Average customer rating:
- BORING
- A poor copy by any standard.
- Mediocre Remake by Blake Edwards... With a Few Surprises
- See the French Version
- Arguably Truffaut's Best Movie
|
The Man Who Loved Women
Starring:
Burt Reynolds ,
Julie Andrews ,
Kim Basinger ,
Marilu Henner , and
Cynthia Sikes
Director:
Blake Edwards
Manufacturer: Sony Pictures
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Similar Items:
-
The Man Who Loved Women
-
Little Miss Marker
-
A Fine Romance
-
Duet for One
-
S.O.B.
ASIN: B00005U8EP
Release Date: 2002-01-29 |
Customer Reviews:
BORING.......2007-02-23
Pacing is very important. Also, the actors must say interesting things and keep the thing moving along. Burt and Julie in her office, not saying much, is not good film making. But, the part with the dog stuck to Burt's hand is very funny (although not as good as the sex outfit in NEVER AGAIN). There are far better comedies out there: Jack Lemon's stuff for instance(UNDER THE YUM YUM TREE, GOOD NEIGHBOR SAM, THE OUT OF TOWNERS).
A poor copy by any standard........2000-03-14
In the climatic moment of one of the great film scripts of all time, "The Verdict" by David Mamet, attorney Edward Concannon (James Mason) implores the judge, "We can't be expected to accept a (photo)copy when we have the original." Many consider Truffaut's 1977 "L'homme qui aimait les femmes" a wonderful film. Anyone who has seen this original, need not venture to this 1983 remake, the land of Blake Edwards, his family and his friends.
This film likely falls under the category of `the studio still needs another film from me (Edwards) and I have not a single inspired idea'.
Don't get me wrong. I'm an avid fan of Edwards, and consider many of his films (notably Days of Wine and Roses, Breakfast at Tiffanys, S.O.B., and Operation Petticoat to ALL be amongst my favorites. Of course the Pink Panther series is a masterpiece in and of itself.
But this film is weak, and uninspired, laden with narrative-I've never really figured who came up with the idea of opening a `comedy' with the main character's funeral, and an accompanying heart-wrenching eulogy from one of his lovers.
Don't accept a copy when the original is available.
Mediocre Remake by Blake Edwards... With a Few Surprises.......1999-06-17
Blake Edwards's 1983 remake of Francois Truffaut's classic, "The Man Who Loved Women" (1977) has the basic elements of countless adult films: it plays like an extended male/female sexual fantasy. Male viewers may place themselves in the role of David Fowler (Burt Reynolds), the stud who can be loved, adored, and physically satisfied by scores of women at once; female viewers will adore Burt's sensitive, artistic, sexually aggressive male lover. Thus, on a psychological level, Edwards's film is completely unrealistic hogwash; it treats its subject with half-seriousness, half-camp, and becomes extremely dull. Blake Edwards scores in a few areas ignored by Truffaut, however; first, he includes a riotously funny subplot where Fowler travels to Texas and has an affair with an oilman's wife (Kim Basinger) who is turned on by sexual activity in high-risk places. (When Basinger tries to seduce Reynolds in an empty hotel room, he warns her, "Oh, no! I know how you operate. There's some sort of danger here, isn't there? What is there, an Elk's Club meeting here tonight?") Second, Edwards exploits Reynolds's image as the sweet-talking ladykiller to perfection; it becomes extremely satisfying to hear Reynolds wheedle his way into womens' lives with carefully-chosen words and phrases.
See the French Version.......1999-05-02
Too slick, hip and cool for my britches. An Americanization of a European classic that doesn't work. Funny for American audience tastes, but too physical, too materialistic in its approach for my liking.
There's a spiritual element to the Truffault version that's missing in the American one with Mr. Reynolds. The French one is more subtle, deeper and sincere.
Arguably Truffaut's Best Movie.......1999-03-22
Blake Edward's spoof of this movie is funny, but the original is much funnier. It's funny cuz it's true.
