Most of the material here is given in a straightforward manner, with the presenters simply talking into the camera to address the audience directly, which is good because it avoids the trap of pretense. On the other hand, the quick edits between presenters (would it hurt to let them say more than one sentence at a time?) don't help because it reduces many of their points to palatable sound bites and aphorisms. To many viewers, this may make the program come across as a series of nice ideas not rooted in reality. Plus it's somewhat spurious to claim that The Secret was well understood and practiced by specific individuals like Plato or Shakespeare (it's well known that some of the historical figures noted didn't exactly live happy or even prosperous lives, despite their achievements). But still, the primary message is one of positivity and hope for everyone. So what to make of it? In the end, programs like this generally find an audience that is open to the message, and many will probably find it to be a source of inspiration. Others will approach it with a good deal of skepticism or dismiss it as another way of marketing happiness the masses. It simply won't resonate with everyone, but if it resonates with you, you're likely to enjoy it and get a lot out of it. Those looking for more on The Secret might want to check out the companion book by Rhonda Byrne. --Daniel Vancini
Running Time 180 Mins.
Format: DVD MOVIE
Customer Reviews:
Dr Quinn Medicine Woman.......2007-08-21
Just a great family movie. I enjoy watching it with my grandchildren very much and suprising enough they still talk about it.
The finishing touch.......2007-07-25
I have the complete collection and this was the last part I purchased. It is a must have for your compilation.
Great Dr Quinn Movies !!!.......2007-04-16
As a big fan of the show I was happy to find two excellently produced movies that answers many Questions after the series ended and wonderful to see the Dr Quinn cast, strong as ever, back for some more western adventures, tears, joy and laughter. Excellent picture quality even on Australian region 4 DVD players.
Great!.......2007-03-09
I loved the Dr. Quinn series when it was on TV... and the movies just make the characters even better! If you like westerns, then you will love these movies!!!
The Movie aka Revelations / The Heart Within).......2007-01-10
I found that both these movies were brilliant.
Good stories with happy endings.
Customer Reviews:
worth the wait.......2007-09-06
I saw the subtitled version of the movie at one of the recent anime cons. It was excellent! Animation is still stunning and the story piks up right where the last movie ended. The cliffhanger ending of the last film was confusing due to so many unanswered questions. But Revelation answered most of the questions, though still a complicated/sophisticated plot. The middle third actually takes a very dark turn plus it is much more bloody than Prophecy...which was fine by me.
Average customer rating:
- Not as damning as I would like
- Everyone should be required to see this
- Shining light on a cesspool
- On Republican Brain washing of the United States
- This Blatant Propaganda Hit Piece Has No Relation To FOX, But Does Smell of A Chicken Coup
|
Outfoxed - Rupert Murdoch's War on Journalism
Starring:
Cal Thomas ,
Jon Stewart ,
Steve Doocy ,
Christiane Amanpour , and
Peter Jennings
Director:
Robert Greenwald
Manufacturer: The Disinformation Company
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Uncovered - The Whole Truth About the Iraq War
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The Corporation
ASIN: B0002HDXTQ
Release Date: 2004-07-13 |
Amazon.com
Outfoxed: Rupert Murdoch's War on Journalism uses the inflammatory tactics of the Fox News Channel to demonstrate the conservative bias that's handed down by Fox's owner, media mogul Rupert Murdoch. The documentary gathers interviews from media watchdogs and former Fox employees (including a former anchor, Jon Du Pre, who describes his flailing efforts to create a celebration for Reagan's birthday when the one he was sent to cover never materialized), but their overwhelming condemnation of Fox's skewed news practices isn't half as effective as footage taken directly from Fox itself--an appalling montage of pundit Bill O'Reilly telling guests to shut up; repeated efforts to paint Democratic presidential nominee John Kerry as weak and waffling, while President Bush is captured in respectful, reverent images; and management memos dictating language, subject matter, and point of view. Outfoxed is unlikely to persuade Fox News fans to change their views, but it may spur outraged liberals to take action. --Bret Fetzer
Description
"Fair and balanced"??? How about anything BUT?!?! For the first time ever, this documentary reveals the secrets of Former Fox news producers, reporters, bookers and writers who expose what it's like to work for Fox News. These former Fox employees talk about how they were forced to push a "right-wing" point of view or risk their jobs. Some have even chosen to remain anonymous in order to protect their current livelihoods. As one employee said "There's no sense of integrity as far as having a line that can't be crossed."
"Outfoxed" examines how media empires, led by Rupert Murdoch's Fox News, have been running a "race to the bottom" in television news. This film provides an in-depth look at Fox News and the dangers of ever-enlarging corporations taking control of the public's right to know.
"Outfoxed" first examines media mogul Rupert Murdoch and the Australian company, News Corp., tracing how the Federal Communications Commission (FCC) helped Murdoch break the rules to establish a fourth network in the United States. The film explores Murdoch's burgeoning kingdom and the impact on society when a broad swath of media is controlled by one person.
Media experts, including Jeff Cohen (FAIR), Bob McChesney and Chellie Pingree, provide context and guidance for the story of Fox News and its effect on society.
The team behind "Outfoxed" created a system to monitor Fox News 24 hours a day for months to discover exactly how its shows worked. A team of volunteers around the country scrutinized every hour of Fox News programming, noting examples of bias in its coverage. The result is an intense examination of Fox News and the lie inherent in its favorite motto: "Fair and Balanced."
