The Cary Grant Box Set (Holiday / Only Angels Have Wings / The Talk of the Town / His Girl Friday / The Awful Truth)

Description

Holiday
Free-thinking Johnny Case finds himself betrothed to a millionaire's daughter and having difficulties being able to spend the early years of his life on "Holiday."

Only Angels Have Wings
Jean Arthur is a stranded showgirl who sets her sights on Cary Grant in this rousing adventure tale of men who fly mail planes over the Andes.

The Talk of the Town
A charming fugitive, a beautiful teacher, and a stuffy lawyer, forced to become roommates, are rumor-mill fodder in this madcap romantic farce.

His Girl Friday
A classic comedy in which Rosalind Russell plays reporter Hildy Johnson, who, on the eve of her remarriage, is talked into one more assignment by her editor and ex-husband.

The Awful Truth
The screwball antics of a couple (Irene Dunne and Cary Grant) who can't stand being married, but can't stand seeing the other married to anyone else.

Customer Reviews:

Five of Grant's best in one attractive package.......2007-06-27

The problem with some DVD box sets is that there's usually a film or two included that you could very well do without or perhaps would not even like in your film collection. No such problem with the simply named "The Cary Grant Box Set" which includes five movies that are all among Grant's very best. That alone makes this a must-have for Grant fans. So the featurettes, the vintage replica movie postcards and the overall attractive packaging are bonuses -- significant ones at that.
The films feature such wonderful leading ladies as Jean Arthur (twice) Rosalind Russell, Irene Dunne and the incomparable Katherine Hepburn. Hepburn appears in "Holiday" directed by George Cukor, a depression era film that skewers the upper class. Grant plays Johnny Case an up and coming young business man who thinks more of exploring life than of making money. He finds himself in love with the daughter of a wealthy entrepreneur but it is soon obvious that he has more in common with the girl's sister. Lew Ayers turns in a memorable performance as the brother, a philosophizing drunk.
"Only Angels Have Wings" offers a very different Grant, this time playing a the leader of a crew of daring mail pilots in South America. Here Jean Arthur is the love interest though a lovely young Rita Hayworth offers competition. Thomas Mitchell is part of a stellar cast directed by the great Howard Hawks.
"Talk of the Town" is to me one of the most underrated films of all time. Grant is Leopold Dilg a labor activist framed for a factory bombing. After escaping from jail he hides out in the bucolic summer home of an old childhood friend played by Jean Arthur. The catch is that she's renting the home to one of America's leading legal minds a supreme court candidate played by Ronald Coleman. There is comedy, the inevitable romance and a good deal of politics in this surprisingly thought provoking film directed by George Stevens.
Grant is again directed by Hawks but this time in a classic screwball comedy in "His Girl Friday." This remake of "Front Page" introduced the concept of rapid fire overlapping dialogue, principally between Grant and co-star Russell who play a former husband and wife team that doubled as a newspaper reporting dynamic duo. Grant would like them back together again but Russell and a would-be second husband played by Ralph Bellamy have other ideas. Grant is diabolical and hilarious as he manipulates events around a forthcoming execution in an effort to get the girl and the story. Among the laughs, "His Girl Friday" also has a points to make about corruption, media and justice.
"The Awful Truth" starring Grant and Dunne is straight screwball as the two stars play a divorcing married couple that maybe doesn't really want to separate. Leo McCarey directed this fast paced romp, poor old Ralph Bellamy is again Grant's hapless foil.
In the unlikely event I'm sent to a desert island that has a DVD player and can only bring a few DVD sets, this one is coming with me. In any event this box set should find itself on the the shelves of any Cary Grant fan.

Cary Grant Collection.......2007-06-21

No actor epitomizes classical Hollywood cinema like the ultra-suave, thoroughly professional Cary Grant, the leading man's leading man. This box set collects Grant's greatest hits of the late '30s-early '40s, right after he jettisoned his stifling Paramount contract to become a free agent for Columbia and RKO. Acting opposite Irene Dunne, Katharine Hepburn, and Rosalind Russell in the set's three uproarious screwball comedies ("Truth", "Holiday", and "Friday", respectively), Grant shows off his inimitable flair for witty, machine-gun repartee. Only the riveting "Angels" and more cerebral "Talk" (opposite the incomparable Jean Arthur) demonstrate why Hitchcock, among others, found the gentleman star such an appealing straight man. If you adore Cary Grant the way I do, this set is a must-have.