Average customer rating:
- The Man Who Loved Women
- A philanderer in France
- Too true . . . !
- Wholly fulfilling
- TRUFFAUT'S GIFT
|
The Man Who Loved Women
Starring:
Henri Agel ,
Chantal Balussou ,
Nella Barbier ,
Anne Bataille , and
Nathalie Baye
Manufacturer: MGM (Video & DVD)
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Day for Night
ASIN: B000053VBO
Release Date: 2001-01-23 |
Amazon.com essential video
Scientist Bertrand Morane, "never in the company of men after 5," seduces women by evening and writes about the experiences in the early morning. Though 40ish and somewhat square, no woman in the town of Montpelier seems capable of resisting his earnest advances. Not much else happens in The Man Who Loved Women, but in the hands of master visual storyteller François Truffaut, the threadbare plot accumulates deep and ominous philosophical resonances. What drives Morane from woman to woman, and what accounts for his remarkable success? Does he secretly dislike women and consider them interchangeable (as one of the more prurient characters charges, to Morane's genuine befuddlement), or is his enthusiasm a kind of celebration? Truffaut refuses to answer plainly, but does drop clues; as his camera focuses on everyday objects, many take on a chilling, otherwordly luster, and coldly foreshadow Morane's fate. A deceptively simple film, The Man Who Loved Women is neither an indictment nor an apology for philandering; rather, it's a courageous, lovingly detailed portrait of a complex, intelligent man suffering from an altogether intractable complaint. This film was clumsily remade in English in 1983 by Blake Edwards, with Burt Reynolds assuming the role played here with such understated skill by the wonderful Charles Denner. --Miles Bethany
Description
Renowned French director François Truffaut is "at the top of his form" (The Hollywood Reporter) in this whimsical, lively story about an eccentric casanova who loves every woman he meetsliterally! Irresistibly "charming" (Leonard Maltin) and "witty" (Independent Film Journal), thisplayful romantic comedy is heartwarming, hilarious and highly entertaining! Bertrand Morane (Charles Denner) is a ladies' man like no other. Wholly obsessed with the female species, he goesto outrageous lengths for the prospect of a fleeting romantic encounter. But when he documents all of his passionate flings in a racy autobiography, he piques the interestboth personally and professionallyof a beautiful and provocative editor named Genevieve (Brigitte Fossey). And as the two begin to play the game of proverbial predator and prey, Bertrand is surprised to discover that he might just be the one who gets trapped by true love!
Customer Reviews:
The Man Who Loved Women.......2007-07-05
Truffaut's pseudo-autobiographical romantic comedy concerns a man who, at least outwardly, has no particularly exceptional qualities. And yet his persistence, frankness, and attentiveness to the physical attributes of the various women he encounters--played by Fossey, Natalie Baye, and Nelly Borgeaud--result in his becoming a rather roguish ladies' man. Denner--unsmiling, helplessly leering, yet somehow charming--was a perfect choice for the role, and there's a lot more to the story than conquest. As Bertrand writes about his life, he discovers dissatisfaction at the heart of his enterprise, a revelation Truffaut turns into bittersweet irony. For a witty take on the frustrations of love, hang with "The Man Who Loved Women."
A philanderer in France .......2007-03-23
The adventures of a womanizer in France. There are many interesting elements here, some too subtle, about human nature. How women fall for him so quickly. When he asks them something it's like his life depended on it, and they can't refuse. They love to be desired with such intensity, however short that relation will last. And he goes from one to another; every woman has something different that no other woman has, and he wants them all. He can't settle with one.
It's all very funny, but at the same time it makes one think of a great void that nothing and nobody can fill. It may be women, or anything else; but there is never enough of it to fill that void.
The film is a bit too long (2 hours,) and has its ups and downs, but overall is a good entertainment.