Customer Reviews:
Not as damning as I would like.......2007-07-19
As someone who likes bashing fox news as much as the next lefty, I was really hoping there would be more damning stuff. The idea of memos sent down from on high for what to cover would have been a lot more nefarious if the memos themselves had been less benign. Too much of this documentary was spent saying "They are not fair and balanced" (as if we didn't know that), and not enough time was spent on persuasive examples of how. Being that nearly every night O'reilly, Hannity, and/or Gibson say something that is not only offensive, but in many cases is completely false, I thought this movie would have more bite.
The only section of the movie that showed fox for the scum they are was the bit about [Jeremy?] Glick (Anti-war son of a 9/11 victim), and how O'reilly, scumbag that he is, had the nerve not only to assume what this kid's dead father and widowed mother would think of his views, but then had the nerve to scream at the kid on national tv about it. A truly disgusting human being.
Everyone should be required to see this.......2007-06-20
There is no hype here. Just facts and interviews regarding a very profitable propoganda machine that many people are aware of- but nobody thinks they can do anything about. Please watch this movie!
Shining light on a cesspool.......2007-06-19
I found this film to be illuminating. I was, of course, already aware that Fox is nothing but a pez dispenser for GOP talking points, but I still learned quite a lot, especially about Rupert Murdock. What a guy. Most of the negative reviews here are utterly without substance, and not even worthy of response, except to say that yes; the film has a bias. It never pretends otherwise. Show me a documentary that doesn't have a bias. Highly recommended.
On Republican Brain washing of the United States.......2007-06-02
This DVD Documentary exposes Fox News as a journalistic fraud media forum for extreme right political propaganda.
Some speakers appearing to speak in the documentary on Fox News propaganda tactics include the following people:
Bob Mc Chesney Founder of Free Press and author of "The Problem of The Media."
Jeff Cohen, Former NSNBC/FOX NEWS Contributor
David Brock, President/CEO of Media Matters for America
Gene Kimmelman, Sr. Director of Public Policy and Advocacy Consumer Union.
Frank O'Donnell, Former Fox News Producer Washington DC.
Diana Winthrop, Former Fox News Producer
David Burnett, Former Fox News Reporter Washington DC.
Peter Hart, Media Analyst for Fairness and Accuracy In Reporting.
Larry Johnson, Former CIA Analyst/Fox News Contributor.
Clara Frank, Former Fox News Producer.
Richard Clarke, Former National Security Advisor
Walter Cronkite, a former TV news anchor man trusted and well respected across America in the 1960s and 70s makes a couple of appearances and statements on the journalistic integrity of Fox News.
Rupert Murdoch bought WTTG Channel 5, small, successful local News Channel in Washington DC in 1985, which later became Fox News. The news crew were left alone for some time as they produced quality news broad casts. But, eventually the Fox News station management began to dictate a one sided political perspective, scripted political messages and opinions to be broadcasted by the news crew. Political messages began to appear in odd polling, odd graphics banners on the TV screen.
Blatent censorship by cutting off guest speakers voicing a point of view Fox News station management opposed became regular practice. The most rude censor is Bill O'Reilly. He is shown again and again telling guests to shut up in emotional outbursts with an extreme lack of objectivity or tolerance to other perspectives. Overall, the current Fox News crew displays a lack of ability or willingness to listen to other opinions which conveys a serious lack of understanding and respect. If they don't cut a guest speaker off, they very likely to talk on top of the guest to drown out the sound of anything he or she has to say.
An audible tone which had been previously used to seize the viewer's attention to an important piece of breaking news known as the Fox News Alert began to be used to grab the viewer's attention to an attitude and oppinion and tabloid issues about to be broadcasted.
A phrase, "Some people say" which is used in journalism to protect anonymous sources began to be used by Fox as a scripted pretext to broad cast a political opinion.
Fox News broadcasts relentless attacks on political dissent and political opponents of the extreme right republicans and uses fear to manipulate emotions of the viewer and public opinion.
It's pointed out that the real fraud is Fox News claims to be fair and balanced because it is nothing even sort of fair nor balanced. Those who appear on Fox News having extreme right opinions are always shown in numbers significantly outnumbering their opponents. Easy questions are asked of republicans with respectful tone of voice while others are presented with more difficult questions in harsher tones.
Bill O'Reilly lies, distorts facts and subjects guests to hostility to put them off balance. Bill O'Reilly is shown overtly threatening the livelihood of celebrities who makes public statements with which he does not agree.
Iraq was being portrayed as a happy, safe place by Fox News during a time of increasing danger due to a rise in rebellion and political violence in Iraq.
As an example of a lack of journalistic objectivity, a Fox News reporter interviewing George W Bush is shown telling Bush about how The reporter's wife was campaigning for him during the elections prior to the interview.
The documentary says that George W Bush's cousin, John Ellis was working as an election analyst for Fox News in the 2000 elections when he interrupted its election coverage to announce that George W Bush was the winner of the election while voting was still in progress to create a false perception of premature election victory for Bush.
Rupert Murdoch is a paradoxical man. He enjoys the freedom of the press and the freedom of expression in the U.S. He buys what amounts to be an empire of media. Once he has the media in his grip, he dictates brain washing political propaganda to the public. If freedoms of speech, press and expression are dear to Americans, this man and other extreme right wing media people need to recognized as threats to these freedoms because they claim to be news or entertainment and they are neither. They are
extreme right political propaganda machines of the type America used to recognise as non free mediums in other totalitarian countries. These media are responsible for the new rants of hatred by Americans for other Americans who do not share their political ideology.
