Rushmore - Criterion Collection

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Wes Anderson's follow-up to the quirky Bottle Rocket is a wonderfully unorthodox coming-of-age story that ranks with Harold and Maude and The Graduate in the pantheon of timeless cult classics. Jason Schwartzman (son of Talia Shire and nephew of Francis Coppola) stars as Max Fischer, a 15-year-old attending the prestigious Rushmore Academy on scholarship, where he's failing all of his classes but is the superstar of the school's extracurricular activities (head of the drama club, the beekeeper club, the fencing club...). Possessing boundless confidence and chutzpah, as well as an aura of authority he seems to have been born with, Max finds two unlikely soulmates in his permutations at Rushmore: industrial magnate and Rushmore alumnus Herman Blume (Bill Murray) and first-grade teacher Rosemary Cross (Olivia Williams). His alliance with Blume and crush on Miss Cross, however, are thrown out of kilter by his expulsion from Rushmore, and a budding romance between the two adults that threatens Max's own designs on the lovely schoolteacher.

Never stooping to sentimentality or schmaltz, Anderson and cowriter Owen Wilson have fashioned a wickedly intelligent and wildly funny tale of young adulthood that hits all the right notes in its mix of melancholy and optimism. As played by Schwartzman, Max is both immediately endearing and ferociously irritating: smarter than all the adults around him, with little sense of his shortcomings, he's an unstoppable dynamo who commands grudging respect despite his outlandish projects (including a school play about Vietnam). Murray, as the tycoon who determinedly wages war with Max for the affections of Miss Cross, is a revelation of middle-aged resignation. Disgusted with his family, his life, and himself, he's turned around by both Max's antagonism and Miss Cross's love. Williams is equally affecting as the teacher who still carries a torch for her dead husband, and the superb supporting cast also includes Seymour Cassel as Max's barber father, Brian Cox as the frustrated headmaster of Rushmore, and a hilarious Mason Gamble as Max's young charge. Put this one on your shelf of modern masterpieces. --Mark Englehart

Description

Wes Anderson's dazzling sophomore effort is equal parts coming-of-age story, French New Wave homage, and screwball comedy. Tenth grader Max Fischer (Jason Schwartzman) is Rushmore Academy's most extracurricular student-and its least scholarly. He faces expulsion, and enters into unlikely friendships with both a lovely first-grade teacher (Olivia Williams) and a melancholy self-made millionaire (Bill Murray, in an award-winning performance). Set to a soundtrack of classic British Invasion tunes, Rushmore defies categorization even as it captures the pain and exuberance of adolescence with wit, emotional depth, and cinematic panache. Criterion is proud to present one of 1998's most acclaimed films in a Director Approved special edition.

Customer Reviews:

Divine Comedy.......2007-09-08

This is going to be a little hyperbolic, so stand back.

I think that at the heart of it, the thing that I love about this movie is that it does what real comedy is supposed to do: It allows us to be witnesses at the creation of a new society. Ultimately...this is an eschatological point. That's why the banner at the dance at the end: "The Heaven and Hell Cotillion" was such an uncommonly brilliant touch.

The unique genius of the character of Max Fischer is that, without being a solemn watery-eyed plonk about it, he brings people together. He is a failure in academics, but the form that his manic inclusiveness takes is to create weirdly elaborate stage productions at his school and to found school clubs around the full variety of things that could possibly interest anyone...including beekeeping. At first, his inclusiveness is imperfectly benevolent because it involves pretense (He's ashamed of his father, and he spurns the attentions of a girl his age in favor of the mild and beautiful teacher Olivia Williams) but later, as the result of among other things his crushed romantic ambitions, he reforms himself and even befriends the most malevolent character on campus by giving him a great role in one of his bizarre and spectacular theatrical productions.

No review of this movie would be complete without mention of Bill Murray's performance. He was perfectly employed as the cynical industrialist that also falls for Olivia Williams and comes under the spell of Max Fischer. If you thought Murray was good in "Lost in Translation"...this role is in some ways the same, except much funnier, much sadder, much richer, much more humane.

At the end of Max's last school play (about Vietnam and complete with real dynamite explosions and safety glasses for the first few rows in the theatre), an Indian janitor is shown laughing uproariously. This scene was pure heaven to me. That is the laugh I expect to hear at the end of the world when it's found that there is a place at the table for everyone.

