Pigalle

Customer Reviews:

A Gritty Story in the Seediest Red Light District of Paris.......2005-09-14

PIGALLE has all the ingredients of a splendid little exposé of the infamous sector of crime in the City of Light. The problem is there is so little actual 'light' in the camera work that much of what happens in this film cannot be seen!

Pigalle is an area in Paris infamous for being an historic and a current zone of drug conclaves, prostitution (both male and female and every cross in between), peep show and strip clubs, junkies, thieves and murderers. In this mire swell all of the characters of this story. Divine (Blanca Li) is a transvestite performer in a club run by fellow transvestite Fernande (Raymond Gil) and Divine is in love with Fifi (Francis Renaud), a male street hustler and thief who in addition to his affair with Divine has an ongoing flirtation with Véra (Véra Briole), a woman who works as a stripper and peep show dancer but refuses to be a prostitute. Véra lives with her pimp Jésus le Gitan (Patrick Chauvel) whose primary occupation is drug dealing. Add to this smarmy group a large cast of deviates and druggies and hardcore criminals and you have the populace of Pigalle.

The story involves the murders of both Divine and Jésus: the drug lords 'convince' Véra to talk Fifi into being the hit man to revenge the killings. How all of this fits together - the consequences of betrayal and the desperate need for love that consumes each of the main characters - brings the tale to a grisly close.

This is a tale of survival in the amoral streets of Pigalle and writer/director Karim Dridi certainly knows how to create atmosphere commensurate with his story. There is excessive drug use, violence, and loathing that at times threaten to drown the little story, but were it filmed in any other way it would not have the impact that permeates this 1994 French film. In French with English subtitles, Not recommended for the squeamish, but recommended for those who enjoy film noir! Grady Harp, September 05

Average customer rating:

A weak beginning for a good director.
TUFF LOV!
Companion To Eraserhead
beauty is skin deep... ugly goes all the way through

Boy Meets Girl
Starring: Denis Lavant , Mireille Perrier , Carroll Brooks , Elie Poicard , and Maïté Nahyr
Director: Leos Carax
Manufacturer: Fox Lorber
ProductGroup: DVD
Binding: DVD

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ASIN: B000059XTO
Release Date: 2001-04-10

Description

Leos Carax's (Pola X, Lovers on the Bridge) brilliant feature debut follows the relationship of an aspiring filmmaker (Denis Lavant), who has just been left by his lover and a suicidal young woman (Mireille Perrier), who is also reeling from a failed romance.

Customer Reviews:

A weak beginning for a good director........2006-01-14

I admire Leos Carax. How could one not admire a man so fixated on his grandiose ideas that he once bankrupted three producers and built a life-size replica of part of central Paris? At the same time, I confess that I don't so much like Boy Meets Girl, his first film. It leaves me with a feeling of dissatisfaction.

The protagonist, who looks exactly like Nick Cave, is an unemployed young man of ambiguous origins. He lives by himself in a small room somewhere in one of the shadier parts of Paris. When he gets tired of hearing the bickering of the couple next door, he skulks about the streets with his portable cassette player and glowers darkly. By chance, he comes across a depressed young woman named Mireille, and follows her to a party somewhere. He makes her acquaintance, they talk about their woes, and then he gets her to bring him home with her. Finally, disaster strikes and their romance is tragically cut short.

Mireille is also disturbed. She lives with a man who hates her and whom she despises. This situation is painful to her, and has presumably gone on for a long time. However, she shows no desire to change it, and continues to live in idleness, although her boyfriend is not so rich or successful as to be able to provide her with a luxurious existence. She is not married to him, and they have no children. It appears that she has never loved him at any point in time.

The film presents these facts without explaining or analyzing them. So, we learn that the protagonist wants to be a film-maker, although he has never actually made a film, and he does not really want to go through the process of making one. Similarly, we are told that Mireille wanted to be a model, but failed for some reason. We do not learn how they came to accept the lifestyles that they now lead, or even what they think about them. They make no attempts to justify themselves. Consequently, they come across as total ciphers.

Worse yet, both of them are incapable of empathy with each other, or with anyone else. When the main character has a chance to talk to the heroine, he talks about his suffering, argues that the woman should love him because she will eventually grow old and lose her good looks, and suggests that she could participate in a polyamorous relationship with him and his ex-girlfriend. Earlier, we learn that he has mistreated his ex-girlfriend, lied to her and even hit her, and that she has left him. He does not wonder whether she might have had good reason to do so. Mireille's troubles do not interest him either. But he does not even attempt to analyze his own feelings. It is impossible to understand what thoughts, objects and activities comprise his world. His apartment is totally bare. The only object in it is a typewriter that he doesn't use.

Mireille, likewise, is devoid of compassion for anyone other than herself. In depicting her, the film does not show her ever having a single kind thought. Her self-obsession, however, is lacking in self-awareness. She wallows in endless self-pity without really thinking about her life, or even acknowledging events and people around her. She is unwilling to do so. The film gives no plausible explanation for what might have driven her to such a state. Because of this, it is difficult to take her angst seriously.

And, since the film revolves exclusively around the angst of the protagonists, that means that there is nothing else to engage the viewer's own empathy. The viewer is left to wonder, uncharitably, whether the main characters are not merely engaging in such strange behaviour to be fashionable, there being no apparent cause for it in their lives. As the tagline of the film is "love without regrets," this was probably not the director's intention.