Here are some other sources on simular subjects:
The Republican Noise Machine : Right-Wing Media and How It Corrupts Democracy
Big Lies: The Right-Wing Propaganda Machine and How It Distorts the Truth
What Liberal Media?: The Truth About Bias and the News
Blinded by the Right: The Conscience of an Ex-Conservative
Lapdogs: How the Press Rolled Over for Bush by Eric Boehlert
Uncovered - The Whole Truth About the Iraq War by Robert Greenwald
State of War: The Secret History of the CIA and the Bush Administration by James Risen
State of Denial: Bush at War, Part III by Bob Woodward
This Blatant Propaganda Hit Piece Has No Relation To FOX, But Does Smell of A Chicken Coup .......2007-05-23
There is nothing out of character in this absurd diatribe that does not reflect the ideology of the liberal political action group MoveOn[...] the original distributors of this DVD.
Even Howard Kurtz, a vociferous critic of FOX, commented that Greenwald's propaganda flick, posing as a documentary, made allegations against FOX that relied on "orders, or attitudes, of an unnamed "'they.'" Kurtz chastises Greenwald for not even providing the illusion of fairness or balance himself. "Not only did he avoid contacting FOX, and indulge in some misleading editing, but the film also features a parade of the network's liberal detractors," noted Kurtz.
Had Greenwald actually been interested in making a documentary, he might have bothered to check his facts, and in doing so, would have discovered that some of the "sources" for this "documentary" never worked for FOX News Channel. Those employees he did eventually bamboozle into appearing in his amateur Leni Riefenstahl propaganda flick represent fewer than ten out of 2,000 FOX employees spanning an eight year period.
I wonder what sort of reply Greenwald would get from ABC, NBC, CBS, PBS, MSNBC, CNBC, NPR, The Washington Post, The New York Times, The LA Times, asking for them to submit 100 percent of their editorial directions and internal memos? But then again, why would Greenwald be interested in exposing liberal media when their ideology mirrors his own.
Compared to the viewing audience of network TV news, FOX Channel barely registers at all. While it does trounce the other cable channels in ratings, it is a head scratch why Greenwald targeted a relatively tiny market share channel while ignoring the shameless propagandizing and biased news reporting that is de rigueur for network TV. Of course if you understand that Greenwald is a left wing ideologue, posing as a documentarian, in the mold of Michael Moore, it really isn't mysterious at all.
Average customer rating:
- ah! the world of journalism
- Michael Mann's most indepth ever
- A classic for all time
- A Story of Two Honorable Men in a World Gone Awry
- Awesome!
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The Insider
Starring:
Michael Paul Chan ,
Lindsay Crouse ,
Russell Crowe ,
Colm Feore , and
Michael Gambon
Manufacturer: Walt Disney Video
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ASIN: B00003CWRX
Release Date: 2000-04-11 |
Amazon.com essential video
As revisionist history, Michael Mann's intelligent docudrama The Insider is a simmering brew of altered facts and dramatic license. In a broader perspective, however, the film (cowritten with Forrest Gump Oscar-winner Eric Roth) is effectively accurate as an engrossing study of ethics in the corruptible industries of tobacco and broadcast journalism. On one side, there is Jeffrey Wigand (Russell Crowe), the former tobacco scientist who violated contractual agreements to expose Brown & Williamson's inclusion of addictive ingredients in cigarettes, casting himself into a vortex of moral dilemma. On the other side is 60 Minutes producer Lowell Bergman (Al Pacino), whose struggle to report Wigand's story puts him at odds with veteran correspondent Mike Wallace (Christopher Plummer) and senior executives at CBS News.
As the urgency of the story increases, so does the film's palpable sense of paranoia, inviting favorable comparison to All the President's Men. While Pacino downplays the theatrical excess that plagued him in previous roles, Crow is superb as a man who retains his tortured integrity at great personal cost. The Insider is two movies--a cover-up thriller and a drama about journalistic ethics--that combine to embrace the noble values personified by Wigand and Bergman. Even if the details aren't always precise (as Mike Wallace and others protested prior to the film's release), the film adheres to a higher truth that was so blatantly violated by tobacco executives seen in an oft-repeated video clip, lying under oath in the service of greed. --Jeff Shannon
Description
THE INSIDER recounts the chain of events that pitted an ordinary man against the tobacco industry and dragged two people into the fight of their lives. Academy Award(R)-winner Al Pacino (1990 Best Actor, SCENT OF A WOMAN; THE RECRUIT) gives a powerful performance as veteran 60 MINUTES producer Lowell Bergman and Academy Award(R) Winner Russell Crowe (2000 Best Actor, GLADIATOR; A BEAUTIFUL MIND) co-stars as the ultimate insider, former tobacco executive Dr. Jeffrey Wigand. When Wigand is fired by his employer -- one of the largest tobacco companies in America -- he agrees to become a paid consultant for a story Bergman is working on regarding alleged unethical practices within the tobacco industry. But what begins as a temporary alliance leads to a lengthy battle for both men to save their reputations, and much, much more. As they soon find out, Corporate America will use all legal means at its disposal to save a billion-dollar-a-year habit. And as the corporate giants soon find out, Bergman and Wigand are honorable men, driven to smoke out the evidence. Also starring Christopher Plummer (MALCOLM X) as anchor Mike Wallace and Gina Gershon (FACE/OFF), THE INSIDER will chill you with its cold, hard edge -- and thrill you with its unbelievable twists and turns.
