. And yet Manou will not take his son Bruno and move on. Manou thinks that Mademoiselle is teaching his son in school and thus they need to remain so that the son gets an education. Yet Mademoiselle takes out her sexual frustration on Bruno, trying to shame him in front of the other students.

Bruno, the son of the Italian woodsman, also is a complex character. He is an adolescent of around 13 or 14 wishing to wear the adult pants of his father. He falls for his teacher Mademoiselle and steals her handkerchief. Manou later discovers this and thinks that his brooding son is in love with a local French farm girl. Little does he know that Bruno hides in the shadows, crying over the cruelty he experiences from Mademoiselle at school and his father's rough insensitive reading of his son's moods. It is Bruno who realizes that it is Mademoiselle who is burning farms, due to a page from a school workbook she uses to light a flame in a haystack. Yet he does not tell on her, which leads to the tragedy of his father's murder by the farmers. Richardson did an excellent job of capturing the emerging sexuality of Bruno. His father won't let him wear long pants and inssits that he remain in school boy shorts. Yet Bruno's long well developed manly legs reveal that he is no longer a child.

The photography in this black and white film was exceptional. The French countryside was amazingly beautiful. The forrests and lakes and meadows were full of wildlife and beauty. The village was superb, strong buildings made of stone and timber, clustering in a natural evolution of function for farm families. Richardson frequently creates broad vistas with human and their interactions emeging on the edges.

I would strongly recommend this unique film to many of my friends who can accept the implicit, the vague, the unsolved mystery style of this film. I would not recomment it to folks who want a clear plot, clear lines between good and evil, and resolution and justice in the ending. This film will haunt you.

Moreau Brings the Audience Fusion of Thought and Puzzlement.......2004-12-01

Mademoiselle performed by Jeanne Moreau, who is in her own rights probably one of cinema's most alluring women, opens the gates of a small dam. The calm water begins seeping through the gradually opening crack as the tiny stream quickly turns into a rapid river that floods a small farm where tied up animals disappear underneath the surface. This gruesome event unveils the dark nature of Mademoiselle as she returns to her home above the school in which she teaches. The wicked Mademoiselle leaves the townsfolk's in a hazy mist of confusion as they brood over the identity of the maniac behind the crime as her true nature is as evident as an innocent infant's search for a mother's warm embrace.

Mademoiselle callously continues to hides her evidence as she plans further dreadful deeds. The police are blindsided by the high number of unexpected arsons and malevolent crimes as there seems to be no reason behind the wrongdoings. The heinous crimes provoke escalating tumult within the village that demand answers and a stop to the dreadful acts. The townsfolk point their fingers towards the foreign woodsman as they begin to whisper and secretively plot his demise.

Most of all, Mademoiselle is an interesting character study, as the psychology of the main character is dissected through visual symbolism and the clear-cut storyline. The symbolism strikes through in several scenes, but the scene that might be the most pungent is when Mademoiselle shakes hands with the husky Italian Manou (Ettore Manni) and a snake embraces their handshake. The snake scene oozes of bad omen as well as a sexual tension between the characters. In a sense, the snake scene is a visual culmination of the dreaded nature of Mademoiselle, which could be comparable to a black widows tendency to kill her mate after copulation.

Tony Richardson brings a tremendously well directed cinematic experience to the audience which offers both contemplation and bewilderment. It is the fusion of thought and puzzlement where the audience is allowed to step into the world of Mademoiselle where good and evil coexist. Jeanne Moreau's performance as the maliciously vindictive teacher that torments students is breathtaking. Ultimately the audience is to experience a well made film that offers much for the eye to be pondered and debated.

Gives French cinema a bad name.......2004-10-18

MADEMOISELLE is an overly dark, lethargically-paced film about a rural French town beset by repeated tragedies: fires, floods and more. The locals suspect an Italian woodsman named Manou - because he's Italian, I guess - but in actuality it is a repressed old spinster called Mademoiselle (Jeanne Moreau) who is responsible. She is obsessed with Manou and out of her frustration is driven to horrible acts. Sure. Whatever.