In addition, the dialogue is badly written. Carax's later film Lovers On The Bridge is much stronger and more believable in this regard. Here, the characters talk into space, not to each other. With each thing they say, the film becomes progressively more detached from reality. The plot device used to separate the main characters in preparation for the tragedy is especially silly. When Mireille leaves the party and takes the protagonist along, he has to stop somewhere to use the restroom, and then becomes engrossed in an arcade game for no apparent reason, so Mireille gets tired and leaves without him. Carax dwells on the arcade game for longer than necessary. He's not alone there, though. Such acclaimed directors as Wim Wenders and Chris Marker were also unduly fascinated by eighties technology.

To top it all off, the film isn't particularly visually interesting. Certainly it pales in comparison to Carax's own later films. The blurb on the cover says something about "night scenes in Paris," but there are almost no such scenes. Most of the film takes place indoors, in generic-looking apartments and kitchens. Despite Carax's love of the French New Wave, his camera here is boring and static. There are just a couple of Godard-style jump cuts, awkwardly placed. But it's not that he doesn't have a voice of his own. He just hadn't found it yet by this point.

The one scene here that works perfectly is the one where the protagonist overhears his ex-girlfriend talking in bed with her new boyfriend. Not only is it realistic, in contrast with the overwrought monologues that comprise most of the script, but it suddenly makes the protagonist's angst more comprehensible. Surely any man who overheard a woman he loved saying such things would feel just about the same way. Still, I think that the film is weak on the whole, and that Carax's next two films are far superior in both style and content.

TUFF LOV!.......2002-06-18

This bizarre, graphic and ultimately very moving journey through love's little foibles is brilliantly realized by auteur LEOS CARAX. In some ways a 'throwback' to the glorious days of Alain Resnais - superbly photographed and deliberately paced to draw the viewer [voyeur?] into the lives of our loving couple. Carax later works disappoint slightly, but let's face it he never is quite as boring as the other 'would be's"!

If you yearn for a good moody art movie - get this one!

Then explore the beginnings of this movement!

Companion To Eraserhead.......2001-09-10

I have finally found a film to view alongside David Lynch's Eraserhead! This film shot in Black and White has the same grotesque abnormalities of Eraserhead, as well as the deadpan humor. The characters are shape much the same way, lonely but lovable in that they deal with life's uncertainties and love that has failed or been lost.

Bountiful with all the Lynchian eccentricities that, either you'll find yourself understanding them or you just won't! The film, is playful in much the same way as early French New Wave but thought provoking and with a sense of muted charisma. This film will definitely take more that a one-time viewing to really get any thing out of it due to emotions flying high and low throughout. The shots of Paris at night are truly remarkable in that the warmth of the wet streets can almost be touched ,walked, and perhaps even a slight aroma can be imagined. The "you are there" surroundings seem like a heated dream you are about ready to wake up from. A surreal moment in modern french cinema or rather a filmed performance piece with textures abound. Watch with the intent of being a fly on the wall and you may experience certain particles of your life appear before your very eyes. ...

beauty is skin deep... ugly goes all the way through.......2001-05-22

On the surface, Boy Meets Girl is a beautifully shot film... sort of a classic film noir meets French new wave. But scratch off the artistic cosmetics and this is one ugly boring waste of time. Lots of pretentious babble and angst. Unlikable characters and a plot so uninteresting, I just wanted to hit the fast-forward button. Leos Carax has some talent and smarts (check out Pola X and Les Amants du Pont Neuf) but this ranks up there as a throw-away.

56, rue Pigalle [ NON-USA FORMAT, PAL, Reg.0 Import - Australia ]

Average customer rating:

56, rue Pigalle [ NON-USA FORMAT, PAL, Reg.0 Import - Australia ]
Director: Willy Rozier
Manufacturer: Force Video
ProductGroup: DVD
Binding: DVD

Product Description

Australia released, PAL/Region 0 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada. LANGUAGES: French (Mono), English (Subtitles) SYNOPSIS: Lucien Bonnet, Jean Vigneron's manservant, blackmails his boss, who is having an affair with Inès de Montalban, married to Ricardo. Vigneron pays the sum but Lucien is killed by an accomplice, Baruch. Everything seems to accuse Jean who, for fear of compromising Inès, prefers to keep mum. Fortunately, his innocence will be proved thanks to a surprise witness. The two lovers flee to Congo while the husband soon forgets them, finding comfort in debauchery. SPECIAL FEATURES: Interactive Menu,

Average customer rating:

A weak beginning for a good director.
TUFF LOV!
Companion To Eraserhead
beauty is skin deep... ugly goes all the way through

Boy Meets Girl [Region 2]
Starring: Denis Lavant , Mireille Perrier , Carroll Brooks , Elie Poicard , and Maïté Nahyr
Director: Leos Carax
ProductGroup: DVD
Binding: DVD

General | Drama | Genres | DVD | Video

( B ) | Titles | Features | DVD | Video
Similar Items:

ASIN: B00005M1SP

Customer Reviews:

A weak beginning for a good director........2006-01-14

TUFF LOV!.......2002-06-18

If you yearn for a good moody art movie - get this one!

Then explore the beginnings of this movement!

Companion To Eraserhead.......2001-09-10

beauty is skin deep... ugly goes all the way through.......2001-05-22

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