Customer Reviews:
ah! the world of journalism.......2007-08-06
This is the true story of Jeffrey Wigand (Russell Crowe), a man who signed a confidentiality agreement before getting fired from a big tobacco company. Hotshot *60 minutes* producer Bergman (Al Pacino) asks Wigand to decipher some technical documents, and soon realizes there's a bigger story hiding inside Wigand.
On top of that, Wigand is recruited to testity in Mississippi for a case that claims cigarettes *are* addictive.
The *60 minutes* piece will eventually be pulled because of corporate pressure. Wigand deals with his personal dilemma, and Bergman battles the corporation.
Both men will struggle against Big Tobacco's attempts to silence them and against the CBS television network's cowardly complict preference of putting money as a higher priority over the truth.
True colors of journalism are shown throughout the film. Director Michael Mann has done a great job portraying journalistic realism. The actors are marvelous, no exception.
An emotionally intense drama which reveals the consequences of standing up for the truth.
Michael Mann's most indepth ever.......2007-07-27
This movies' attention to detail and its realistic vastness is a reflection of the brilliance that is Michael Mann. A must for anyone interested in great filmmaking
A classic for all time.......2007-07-04
One of the most important stories of the 20th century.
It didn't just change 'big tobacco'. It changed corporate ethics. Just look at the more ethical behaviour of 'big alcohol' today and you can trace its roots to the story of The Insider. It is an education to everyone in business. The events re-established the independence and proper role of the press as one of the pillars of civilised society.
Consumers world wide owe a great debt to Dr. Geoffrey Wigand, (the whistle blower) and Lowell Bergman, (the 60 Minutes producer). Two men who put their careers, even their lives on the line for an ethical principle and in defence of society. There are few such men or women. Their example should be emulated by all.
One of the best films of the 20th century. Such a story deserves excellence in its telling. Sharpe, it keeps you on the edge of your seat. Appropriately dramatised, the characterisation is convincing. This is not just a simple linear story, but multi-layered. To see the layers you need to watch it more than once. One layer missed by most reviewers is the contrast between the wives of the two men. One understanding and supporting, the other self-interested. The inevitable consequences are shown. How true to life we do not know, but that back story is worthy of its inclusion. If you want to learn the craft of story telling, be it in print radio or film, then learn from The Insider. Thanks to Michael Mann, Russell Crow and Al Pacino for its brilliant telling.
This is a story that should be known world-wide. A film that should be watched world-wide again and again. It is perfection is social education. A griping tale that teaches us all how to behave.
Dr. Wigand and Mr. Bergman, I salute you.
just Jack
A Story of Two Honorable Men in a World Gone Awry.......2007-03-15
THE INSIDER is so many things at once that it becomes hard to catalog them. It is, at the same time, a movie about two men who fight against the system and large corporations, a semi-historical account of the real life whistle blower who brought down the tobacco industry with the help of an intrepid news reporter and news agency, an examination of ordinary characters made into heroes by extraordinary pressures, and an exploration of journalistic ethics. At a little over two and one half hours, director Michael Mann manages to squeeze everything into a tightly woven film that delivers everything it promises.
The film opens up on a disconcerting image of cloth, only to realize that it is a head covering over the face of a man being escorted by armed soldiers through the dangerous streets of Lebanon. Who is the masked man? Where are they taking him? Finally, they reach their destination and the masked man is seated in a chair before Hezbollah leader, Sheikh Fadlallah. The meeting is about a possible interview between the Sheikh and 60 Minutes anchor, Mike Wallace. Despite his dangerous circumstances, the masked man is surprisingly bold in the negotiations and manages to secure the interview. The masked man is soon revealed to be none other than 60 Minutes produces, Lowell Bergman (Al Pacino).
Meanwhile, a tired executive makes his way home in an unexplained daze. We later find out that he is Jeffrey Wigand (Russell Crowe), a former head of research and development at tobacco giant Brown & Williamson, who has been recently fired for nonsense reasons. Wigand has an expensive life, two daughters (one with asthma), and the prospect of losing his job is tremendously hard to bear. The severance package they have offered him is limited, but does include medical. But everyone knows that no one hires ex-tobacco scientists in the health profession. Where will he find employment? How will he support his family?
With our two main protagonists situated and developed, the plot begins to thicken in order to bring our two heroes together. A package is mysteriously sent to Bergman containing insider tobacco documents. The only problem is that they are written in technical language. Bergman is given Wigand's name as a possible "translator," thus entwining our two protagonists for the rest of the film. After much cat & mouse, Wigand eventually agrees to meet with Bergman to discuss the job. Bergman's excellent instincts sense that there is a lot Wigand isn't sharing and he discovers the reason. Wigand has signed a confidentiality agreement with his former employer, agreeing not to talk about company business on pain of losing his severance and medical benefits. Slowly, Bergman begins the process of convincing Wigand to blow the whistle on his former employers.
What evolves is a classic tale rooted in real world events. The first half of the film is dedicated to getting Wigand to testify and give an interview for 60 Minutes, risking his family's life, financial well-being, and sanity along the way. Most films would have ended at this point, but with about an hour left to go, the film makes a dramatic turn, almost completely dropping Wigand out of the plot. Under threat of litigation, CBS News decides not to run Wigand's interview. Suddenly, Wigand is at risk of doing everything for nothing. Bergman is outraged by CBS's decision and the film follows his character's attempts to fight against CBS to get it released.