Too true . . . !.......2006-03-19
All I can say is ... great! But do NOT see this film with a date ... or even your wife! Most women I've known don't get the poignance of the hero's obsession ... not at all!
Wholly fulfilling.......2005-03-16
Somehow it's difficult to say anything useful about this film. It is so well made, so well told, that it leaves me merely with a sense of completeness. There is no real "plot", and it is senseless to give a pedestrian outline of what does or does not happen. I must have seen it when it came out, perhaps about 1977, and have not been able to forget it. It is, somehow, a perfectly made presentation of one man's life: insignificant yet universal, simultaneously realistic, surrealistic, artistic, fantastic, true yet imaginative. I was staggered to see that an apparently bone-headed remake by Blake Edwards, a clumsy and insensitive film-maker --- think of what a misuse of Peter Sellers' talents the Pink Panther series was! --- had attempted either to spoof it, or to exploit it. Well, I haven't seen his remake, but I can imagine it as the crudest possible American bludgeoning of French finesse. This masterpiece by Truffaut is an utterly fascinating account of the enigma of the male-female human relationship --- far, far superior in its own terms to anything produced in the English-speaking world.
TRUFFAUT'S GIFT.......2005-01-25
Only a director's with TRUFFAUT's sensibility could actually manage to make an interesting movie with a subject like this.BERTRAND MORANE, the character like his creator had plenty of women in his life.Read the biography written by ANTOINE De BAECQUE for details.This film can be considered as his last personnal film, even if it is not related to the DOINEL series.It is not surprizing that TRUFFAUT likes the voice off device which reached it's zenith with TWO ENGLISH GIRLS and SUCH A GEORGEOUS KID LIKE ME.His ironic nature almost commands such a device.THE MAN WHO LOVED WOMEN is a medium TRUFFAUT ,worth seeing as a funny explorations of his themes.You can actually see the director rapidly passing by at the beginning of the movie.I would have liked BRIGITTE FOSSEY's character more fully developped.To resume TRUFFAUT in a simple way,one can say that he often created strong women characters over weak men who are often survivors or victims.But nothing is never that simple...
Average customer rating:
- BORING
- A poor copy by any standard.
- Mediocre Remake by Blake Edwards... With a Few Surprises
- See the French Version
- Arguably Truffaut's Best Movie
|
The Man Who Loved Women [Region 2]
Starring:
Burt Reynolds ,
Julie Andrews ,
Kim Basinger ,
Marilu Henner , and
Cynthia Sikes
Director:
Blake Edwards
ProductGroup: DVD
Binding: DVD
French
| By Original Language
| Art House & International
| Genres
| DVD
| Video
Andrews, Julie
| ( A )
| Actors & Actresses
| Stores
| DVD
| Video
Basinger, Kim
| ( B )
| Actors & Actresses
| Stores
| DVD
| Video
Carroll, Jill
| ( C )
| Actors & Actresses
| Stores
| DVD
| Video
Corbin, Barry
| ( C )
| Actors & Actresses
| Stores
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| Video
Crosby, Denise
| ( C )
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| Video
Edwards, Jennifer
| ( E )
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Henner, Marilu
| ( H )
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Manne, Shelly
| ( M )
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| Video
Reynolds, Burt
| ( R )
| Actors & Actresses
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| DVD
| Video
Sikes, Cynthia
| ( S )
| Actors & Actresses
| Stores
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Ward, Sela
| ( W )
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| Stores
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Edwards, Blake
| ( E )
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French
| By Original Language
| Foreign & International
| Stores
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( M )
| Titles
| Features
| DVD
| Video
Similar Items:
-
The Man Who Loved Women
-
Little Miss Marker
-
A Fine Romance
-
Duet for One
-
S.O.B.