This is a ridiculous story with no logic to it. No one ever suspects Mademoiselle, despite the fact that she's always on the scene, watching. Apparently French criminology was not very advanced in 1966. Mademoiselle is beloved by the town, even though she is always quite unpleasant. Manou's son knows it is she who is causing the destruction, but he never says anything to anyone about it, even though he loathes her. The "love" scene at the end, which feels like it takes up half the movie, will likely have you rolling on the floor with laughter.

If only being boring and absurd were its only crimes. Potential viewers will want to be aware that there are numerous scenes of real animal cruelty in the film. See Mademoiselle crush a quail's eggs in her hand and then thoughtfully place the remains back in the nest for the mother to find when she returns. See a young boy beat a rabbit to death by repeatedly swinging it against a woodpile because he's mad at his teacher. (Bonus shot! See the rabbit's bloody corpse!) And in the grand finale, Mademoiselle poisons the town's water supply. Lingering shots of dead and dying horses, cows and sheep ensue.

This is exactly the sort of movie that makes people think foreign films are dull and pretentious. Anyone with an ounce of sensitivity will find it abhorrent, and it is worthless on any other level as well.

Average customer rating:

"The King of Serials...VCI Entertainment ~ Tarzan the Tiger [Silent] (1929)"
A 1929 talkie serial based on Tarzan and the Jewels of Opar
Can't wait until DVD!!
Tarzan The Tiger
Tarzan the Tiger, true to ERB's concept and story

Tarzan The Tiger (Silent)
Starring: Frank Merrill , Natalie Kingston , Al Ferguson , Mademoiselle Kithnou , and Sheldon Lewis
Director: Henry MacRae
Manufacturer: Alpha Home Entertainment
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ASIN: B000HXDEW6
Release Date: 2006-10-24

Product Description

Thrilling early jungle cliffhanger starring The Lord of the Jungle.

Customer Reviews:

"The King of Serials...VCI Entertainment ~ Tarzan the Tiger [Silent] (1929)".......2005-11-02

VCI Entertainment and Universal Pictures present "Tarzan the Tiger" (1929) (Dolby digitally remastered) (silent with musical score and sound effects), an adventure story with 15 Chapters from the story "Tarzan and the Jewels of Opar" by Edgar Rice Burroughs...featuring the savage jungle and all who dare to discover the wilds of Africa...will the civilized Lord Greystoke known as Tarzan of the Apes been summoned back to the jungle...have the Arab slavers captured Lady Jane Greystoke with the help of Al Ferguson to be sold on the auction block to the highest bidder...does the Queen of Opar have a thing for Tarzan and will she take advantage of the situation since Tarzan has lost his memory with amnesia after a blow to the head during the early episodes of this 15 exciting chapter adventure...impressive fight between Tarzan and the local jungle ape who has the idea he is king around there...will our hero of the jungle recover his memory, defeat Al Ferguson, the Arab army, Queen of Opar and rescue Jane and give that famous yell we all love to hear.....don't leave the theater until the final chapter is over and done with "Tarzan's Triumph"....just remember double thrills, chills, mystery and suspense...hitting the bull's eye with excitement...don't miss a single spine thrilling episode..return next week to this local theater for another episode of action and adventure that will keep you thrilled until the next chapter.

Under director Henry MacRae, producer Carl Laemmle, novel by Edgar Rice Burroughs, titles by Ford Beebe, continuity by Ian McCloskey Heath, supervised by William Lord Wright, musical score by Sam Perry, Heinz Roemheld, Cecil Arnold and Guy Bevier...the cast includes Frank Merrill (Tarzan/Lord Greystoke), Natalie Kingston (Jane/Lady Jane), Mademoiselle Kithnou (Queen La of Opar), Al Ferguson (Albert Werper), Paul Panzer (Mohammed Bey), Sheldon Lewis (Achmet Zek)....special footnote, for some time this film was lost but discovered with soundtrack of music, background and jungle sounds and for the very first time we heard the Tarzan yell (Nee-Yah)...entire film is silent but for sound effects and the Tarzan yell...it was Frank Merrill who came up with all the vine swinging that was used from then on in all the Tarzan films........meanwhile back to our Universal Serial which is always good till the last drop and this serial is no exception...there is a great deal of entertainment here for the cliffhanger fans out there...all courtesy of VCI Entertainment, who in my humble opinion is the best there is in restoring early serials and features.