Hence, THE INSIDER is about two men who each fight their own respective corporations. But while one can't ignore the "man versus the machine" aspect of the film, ultimately it doesn't seem to be Mann's primary interest. What THE INSIDER truly focuses on is the character of our two protagonists. Wigand decides to testify and blow the whistle on his former employer because he has betrayed his values working for the company. He was a man of science and a man who worked for healthcare companies, he tells us early on, but who sold out for the money they offered him. Wigand is, at times, an uncomfortably honorable character and the film seeks to restore himself in his own eyes. Bergman is equally engrossing and, thanks to Pacino's superb performance, is, perhaps, even more inspiring to watch. CBS's threat not to release the material is not an attack on the freedom of the press or on Bergman's hard work. It is an attack on Bergman's personal integrity and honesty. "I have never burned a source," he tells us emphatically. Whatever Bergman promises, he delivers. And he shows us that he is willing to pay dearly in order to maintain that integrity.
The performances are brilliant all the way around in this film. Crowe's performance of a man pushed to the edge by extraordinary forces is brilliant. I was nervous in every scene he was in and wondered if he would snap at any minute. Pacino, as mentioned, is wonderful in his part, in a rather understated performance. Christopher Plummer seems to capture Mike Wallace completely. Though not many of us have had the chance to see Mike Wallace "off camera," there is a certain believability to the performance that is undeniable. No one gets to be the anchor of 60 Minutes unless he or she is prepared to play serious hardball. It was refreshing to see. Reminiscent of ALL THE PRESIDENT'S MEN, this film also manages to give you a very candid look into the making of broadcast news and all of the work that goes on behind the scenes (some of it quite dangerous) to produce a story. Michael Mann's directing is quite capable; the music and sound compliments the beautiful imagery; and the script is well crafted.
All in all, THE INSIDER is a great film that should have taken home some Oscars. I highly recommend it.
Awesome!.......2007-03-06
This is truly a GREAT movie--its story, acting (Pacino and Crowe are superb), directing, and set design. It has all the ingredients of a great true-to-life thriller. To some it will be quite an eye opener about the lengths the giant cigarette companies will go to protect and enhance their investment at the expense or harm of their loyal customers. Also, what happens when one of its scientist blows the whistle and the dire consequences that follow in his business and personal life. DON'T MISS THIS ONE! It's message and delivery are PERFECT.
Average customer rating:
- Important movie
- Warning: Live rabbit killed and skinned - very graphic scene
- Hey Michael, Moving Back To Flint-town?
- A Critique of Roger & Me and its Critics
- Good first try, but lots of rookie mistakes
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Roger & Me
Starring:
James Bond (IV) ,
Pat Boone ,
Anita Bryant ,
Karen Edgely , and
Bob Eubanks
Manufacturer: Warner Home Video
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Bowling for Columbine
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The Big One
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Fahrenheit 9/11
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An Inconvenient Truth
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The Awful Truth - The Complete DVD Set (Seasons 1 & 2)
ASIN: B00009YXAS
Release Date: 2003-08-19 |
Amazon.com essential video
Roger and Me is a loose, smart-alecky documentary directed and narrated by Michael Moore, an everyman host with a devastating wit and a working-class pose. When his hometown is devastated by the plant closure of an American corporate giant (making record profits, one should note), the hell-raising political commentator with a prankster streak tries to turn his camera on General Motors Chairman Roger B. Smith, the elusive Roger of the title, and the film is loosely structured around Moore's odyssey to track down the corporate giant for an interview.
While Moore ambushes his corporate subjects like a blue-collar Geraldo Rivera, a guerrilla interviewer who treasures his comic rebuffs as much as his interviews, his portraits of the colorful characters he meets along the way can be patronizing. The famous come off as absurdly out of touch (Anita Bryant appears for some can-do cheerleading, and hometown celebrity Bob Eubanks tells some boorish jokes), and the disenfranchised poor (notably an unemployed woman who sells rabbit meat to make ends meet) all too often appear as buffoons or hicks. But behind his loose play with the facts and snarky attitude is a devastating look at the victims of downsizing in the midst of the 1980s economic boom. This portrait of Reagan's America and the tarnish on the American dream comes down to a simple question: what is corporate America's responsibility to the country's citizens? That's a question no one at GM wants to answer. --Sean Axmaker
Customer Reviews:
Important movie.......2007-08-05
Moore's been telling it how it is for quite awhile now. Interesting look at some of the processes that have got us to our current level of "progress." The US, and its mega corporations, need to start taking a longer-term view of things, so that the rest of the world stops overtaking us at our own game....
Warning: Live rabbit killed and skinned - very graphic scene.......2007-07-24
I was very much enjoying watching Roger and Me until a live rabbit was killed and skinned in the movie! The scene seemed to go on forever.
What a shame that an otherwise great documentary was ruined by this unnecessary and offensive scene. The point could have been made without the graphic footage.
Hey Michael, Moving Back To Flint-town?.......2007-05-16
I live in Flint, MI currently but have only been here for 2 years. I am originally from CA and have lived in Hollywood, NYC and London, and relatively cultured and do not have a mullet, missing teeth nor do I kill rabbits in my yard. Whenever I tell people I live here they immediately quip, "Why FLINT? Have you seen Roger and Me?" I finally had to break down and watch it because I was so incredibly curious. This movie aggravates me the same way all of the people in the bars do with all of their complaining and blaming GM for their misery.
They should be blaming the unions because had they not pushed to pay people turning screws on the assembly line higher than the chemists at GM, GM might not have been forced to move to Mexico to stay afloat. Oh, and Michael Moore is full of it. One scene he claims to be in Flint is actually shot in Detroit so don't let him fool you. This movie is full of holes.