Creme de la Cary........2007-04-15

The idea of putting a collection of a screen star's films is always a great idea, but most of the time it doesn't follow through (Exhibit A: The James Stewart Signature Collection. As much as, well, everybody loves Jimmy Stewart, did we really need "The Cheyenne Social Club"??). That is hardly the case here. Included are essential Cary Grant films, both classic (His Girl Friday), underrated (Only Angels Have Wings) or unreleased (Holiday), his breakthrough role (The Awful Truth), and a charming social comedy (The Talk of the Town).

*THE AWFUL TRUTH: Jerry (Grant) and Lucy Warriner (Irene Dunne) both think that they have caught each other in infidelity (He returns home from a "business trip" from Florida with oranges from California, She comes back arm in arm with her French voice teacher), so they divorce each other, with 90 days until the thing becomes final. In those 90 days, she dates a sweet, bumbling oil man from Texas (Ralph Bellamy, who made a career out of playing the guy who loses the girl to Cary Grant, see HIS GIRL FRIDAY), and he romances an heiress. As their divorce's final date gets closer and closer, they realize that they're not ready to let each other go...leading to screwball results. This is the film that established Cary as a genuine star, a romantic leading man. His rapport with Irene Dunne is magical, and she's hysterical, especially towards the end when she tries to embarrass his stuffy fiancee's family by pretending to be his boozy sister "Lola Warriner." But beneath the laughs lie a deep understanding of marriage and the melancholy of love, leading to one of the cleverest ending shots in history.

*HIS GIRL FRIDAY: Undoubtably the funniest, fastest film ever made. Ace reporter Hildy Johnson (the brilliant Rosalind Russell) just wants to quit the newspaper business and settle down with a safe (re: dull) fiance Bruce Baldwin (Ralph Bellamy) in Albany. But her ex-husband/boss/editor Walter Burns (Grant) won't let her go that easily. Russell is probably the only woman who could go shoulder-to-shoulder with Cary Grant, in a way that even Katharine Hepburn and Irene Dunne couldn't have topped. She delivers each of her lines with precise timing, and proves that, like all great Hawksian women, she is "just one of the guys." This was the third collaboration between Grant and Howard Hawks, the versatile director of "Bringing Up Baby", "Scarface", "Only Angels Have Wings" and "The Big Sleep." They made 5 films together, 4 screwball comedies and one action-adventure/drama (ONLY ANGELS HAVE WINGS). This is the best of their screwball comedies, and Cary Grant's on-screen persona as a lovable rogue who gets the girl by being the crueller of the two and always indirectly asking her to stay, is at his best here. This film is a must-have for any film buff.

*THE TALK OF THE TOWN: Although this is the least flashy of the set, it's a nicely made comedy of social manners directed by George Stevens. Leopold Dilg (Grant) is a political activist who is framed for arson and murder. He hides out in the summer house of Nora Shelley (Jean Arthur), a teacher as well as Leopold's childhood sweetheart. But Nora has rented out the house to a stuffy candidate for a seat on the Supreme Court, Professor Lightcap (Ronald Coleman). After Leopold has introduced himself to the professor as Joseph the Gardener, Nora and Leopold must convince the professor to help Leopold out. The dialogue about social conflict hasn't aged very much and translates well today. Though the love triangle is a little bit stale, all three actors make their roles lively and believable. Jean Arthur particularly has nice chemistry with Grant.

