So Close to Paradise

Amazon.com

Paradise is a long way from the waterfront slums and nightclub dives of Wang Xiaoshuai's restless crime story. Like a modern Chinese take on a classic American film noir, this tale of a small time-criminal on the outskirts of the Wuhan underworld, a beautiful karaoke singer who dreams of pop stardom, and the naïve country boy who watches their destructive romance bristles with doom. Director Wang Xiaoshuai (Beijing Bicycle) is from China's sixth generation of filmmakers, and his agitated style--featuring handheld takes, jump cuts, and vibrant colors that cut through the clutter and the darkness--couldn't be more different from the smooth, formal beauty of fifth-generation greats Zhang Yimou and Chen Kaige. His remove keeps us at arm's length from the characters, but his luscious imagery, grimy glamour, and haunting narration give just a hint of romantic hope in the squalor of the urban jungle. --Sean Axmaker

Customer Reviews:

Realist as a poet.......2003-02-21

Wang Xiaoshuai is one of the younger greats of Chinese cinema. In two recent films, Wang overcame the over-deliberate and somewhat artificial approaches to social problems in his earlier works (The first foray he made into US is "Frozen", which I critisized elsewhere), and has shown himself to be a realist with a rare lyrical ease. The other film I would recommend is Wang's "Beijing Bicycle", which is now available on DVD.

Innocence and experience.......2002-07-21

A noticeable trend in world cinema in the last three or four years has been to fuse drama with noir elements and here's an excellent example of that fusion from China.

Directed by Wang XiaoShuai (Beijing Bicycle), this is the tale of two men from rural China who come to the city (an unnamed large urban center in mainland China) to seek their fortunes. One, Gao Ping, has a slicker approach to life, needing to make real money--and feels the only way to do that is to work with underworld figures in semi-shady dealings. The other, Dong Zi, sticks to the life he knows best from his native village and works as a "shoulder pole", a laborer who hauls boxes every day for menial wages.

Dong Zi retains his rural ignorance of city ways, but what comes across more than anything else is his complete innocence and straightforwardness. His friend Gao Ping becomes increasingly mired in the dark side of life. This comes to a head when he meets a nightclub singer whom he is sure knows the man owing Gao Ping money. He kidnaps her but the two fall in love--or, as Gao Ping puts it, what passes for love in the city--and ultimately, because she belongs to "the Boss", Gao Ping is a hunted man.

Eschewing the overly stylized approach of countryman Wang Kar Wei, Wang XiaoShuai has made a stronger film. The one obvious concession to style is the use of a green filter for flashback scenes; this works well because aside from the green tint, these scenes include action that is as straightforward as Dong Zi's character.

The constant juxtaposition of innocence and experience is what gives this film its striking emotional power. The singer herself moves from one mindset to the other in the course of the film, emphasizing the theme, and one can even detect minute bits of innocence in Gao Ping, at rare monents, and, towards the end of the film, just as tiny traces of experience in Dong Zi's psychology.

A very well crafted film; recommended.

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