If he wanted to help this city so much he would not have portrayed it in such a negative light as he did. Not everyone here is dirt poor and not everyone lives in a shanty on the East side either. If Flint was suffering Flint Bishop airport would not have just expanded, the mall would not be growing, new shops would not be opening all the time.
The hotel opening shown in the movie is sad to me, because thanks to this movie no one would visit Flint and it closed down. Now it is used as a place people rent for weddings etc. and the whole downtown is an empty ghost town.
Ask Michael Moore why he has to travel with so many bodyguards and acts like a diva. Why he moved away from Flint to escape to his newfound wealth in New York or Western Michigan NOT stay and keep his money in Flint. GM gave people jobs, the unions forced GM to move by making ridiculous demands, and Michael Moore put a nail in Flint's coffin with this garbage. If he was so concerned about saving it, why then did he not put money back into it, and years later why has he not done a thing to help it instead of moving away just like good old Roger did?
Thanks to this movie, people might only ever remember Flint for what he painted it to be all those years ago so he could push his own career, and not the important place it once was or it could be if he hadn't stabbed it in the back for profit.
Actor Will Ferrell was just here over a week ago filming for his next movie at a small local bar downtown called The Torch so it should be interesting to see how that turns out.
A Critique of Roger & Me and its Critics.......2007-04-04
Although humorous and entertaining, one can understand why critics such as Pauline Kael and Harlan Jacobson have a problem with Michael Moore's approach to documentary filmmaking. Indeed, from the audience's perspective, almost everyone Moore interacts with in Roger & Me looks callous, short-sighted, or inane through his lens; albeit for good reason. In addition, once viewers become conscious of Moore's domineering edit techniques and chronological laxity, they may write off the valid arguments he does make. But if Moore strictly adhered to documentary ethics, would Roger & Me still have been the most successful documentary of its time? While there is no clean cut rebuttal to Moore's critics, each argument must be examined case by case, gauging their contextual validity.
Perhaps the most piercing evidence of Moore's manipulation is his decision to omit the dialogue between him and Roger Smith during the 1987 GM shareholders meeting. This point, in particular, is so pivotal because the film is driven by Moore's quest to speak with Roger Smith. Moore could have easily not attended the meeting and therefore not even mention it. This quandary alone realizes Moore's ability to direct the story as he pleases. As the scene unfolds in the film, Roger Smith appears to be ignoring Moore's presence despite Moore's plea for questions. Here, Moore shows conscious manipulation of an event; an indisputable example that he crossed the line. Problematic scenes on this order of magnitude can completely shatter the viewer's trust in Moore as a documentary filmmaker and what we see on screen. Jacobsen explains, "[Roger & Me] has the form of documentary...we expect that what we are seeing there happened, in the way in which it happened, in the way in which we are told it happened."
On the other hand, one problem Moore's critics are overlooking is that they are lumping Roger & Me into the largely diverse and loosely defined genre known as "the documentary," as if all films showing real footage of real people and events should be held to the same standards. Roger & Me is a hodgepodge of Bill Nichol's documentary modes beginning with the participatory where Moore comments on his personal upbringing and explains how he became involved in filmmaking. Most of Roger & Me progresses in participatory mode, however there are brief jaunts of expository mode where Moore recaps a series of events in "voice of God" narrative. The film climaxes in poetic mode with a carefully choreographed juxtaposition of Smith's warm Christmas message of giving against the harsh images and sounds of a family being evicted; eliciting a contradictory response to Smith's speech. If we also include Moore's style of slight manipulation, what typology of documentary is this?
Like fiction films, the documentary genre has become increasingly more complex and experimental; blurring the boundaries of its classification. Moore may have created a new sub-genre of documentary: one that combines Nichol's documentary modes in a heuristic visual essay where accurate historical representation is eclipsed by unbridled personal emotion. Interestingly, Moore calls Roger & Me "an entertaining movie that hopefully will get people to think a little bit about what is going on". If his intention is to galvanize the public, then does the end justify the means? Does the fact that Roger & Me became the all time best selling documentary upon its release, exposing millions of people to important social issues through the powerful medium of film, justify the bending of truth in his films? In retrospect, I agree with minor stipulation. Is it ok that Moore ambushes people who have no idea of his agenda? In response to Pauline Kael's article, I have no grievance with Moore's ambush interview technique towards people on the street or corporate PR representatives. Kael questions "what does Moore expect?" I doubt Moore expects an insightful and well articulated response from everyone he speaks to. However, Moore's strategy is effective at probing the collective consciousness of America for us to ponder. All too often companies are given ample prep time to strategize a self-serving spin to public inquiry. Moore's approach, in effect, catches them with their pants down. In response to Moore's truth bending, although I disagree with Moore, perhaps he believed it was the only way to reach a broad audience when traditional documentary films and grassroots newpapers were dwarfed by Hollywood blockbusters and mainstream media.
I am still somewhat at a loss in that I admire and respect Michael Moore for what he has achieved. Moore provides a voice for those in the lower rungs of our hierarchal society--he is confrontational, he probes routine corporate operations, he reminds us not to become too complacent in our daily lives. Still, some of his tactics are completely unethical and imposing. I believe Moore has the ability to make entertaining and socially introspective films without the problems mentioned. Whatever you call his films, one cannot deny that galvanizing public interest on social issues is a bad thing for America.