CHAPTER TITLES:
1. Call of the Jungle
2. The Road to Opar
3. Altar of the Flaming God
4. The Vengeance of La
5. Condemned to Death
6. Tantor the Terror
7. In Deadly Peril
8. The Loop of Death
9. The Flight of Werper
10.Prisoner of the Apes
11.The jaws of Death
12.The Jewels of Opar
13.A Human Sacrifice
14.Tarzan's Rage
15.Tarzan's Triumph

If you're into vintage serials as I am, why not pick up a copy of the following titles from VCI Home Video:
VCI CLIFFHANGER TRAILERS:
1. Buck Rogers (Buster Crabbe)
2. Adventures of the Flying Cadets (Bobby Jordan)
3. Drums of Fu Manchu (Henry Brandon)
4. Jungle Girl (Frances Gifford)
5. The Phantom (Tom Tyler)
6. Zane Greys "King of the Royal Mounted" (Allan "Rocky" Lane)
7. Secret Agent X-9 (1945) (Lloyd Bridges & Keye Luke)
8. Adventures of Red Ryder (Don "Red" Barry)
9. Secret Agent X-9 (1937) (Scott Kolk & Henry Brandon)
10.Zorro's Cliffhanger Collection (Reed Hadley, John Carroll & Linda Stirling)
11.Dick Tracy's G-Men (Ralph Byrd)
12.Flash Gordon Conquers the Universe (Buster Crabbe)
13.Jungle Jim (Grant Withers & Raymond Hatton)
14.Miracle Rider (Tom Mix & Tony Jr)

If you crave action, drama and plenty of adventure then this is the place for all of the above...check out another release from VCI Entertainment and Universal Pictures present "Jungle Queen" (1945) (Dolby digitally remastered), with 13 Chapters of jungle vintage serial episodes loaded with action sequences...story line has a mysterious girl Lotel, the Jungle Queen who arrives in the nick of time for the tribes to rescue them...are Nazi agents behind stirring up the local tribes in Africa to fight against our British allies...who is really behind all of the plots, Lang (Douglass Dumbrille) and Dr. Elise Bork (Tala Birell) seem to have everything under control as our key villains posing as dutiful scientists, or do they...can Bob Elliott (Edward Norris) and Chuck Kelly (Eddie Quillan) be of assistance before the final chapter "The Secret of the Sword" can be discovered...what part does Pam Courtney (Lois Collier), niece of the explorer Alan Courtney (Boyd Irwin) play in this intriguing tale....what strange power does the Sword have over the tribes and why is it so important...will the Jungle Queen once more walk through the sheets of flames as before and have the answers.....get out there as they're going fast, this is the one you've been waiting for.

Great job by VCI Entertainment for releasing "Tarzan the Tiger" (1929), the digital transfere with a clean, clear and crisp print...looking forward to more high quality releases from the vintage serial era of the '30s, '40s & '50s...order your copy now from Amazon or VCI Entertainment where there are plenty of copies available on VHS, stay tuned once again for top notch action mixed with deadly adventure from the "King of Serials" VCI...just the way we like 'em

Total Time: 266 mins on 2 VHS ~ VCI Entertainment 1780~ (11/01/2000)

A 1929 talkie serial based on Tarzan and the Jewels of Opar.......2003-11-14

Despite what you might have been inclined to believe, the first time movie goers heard the sound of Tarzan's call was not in a Johnny Weismuller film, but in the 1929 production "Tarzan the Tiger," starring Frank Merrill as the Ape Man. This film was released in both a silent and a sound version, with the sound consisting of a musical score, sound effects, and a few lip-synched lines, all played on a record. Thus it was that for the first time Tarzan uttered his famous yell. Okay, this is not the famous yell, but it is the first one.