*HOLIDAY: Johnny Case (Grant), a fun-loving man with a joie de vivre, thinks he has met the love of his life in Julia Seton (Doris Nolan), a woman he knows little about other than that he loves her. When he goes to meet her family, he realizes that she belongs to a very rich family of bankers, whose matriarch is particularly stuffy and wants his daughter to marry into another rich family. Johnny also meets Julia's siblings, the alcoholic Ned and independent-thinking Linda (Katharine Hepburn). As the film continues, Johnny and the audience find out just how much Julia is like her father, someone who only cares about money, and we see that Johnny is really a much better match for Linda. But will he follow his brain or his heart? (Little hint: if you actuall think that Cary Grant will ride off into the sunset with someone named Doris Nolan, you've never seen a movie.) Slight predictability aside, this is a sparkling gem. Johnny doesn't want to work all his life; his plan is to save up enough money to spend his days in relaxation and on holiday, then go back to work when he's figured out what he's working for. This type of thinking would become a hit in the 60s, so it's incredibly surprising to see it shown in a movie from 1938. Katharine Hepburn is wonderful in her signature role, and independent woman with a heart full of love underneath it all. I liked how even though you know that Cary and Katharine will end up together, you see genuine chemistry, especially in their body language, between Cary and Doris Nolan. Her flaw isn't initially obvious, unlike how you see a mile ahead that Meg Ryan and Bill Paxton aren't a match in SLEEPLESS IN SEATLE, or Woody Allen and Mariel Hemingway in MANHATTAN. This film was ahead of its time in so many ways, and if not for the lack of sex, violence and today's modern stars, I'd confuse it for a romantic comedy made from today.

*ONLY ANGELS HAVE WINGS: Bonnie Lee (Jean Arthur again) is on her way back to New York, just passing through a small Columbian town Barranca, home to a group of tough-shelled pilots who fly mail to hard-to-reach places. The leader of these pilots is Geoff Carter (Grant), who has the toughest shell to crack. He never has attachments to anybody, probably due to the frequent deaths of friends. This is shown in the first twenty mintues of the film, when the death of a pilot devestates Bonnie but the gang acts as though nothing has happened. It doesn't take her long to become just "one of the guys", and she decides to stay. Another unexpected visitor comes in the form of Bat Kilgallen--MacPherson, a pilot shunned for previously jumping out of a crashing plane, leaving his engineer to die...the man he left to die was the brother to Kid Dabb (Thomas Mitchell), Geoff's best friend. Also along for the ride is Judy MacPherson, Geoff's ex-love. As tensions both personal and sexual start to rise, we are entertained by a nifty script with numerous memorable quotes, excellent performances and some spectacular flying scenes which aren't cutting-edge by today's standards but nonetheless thrilling. This is a great role for Grant, as a stoic man who gradually unravels the veil to reveal a sad and broken man, something he would do 7 years later in NOTORIOUS. Jean Arthur makes another great Hawksian woman, probably the most vulnerable of them all. Her chemistry with Grant is sweet (just look at the scene where he scoops her up in his arms, thinking her leg is hurt) and natural. An underrated film for both Grant and Hawks, this was a big hit in 1939, considered the golden age of cinema. This film is usually passed over for films like GONE WITH THE WIND and MR. SMITH GOES TO WASHINGTON among others, but this melodrama comes off as a standard action film and ends up becoming a revealing character study. If only Michael Bay could take notes from this film...

You won't find a better collection of Cary Grant films in a better boxed set. Included are 10 postcards from his films (Represented for each is film is one picture of him and his leading lady, the other is a copy of the original poster), plus the box package has some swank photos of Cary and some of his greatest quotes ("Everybody wants to be Cary Grant. Even I want to be Cary Grant."). Don't we all, Cary. Don't we all...

Great Early Cary Grant Movies........2007-03-19

This collection is very good. You have some of Cary Grants best screwball comedies, and a couple of his best dramatic work. The movie Holiday is making its debut on DVD. You also get to see how Cary Grant became a major force in Hollywood. This is worth every cent you pay for it. These are all genuine classic movies.

Thanks, Universal.......2007-01-04

I've been waiting for two of these for years. I gave this five stars for the movies alone. All are clean and easy to watch. Universal did a first class job there. However they then put them in a cardboard case which I don't like. A little more spent on regular plastic cases and cover art would have made this better. That being said I would have paid twice the price as it is.

Average customer rating:

Beautiful Story
I love this movie
A Thoughtful Film about Revolutions - Political and Personal
A Great Film for Romantics
Excellent.