Good first try, but lots of rookie mistakes.......2007-03-12
Roger & Me debuted in 1988 and turned Michael Moore into an up-and-coming star in the populist media. Narrated and produced by Mr. Moore, it examines the economic decline of his hometown, Flint, Michigan, due to the closing of several GM plants. The name Roger refers to Roger Smith, the GM executive who was the force behind these closings. The movie starts by showing Moore's childhood in Flint, and how the city grew rich on the automobile business. Then came the announced closings. The movie shows film footage from these events, such as the corporate announcements themselves, news footage both local and national, and reactions from Flint residents. The movie then shows the gradual decline of the city such as store closings, bankruptcies, increased crime rates, and evictions of many citizens. Throughout this decline, Mr. Moore tries to find Roger Smith so he can meet with him, and convince him to visit Flint. Time and again Moore misses Roger, and the movie ends with him managing to confront Roger for several minutes at a banquet.
Interspersed throughout the movie are scenes of the wealthy citizens of Flint and how they are totally disconnected from the middle class and laid-off workers of Flint. Also interspersed is footage of the various ridiculous things Flint citizens do after GM leaves them, such as growing rabbits for meat.
The point that this movie seems to be trying to convey is that GM closed the plants to reopen them in Mexico to boost profits, and not to postpone corporate losses. It is here that movie is quite lacking in numbers and data. For example, the movie should have shown the price of GM stock during this time frame, and also GM's profit line before and after the plant closings. Another area where numbers would have helped is in showing Flint's decline. The movie should have shown employment rates, city tax earnings, and crime rates in Flint before and after the plant closings.
In conclusion, this is a good, but not great, muckraking movie. It is worth watching as a historical piece, and lends insight into the economic decline of the Midwest and Northeast.
Description
Off the Chain is an unprecedented look into the underground world of dog fighting. Beginning with a history of the American Pit Bull Terrier, the film explores the evolution of the breed. Classic film and television footage show the popularity of what was once considered a noble and trustworthy family pet. Examine how this breed went from America's dog to public enemy number one. Travel to the back alleys and dark corners of the inner city to expose the truth behind the breed's new status in pop culture; an urban symbol for violence, aggression and gang-life. The first documentary of it's kind; director Bobby J. Brown spent three years infiltrating the underground subculture of pit-bull fighting. Gaining the trust of well established dog men, they allowed him to film behind their dangerous veil of secrecy.
Customer Reviews:
Sad But True.......2007-09-17
I think this product is informative . Yes it is sad and has shocking video / images .But it speaks the truth .Punish the deed not the breed . Stop ignorant animal abusers from abuseing by having stricter stronger laws !The game dogs are also not bred the same as a normal happy American Pit Bull Terrier so who ever is interested in owning or knowning more about do your reserch so that you know what to look for in a well bred dog .
dogfighting / michael vick / roger goodell / arthur blank.......2007-08-29
I hv just learned about this movie online today.
i am afraid i don't hv the stomach to watch it myself, for i love and own dogs and cats all my life ( i can't live without dogs in my life ).
but,
i am going to buy two copys ( not amazon, Bezos!!), and hv it mail to Roger Goodell the commissioner of NFL and Arthur Blank, the owner of Atlanta Falcons, just to show them what their darling football QB MICHAEL VICK has done behind their back for the past seven yrs.
Does Not Promote Dog Fighting.......2007-08-27
To a few people who thought this movie promoted pitbull fighting, you are wrong. This is the complete opposite of what you thought this was about.
You need to watch this before judging and making a review about it.
This is a movie for those of you that would like to open your eyes to what is REALLY going on in the United States, possibly your own city too. Dog Fighting is a really scary thing and I hope this will show people what needs to be done to stop it. Interesting film about Dog Fighting with real dog fighters. More of a documentary that goes underground to show you what is real.
Disgusting.......2007-08-22
Capitalizing on the brutality, violence, and abuse of the dog fighting world for financial gain is ghastly. Selling this material supports and perpetuates this horrible industry and sends the wrong message about our society. Until Amazon stops distributing this and other dog and cockfighting materials, I cannot in good conscience give them my business, and I will urge friends and family to do the same.
Making money from this activity is wrong..........2007-08-18
... including selling this material online.
Until Amazon stops distributing dog and cock fighting materials, our family will do business elsewhere and urge friends and business associates to do likewise.
It is unsafe to encourage this activity and sends the wrong messages about our culture.
Average customer rating:
- Very Very Very Pathetic Delivery System
- A Master Piece
- Powerful
- Great Film, Jaded History.
- The Killing Fields
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The Killing Fields
Starring:
Sam Waterston ,
Haing S. Ngor ,
John Malkovich ,
Julian Sands , and
Craig T. Nelson
Director:
Roland Joffé
Manufacturer: Warner Home Video
ProductGroup: DVD
Binding: DVD
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Gandhi (Widescreen Two-Disc Special Edition)
ASIN: B00004RF82
Release Date: 2001-03-27 |
Amazon.com
This harrowing but rewarding 1984 drama concerns the real-life relationship between New York Times reporter Sidney Schanberg and his Cambodian assistant Dith Pran (Haing S. Ngor), the latter left at the mercy of the Khmer Rouge after Schanberg--who chose to stay after American evacuation but was booted out--failed to get him safe passage. Filmmaker Roland Joffé, previously a documentarist, made his feature debut with this account of Dith's rocky survival in the ensuing madness of the Khmer Rouge's genocidal campaign. The script spends some time with Schanberg's feelings of guilt after the fact, but most of the movie is a shattering re-creation of hell on Earth. The late Haing S. Ngor--a real-life doctor who had never acted before and who lived through the events depicted by Joffé--is outstanding, and he won a Best Supporting Actor Oscar. Oscars also went to cinematographer Chris Menges and editor Jim Clark. --Tom Keogh
Customer Reviews:
Very Very Very Pathetic Delivery System.......2007-09-11
I have ordered 2 DVDs on August 9, 2007 and today is September 11th 2007 but yet I have no clue about my DVDs. This is pathetic and very shameful thing for a name like AMAZON. I ask everyone not to buy anything before they commit you fast delivery.