Despite the title and the oxymoronic idea of tigers in Africa, this serial is actually based on Edgar Rice Burroughs' novel "Tarzan and the Jewel of Opar" and is fairly faithful to both the plot and ERB's depiction of Tarzan as an educated man. The plot has Tarzan's estate being destroyed by the Arabs of Mohammed Bey (Paul Panzer) and Jane (Natalie Kingston) is sold into slavery by a bad guy (Al Ferguson) pretending to a scientist. Unfortunately Tarzan takes a blow to the head and develops amnesia, which makes him forget all about Jane when he meets La, Queen of Opar (Kithnou). That is until Jane goes swimming in what is the most memorable scene in this serial. The cliffhangers come fast and furious but if you take into account what year this was made they are more enjoyable.

This was Merrill's second appearance as Tarzan after 1928's "Tarzan the Mighty," which was an adaptation of "The Jungle Tales of Tarzan." There were plans for a third film based on "Tarzan the Terrible," but the studio did not think Merrill's voice was going to work when when talkies got going big time. This version of Tarzan is closer to the Elmo Lincoln style in the 1918 "Tarzan of the Apes," which means lots of lion skins instead of loincloth look that would be in vogue at the end of the pre-code period. Merrill also has the same muscular build as Lincoln, which would also be replaced by the Olympic swimmer ideal. "Tarzan the Tiger" is more of a historical oddity than anything else, but given all the really bad Tarzan movies out there, this one at least has its head above water.

Can't wait until DVD!!.......2002-01-15

This is such an enjoyable film serial! I can't wait until the DVD of these Tarzan movies come out. I am a fan of the Weissmuler Tarzans but this silent adventure starring Frank Merril is very entertaining. Natalie Kingston is the sexiest Jane next to Maureen O'Sullivan!! Check out the skinny dipping scene.WHOA!! It made me a fan of her aside from the Tarzan movies!! Truly the best of the silent Tarzans I hope they release Tarzan the Mighty real soon. Check it out.

Tarzan The Tiger.......2000-01-10

Surprisingly good. Better than average music for early talkies. The story is good, however some of the cliffhangers are goofy. The star, Frank Merrill has one of the best physiques and worst toupees of any Tarzan. The female lead, "Lady Jane" played by what has to be the hottest babe Rotwang ever saw in a silent film, Natalie Kingston. It includes a nude swimming scene with Ms. Kingston. The story is fast paced with more depth than any serial Rotwang's ever seen and Rotwang's seen all the famous ones. Production values are surprisingly good. La, the Queen of Opar is appropirately kinky looking. Nizze trailer on the queen.

The camera work also gets very fancy with all kinds of tracking shots.

The one big down side is that in an attempt to look furious, Tarzan looks more like he pouting.

Rotwang says, "Check "er Out"!

Tarzan the Tiger, true to ERB's concept and story.......1999-04-27

Tarzan the Tiger remains remarkably faithful to the original Tarzan and the Jewels of Opar. Extremely well done and obviously made for more adult tastes than modern tarzan epics.

Product Description

Mademoiselle C is a strange but touching woman. She, among others excentricities, talks to a small rock, Gertrude, like if she was alive. She is the supply teacher of the 6D, the worst group of St-Cécile Elementary School. When she arrives, Mademoiselle C, with her never ending imagination, will accomplish a true revolution in the elementary school and especially in the group 6D. This movie praise the right to be different and unique. It is also a movie about the happiness of reading and the power of imagination. Commentaires du réalisateur Richard Ciupka Galerie de photos du tournage Galerie de photos de mademoiselle C. Le CD de la trame sonore du film Le roman La nouvelle maîtresse Un signet Une carte postale Livret promotionnel

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A high quality kids/family movie

L' incomparable mademoiselle C.

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La Mysterieuse Mademoiselle C - Le Coffret Comprend

ASIN: B0007A5F1W

Customer Reviews:

A high quality kids/family movie.......2007-02-06

An irresitible you-can-do-it family fun movie full of "spling" (positive energy). (in French with English subtitles) "We don't need casinos, we need to fill the holes in people's broken hearts," says the Prime Minister's son (filmed in Canada). A light mix of Mary Poppins meets Dead Poets Society.

Average customer rating:

a little corny, but fun

La Mysterieuse Mademoiselle C.

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ASIN: B0007R6YI8

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Customer Reviews:

a little corny, but fun.......2006-03-17

I bought this while visiting Montreal to help me pick up the Quebec accent. It's great for beginning to medium french learners because the dialogue is easy and the atmosphere of the movie is fun. It's a little corny because they overact a lot in it and they say things like "full cool" a lot. It's also got an english track, but I haven't watched it in english yet. Worth a look (esp. used) if you're trying to get the accent!