Talk of Angels
Starring: Polly Walker (II) , Vincent Perez , Franco Nero , Frances McDormand , and Ruth McCabe
Director: Nick Hamm
Manufacturer: Miramax
ProductGroup: DVD
Binding: DVD

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ASIN: B0000DZ3DS
Release Date: 2004-01-13

Description

TALK OF ANGELS -- starring Polly Walker (ENCHANTED APRIL, EMMA), Vincent Perez (QUEEN OF THE DAMNED, I DREAMED OF AFRICA), and Academy Award(R)-winner Frances McDormand (FARGO, Best Actress, 1996; ALMOST FAMOUS) -- tells the powerful story of passion and forbidden desire set in a country boiling at the brink of civil war! A beautiful young Irish governess, Mary (Walker), leaves home and travels to Spain to work in the residence of a wealthy family strained by conflicting political allegiances. Swept away by her new surroundings while being threatened by the turmoil of the times, Mary eventually finds a different kind of danger: the inescapable attraction she shares with the fiery, handsome ... and married ... son (Perez) of her employer! In an unforgettable motion picture acclaimed by critics for its vivid storytelling and superb cast, Mary must ultimately face a difficult choice where following her heart means betraying a family she has grown to love!

Customer Reviews:

Beautiful Story.......2007-06-08

I was deeply touched by this movie. It was well made and beautifully written. The casting was excellent. I think no other could have played Mary and Fransisco better that Polly Walker and Vincent Perez. You could feel the attraction between them and the chemistry was amazing. I was so moved by the story that I ordered the book that it was based on...Mary Lavelle by Kate O'Brien.

I love this movie.......2006-08-05

I have watched this movie several times and love it each time. However, I have showed it to some friends and none of them liked it. You really need to love history, romance, and period pieces to fully appreciate this movie.

A Thoughtful Film about Revolutions - Political and Personal.......2004-02-21

TALK OF ANGELS is a beautifully photographed, well written, and sensitively acted story about how political upheavals alter our interpersonal relationships. The time is 1936 and the place is Spain in the throws of Fascism and Franco. A wealthy family (Marisa Paredes is the mother, Franco Nero the father with three daughters the eldest of whom is Penelope Cruz) in an unnamed Spanish city has just hired a governess from Ireland to teach their children proper English. The governess, Lavelle, (Polly Walker) has taken the job to put distance between her Irish activist betrothed and herself, finding the need to explore the world before settling for what she has. In her new Spanish home Lavelle encounters other Irish expatriots who have fled Ireland's upheavals only to find those of Spain. Among these eccentric women is one (Frances McDormand) who falls in love with Lavelle. The family for whom Lavelle works attempts to stay outside the political upheaval that fills the streets at night. All proceeds smoothly until the son Francisco (Vincent Perez) visits with his wife and family in tow. Francisco supports the Spanish activists, and Lavelle slowly falls in love with him - the embodiment of the ideals of her own betrothed. Sides are drawn and defined in the political arena and in the personal arena, and it is the resolution of both that provides an open end to the story.

The acting is first rate with Polly Walker incandescently beautiful and delivering a character role with great sensitivity. Vincent Perez is her perfect foil and the rest of the fine cast draw unforgettable characters. There is much to be learned here about the political milieu in Spain in the 1930s. And there is even more to experience in the beauty of the conversations, the dancing, the vistas of Spanish landscapes. The musical score is lush and wisely orchestrated. This is a little sleeper of a film that deserves repeated viewings to catch all the levels of meaning. Recommended.

A Great Film for Romantics.......2002-04-28

The scenery and the story are beautiful as our the lovers Polly Walker and Vincent Perez. Candace Serviss

Excellent........2002-03-16

This wonderfully acted tale takes place in the mist of the Fascist's rise to power in Spain. The movie tells the story of an Irish nanny, how she contends with her peers and the family she works for. She falls in love with the married son of the family--but while a theme in the movie, it is not the major one. Instead, the movie focuses in on the family dynamic and how different members of the family contend with the social and political strife around them, told through the eyes (to use a cliche) of the nanny.

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