I HAVE NOT RECEIVED MY DVDs YET.
A Master Piece.......2007-08-19
I've seen this movie more than 20 times since its release in the mid 80s. Its one of my top 10, equal to another master piece "The Ninth Configuration".
What really touched me is the true friendship between Sidney and Pran; one sacrificing for the other; a virtue rarely found in today's material world.
The commentary by the director is superb, adding another dimension to the humanity behind the story.
Powerful.......2007-08-16
Excellent, excellent film. Very powerful. The story focuses on a byproduct of the Vietnam War - the atrocities in Cambodia. We see the situation in its infancy as conditions go from bad to worse. From the perspective of a journalist, we bear witness to the atrocities on one hand and the will to survive on the other. The struggle to overcome external forces is on display here in full regalia. Five stars and worth every one.
Great Film, Jaded History. .......2007-08-03
I've of two minds on The Killing Fields. On the one hand, it is an excellent drama and an excellent movie. On the other, I could not stand its anti-American viewpoint and deliberate distortion of history. The Khmer Rouge were not caused by the American bombing of Cambodia. They had been around for decades and once empowered acted in a manner that is fairly common among communist totalitarians (see Mao and Stalin). If anything, the US bombing ended up delaying their takeover as it killed off 10,000 of their number and probably allowed the pro-western government to remain in power for an extra two years. Pol Pot was one of the more sinister and evil individuals to ever walk the earth but to pretend that a twisted person like that came about due to bombing is to completely misunderstand human psychology. The blasts at Nagasaki and Hiroshima were thousands of times worse than what transpired in Cambodia but produced no Japanese Pol Pots. Q.E.D.
At any rate, flawed historical account aside, this is a wonderful movie. You might not like the main character who is played masterfully by Sam Waterston, however. "Self-Righteous" Sid Schanberg's personality is very hard to take as he seems to be only capable of criticizing everything and everyone. He has little generative to say. Haing S. Ngor's portrayal of Dith Pran is superlative and he owns the second part of the movie which is a major reason why it is so memorable. One of the best elements in the film is its lingering sense of doom which one feels from the very beginning. You know what is coming and it's going to be a complete horror show. I think the mood and movement of The Killing Fields is the way in which it truly excels. The film also commemorates the 1.7 million people who lost their lives during the reign of Khmer Rouge which is a great achievement. We should be grateful that it does so.
The Killing Fields.......2007-07-09
Harrowing tale of man's appalling cruelty to man would seem incredible were it not true. Director Joffe crafts an authentic and intelligent portrayal of individual heroism, as Pran overcomes enormous hardship and suffering to seize his chance for freedom.. Both Waterston and Ngor (a non- professional actor who won an Oscar) are outstanding. A disturbing but important film.
Product Description
From days of long ago... Five misfit explorers are sent to Arus to find Voltron, a legendary mechanical warrior split into five robot lions by an ancient curse. Once they reach Arus, they soon discover that there is more to the legend than they had believed as they find themselves under attack from the dreaded Drule Empire under the leadership of the evil King Zarkon. Now it's up to Keith, Lance, Sven, Hunk, Pidge, and their new ally, Princess Allura to unearth the secrets of Voltron before it's too late. An all-new animated comic production!
Customer Reviews:
Don't waste your money.......2007-08-31
This is a horrible adaptation of a comic book to the small screen. Seriously, by the comic version!
Very dissapointed.......2007-08-24
I'm a huge Voltron fan from way back. I loved this comic book when it came out and was dissapointed that it ended before it's time. Now, for the review. Ever wonder why there aren't more comics turned into DVD versions? Yeah, that's cause it kind of sucks. Yeah, it's nice to hear all the sounds and music. But it's just the art from the comic manipulated to give a sense of animation. Lips don't move which is a little disorienting since you almost think people are talking in an inner monologue.
If you love the comic, just read the comic. The music and sound fx in your head will be way better than anything on this disc.
Excellent video.......2007-08-17
My kids loved the DVD! The artwork is great and kept their attention. They want to watch it over and over.
Animation or Video comic?.......2007-06-01
According to the website for Eagle One Media, the maker of this product, the company is a well known producer of video comics. That is comics shot to be played on a DVD format. That being the case, i wonder if that's what this product will turn out to be, as it is based on a series of Voltron produced comics going by the same name,'Revelations.' The website indicates that the product includes sound effects and actors' voices, which means, even if it is a video comic and not a feature-film animation, it will still, nonetheless have the feel of an animated feature film. I think potential buyers should be aware that is may not be an animated feature and bears no relation to the original makers, producers, etc. or the original Voltron cartoon series.
A must own dvd.......2007-05-24
if you love Voltron then the more you own the better off you are.
I just want them to hurry up with the last two lion sets the red one and then the black one. I am not sure what the black one will look like but i bet it will look cool.
a must own for everyone
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