ASIN: B00009XW8B |
Customer Reviews:
BORING.......2007-02-23
Pacing is very important. Also, the actors must say interesting things and keep the thing moving along. Burt and Julie in her office, not saying much, is not good film making. But, the part with the dog stuck to Burt's hand is very funny (although not as good as the sex outfit in NEVER AGAIN). There are far better comedies out there: Jack Lemon's stuff for instance(UNDER THE YUM YUM TREE, GOOD NEIGHBOR SAM, THE OUT OF TOWNERS).
A poor copy by any standard........2000-03-14
In the climatic moment of one of the great film scripts of all time, "The Verdict" by David Mamet, attorney Edward Concannon (James Mason) implores the judge, "We can't be expected to accept a (photo)copy when we have the original." Many consider Truffaut's 1977 "L'homme qui aimait les femmes" a wonderful film. Anyone who has seen this original, need not venture to this 1983 remake, the land of Blake Edwards, his family and his friends.
This film likely falls under the category of `the studio still needs another film from me (Edwards) and I have not a single inspired idea'.
Don't get me wrong. I'm an avid fan of Edwards, and consider many of his films (notably Days of Wine and Roses, Breakfast at Tiffanys, S.O.B., and Operation Petticoat to ALL be amongst my favorites. Of course the Pink Panther series is a masterpiece in and of itself.
But this film is weak, and uninspired, laden with narrative-I've never really figured who came up with the idea of opening a `comedy' with the main character's funeral, and an accompanying heart-wrenching eulogy from one of his lovers.
Don't accept a copy when the original is available.
Mediocre Remake by Blake Edwards... With a Few Surprises.......1999-06-17
Blake Edwards's 1983 remake of Francois Truffaut's classic, "The Man Who Loved Women" (1977) has the basic elements of countless adult films: it plays like an extended male/female sexual fantasy. Male viewers may place themselves in the role of David Fowler (Burt Reynolds), the stud who can be loved, adored, and physically satisfied by scores of women at once; female viewers will adore Burt's sensitive, artistic, sexually aggressive male lover. Thus, on a psychological level, Edwards's film is completely unrealistic hogwash; it treats its subject with half-seriousness, half-camp, and becomes extremely dull. Blake Edwards scores in a few areas ignored by Truffaut, however; first, he includes a riotously funny subplot where Fowler travels to Texas and has an affair with an oilman's wife (Kim Basinger) who is turned on by sexual activity in high-risk places. (When Basinger tries to seduce Reynolds in an empty hotel room, he warns her, "Oh, no! I know how you operate. There's some sort of danger here, isn't there? What is there, an Elk's Club meeting here tonight?") Second, Edwards exploits Reynolds's image as the sweet-talking ladykiller to perfection; it becomes extremely satisfying to hear Reynolds wheedle his way into womens' lives with carefully-chosen words and phrases.
See the French Version.......1999-05-02
Too slick, hip and cool for my britches. An Americanization of a European classic that doesn't work. Funny for American audience tastes, but too physical, too materialistic in its approach for my liking.
There's a spiritual element to the Truffault version that's missing in the American one with Mr. Reynolds. The French one is more subtle, deeper and sincere.
Arguably Truffaut's Best Movie.......1999-03-22
Blake Edward's spoof of this movie is funny, but the original is much funnier. It's funny cuz it's true.