Mademoiselle Fifi [ NON-USA FORMAT, PAL, Reg.2 Import - Spain ]

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Mademoiselle Fifi [ NON-USA FORMAT, PAL, Reg.2 Import - Spain ]

ProductGroup: DVD
Binding: DVD

Product Description

Spain released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada. Languages: English (Dolby Digital 2.0) Spanish (Dolby Digital 2.0) Spanish (Subtitles) Synopsis: In occupied France during the Franco-Prussian War, a young French laundress shares a coach ride with several of her condescending social superiors. But when a Prussian officer holds the coach over, social standings are leveled and integrity and spirit are put to the test. Extras: Filmographies Interactive Menu Scene Access

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La mystérieuse Mademoiselle C.

Mysterieuse Mademoiselle C
Starring: Mysterieuse Mademoiselle C
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ASIN: B00006RJLG
Release Date: 2005-08-09

Customer Reviews:

La mystérieuse Mademoiselle C........2005-03-15

La mystérieuse Mademoiselle C. est un excellent film. Elle est un personnage tout à fait cocasse remplie de gaieté, de joie et de mystère, un personnage électrique. Elle nous permet à tous de rêver dans un monde réel et de magie et nous fait réaliser qu'en s'unissant tous ensemble tout est possible! Ce film s'adresse aux plus petits comme aux plus grands. L'intrigue est bonne et on rit tout au long du film. Très vite on s'accroche à l'histoire et aux personnages. Je le recommande sans hésiter ainsi que le deuxième de la même série "L'incomparable Mademoiselle C." qui est tout aussi fantastique et drôle. J'espère franchement qu'il y en aura un troisième. Marie-Chantal Perron qui joue le rôle de Mademoiselle C. ne pouvait pas être un meilleur choix par l'auteur de ces films. Ce rôle lui va à merveille. On sent qu'elle a vraiment du plaisir à le jouer! Bravo à ce film québécois!

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Mademoiselle Fifi [ NON-USA FORMAT, PAL, Reg.2 Import - Spain ]
Director: Robert Wise
ProductGroup: DVD
Binding: DVD

Product Description

Spain released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada. Language Options: English (Dolby Digital 2.0) Spanish (Subtitles) Spanish (Dolby Digital 2.0) Synopsis: In occupied France during the Franco-Prussian War, a young French laundress shares a coach ride with several of her condescending social superiors. But when a Prussian officer holds the coach over, social standings are leveled and integrity and spirit are put to the test. One of the few failures for RKO Radio's resident "prestige programmer" producer Val Lewton, Mademoiselle Fifi is based on two Guy De Maupassant tales, with emphasis on Boule de Suif. The story takes place during the Franco-Prussian war of 1870, though it is clearly an allegorical representation of the German mindset of WW2. "Mademoiselle Fifi" is the derisive nickname of a brutal Prussian officer (Kurt Krueger) who rules the roost in a tiny French village. When a stagecoach rides into the village, the passengers are detained by the Prussian tyrant, who threatens to kill them all at any given moment. Desperately, the passengers demand that one of their own, a laundress of dubious morals named Elizabeth (Simone Simon), surrender herself sexually to the Prussian to secure their freedom. Previously the object of scorn and ridicule from her fellow passengers, Elizabeth is bitterly amused by their change of heart, but she's too loyal to France to refuse their request. How she completes her "mission" and eliminates "Mademoiselle Fifi" in the process is the film's dramatic core. Though superbly directed by Robert Wise, Mademoiselle Fifi is laid low by its pretentiousness-not to mention the uneveness of the performances, none more uneven than Jason Robards Sr., who at one point declaims in his flat midwestern tones "We must not forget that we're all Frenchmen!" Special Features: Filmographies Interactive Menu Scene Access

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Mademoiselle [Region 2]
Starring: Sandrine Bonnaire , Jacques Gamblin , Isabelle Candelier , Zinedine Soualem , and Jacques Boudet
Director: Philippe Lioret
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