Amazon.com essential video
Scientist Bertrand Morane, "never in the company of men after 5," seduces women by evening and writes about the experiences in the early morning. Though 40ish and somewhat square, no woman in the town of Montpelier seems capable of resisting his earnest advances. Not much else happens in The Man Who Loved Women, but in the hands of master visual storyteller François Truffaut, the threadbare plot accumulates deep and ominous philosophical resonances. What drives Morane from woman to woman, and what accounts for his remarkable success? Does he secretly dislike women and consider them interchangeable (as one of the more prurient characters charges, to Morane's genuine befuddlement), or is his enthusiasm a kind of celebration? Truffaut refuses to answer plainly, but does drop clues; as his camera focuses on everyday objects, many take on a chilling, otherwordly luster, and coldly foreshadow Morane's fate. A deceptively simple film, The Man Who Loved Women is neither an indictment nor an apology for philandering; rather, it's a courageous, lovingly detailed portrait of a complex, intelligent man suffering from an altogether intractable complaint. This film was clumsily remade in English in 1983 by Blake Edwards, with Burt Reynolds assuming the role played here with such understated skill by the wonderful Charles Denner. --Miles Bethany
Customer Reviews:
The Man Who Loved Women.......2007-07-05
Truffaut's pseudo-autobiographical romantic comedy concerns a man who, at least outwardly, has no particularly exceptional qualities. And yet his persistence, frankness, and attentiveness to the physical attributes of the various women he encounters--played by Fossey, Natalie Baye, and Nelly Borgeaud--result in his becoming a rather roguish ladies' man. Denner--unsmiling, helplessly leering, yet somehow charming--was a perfect choice for the role, and there's a lot more to the story than conquest. As Bertrand writes about his life, he discovers dissatisfaction at the heart of his enterprise, a revelation Truffaut turns into bittersweet irony. For a witty take on the frustrations of love, hang with "The Man Who Loved Women."
A philanderer in France .......2007-03-23
The adventures of a womanizer in France. There are many interesting elements here, some too subtle, about human nature. How women fall for him so quickly. When he asks them something it's like his life depended on it, and they can't refuse. They love to be desired with such intensity, however short that relation will last. And he goes from one to another; every woman has something different that no other woman has, and he wants them all. He can't settle with one.
It's all very funny, but at the same time it makes one think of a great void that nothing and nobody can fill. It may be women, or anything else; but there is never enough of it to fill that void.
The film is a bit too long (2 hours,) and has its ups and downs, but overall is a good entertainment.
Too true . . . !.......2006-03-19
All I can say is ... great! But do NOT see this film with a date ... or even your wife! Most women I've known don't get the poignance of the hero's obsession ... not at all!
Wholly fulfilling.......2005-03-16
Somehow it's difficult to say anything useful about this film. It is so well made, so well told, that it leaves me merely with a sense of completeness. There is no real "plot", and it is senseless to give a pedestrian outline of what does or does not happen. I must have seen it when it came out, perhaps about 1977, and have not been able to forget it. It is, somehow, a perfectly made presentation of one man's life: insignificant yet universal, simultaneously realistic, surrealistic, artistic, fantastic, true yet imaginative. I was staggered to see that an apparently bone-headed remake by Blake Edwards, a clumsy and insensitive film-maker --- think of what a misuse of Peter Sellers' talents the Pink Panther series was! --- had attempted either to spoof it, or to exploit it. Well, I haven't seen his remake, but I can imagine it as the crudest possible American bludgeoning of French finesse. This masterpiece by Truffaut is an utterly fascinating account of the enigma of the male-female human relationship --- far, far superior in its own terms to anything produced in the English-speaking world.
TRUFFAUT'S GIFT.......2005-01-25
Only a director's with TRUFFAUT's sensibility could actually manage to make an interesting movie with a subject like this.BERTRAND MORANE, the character like his creator had plenty of women in his life.Read the biography written by ANTOINE De BAECQUE for details.This film can be considered as his last personnal film, even if it is not related to the DOINEL series.It is not surprizing that TRUFFAUT likes the voice off device which reached it's zenith with TWO ENGLISH GIRLS and SUCH A GEORGEOUS KID LIKE ME.His ironic nature almost commands such a device.THE MAN WHO LOVED WOMEN is a medium TRUFFAUT ,worth seeing as a funny explorations of his themes.You can actually see the director rapidly passing by at the beginning of the movie.I would have liked BRIGITTE FOSSEY's character more fully developped.To resume TRUFFAUT in a simple way,one can say that he often created strong women characters over weak men who are often survivors or victims.But nothing is never that simple...
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