Wish I went to Rushmore.......2007-07-07

If you were lucky, you went to a school like Rushmore (K-12), if schools like this really exist. Neat, tree-lined streets where one can watch the seasons go by, a culturally diverse and self-motivated student body, eager to learn. One doesn't need a bathroom pass to use the restroom or special permission to make a phone call. They still teach Latin, every imaginable after-school club including a bee-keepers society and a drama club run solely by students and produces extremely realistic plays. The absence of authoritarian teachers and faculty, security guards and metal detectors. A large aquarium on grounds with piranhas.

Get Them In Your Crosshairs And Take Them Down..........2007-06-24

This is probably my favorite movie of all time.
The story concerns one Max Fischer, 15 years old, student at the illustrious Rushmore Academy. But Max is not your average student- he's one of the worst.
Max (Schwartzman) befriends wealthy industrialist Herman Bloom (Murray), and falls in love with Rushmore's newest teacher, Rosemary, a widow from England, and unleashes some truly machiavellian schemes to get her to fall in love with him, (including trying to build an unauthorized aquarium for her on school grounds, backed by Mr. Bloom's millions), getting himself expelled in the process. Meanwhile, the married Herman also falls in love with her and they begin to have an affair, which sets off one of the funniest sequences in American film history; watching a 50 year-old man being attacked by bees that have mysteriously invaded his hotel room and intentionally running over a 15 year old boy's bicycle always makes me smile.
In the end, Max learns alot about life and love and friendship and all of that, and makes peace with Mr. Bloom, Rosemary, the memory of his deceased mother and the end of his tenure at Rushmore Academy. While watching, ask yourself why Max does what he does, why he never wants to leave Rushmore- his reason, never stated, is among the most touching aspects of a character that I have ever seen in any movie.
The soundtrack is truly amazing, as with all of the Wes Anderson films; check out The Who singing "A Quick One While He's Away."
The best thing I can say about this movie is that most people will see a bit of themselves and the people they know in the characters. Truly a wonderful film.

One of the most original and entertaining comedies of the '90s..........2007-05-23

Since making his directing debut with the 1996 cult caper film "Bottle Rocket," Wes Anderson has established himself as one of film's most exciting young directors. His second film, "Rushmore," is a witty, heartfelt and often amusing film that features a hilarious performance by Bill Murray.

Anderson wrote the quirky script with his right-hand man, actor Owen Wilson, with whom he also collaborated on "Bottle Rocket" and "The Royal Tenenbaums." The story follows the trials and travails of high school student Max Fischer (Jason Schwartzman), a sharp kid who focuses his attention on a plethora of offbeat extracurricular pursuits (fencing club, Latin, playwriting) rather than his studies.

In between attending to his various activities at Rushmore (the name of the private school he attends), Max develops a crush on Miss Cross (Olivia Williams), an elementary school teacher at his school. He also befriends Herman Blume (Bill Murray), an eccentric millionaire whose two sons attend school with Max.

Things soon fall apart for Max: The school expels him, Miss Cross denies his flirtations, and Blume begins courting Miss Cross himself. That sets up an extremely funny tete-a-tete between Max and Blume, highlighted by the scene in which Blume runs over Max's bike with his car.

As the intriguing love triangle of Max, Blume and Miss Cross plays out, Max finds solace in his caring father and a female student at his new school. The ending, which features all the characters coming together to watch Max's newest play, is entirely satisfying without being hokey or cynical.

Schwartzman, the nephew of director Francis Ford Coppola ("The Godfather"), exhibits a great knack for comedy throughout "Rushmore." But Murray steals the show with a masterfully funny turn that scored him a Golden Globe Nomination and Independent Spirit Award for Best Supporting Actor. In one unforgettable scene, Herman suggests that his sons invite Max to their birthday party. "There's gonna be girls there," replies one. "Yeah," adds the other, "Get your head out of your a--." Murray's initial deadpan reaction will have you howling; his subsequent reach into the back seat to pummel his son will have you rolling on the floor.

Anderson, who captured the Independent Spirit Award for Best Director, exhibits a sense of craft that's rare for comedic directors. Rather than depend solely on physical gags or even amusing one-liners, Anderson uses set direction, art direction and music to enhance his vision. Even if your sense of humor doesn't jive with Anderson's, you'll walk away from "Rushmore" with an appreciation for his careful attention to detail.

You either love it or hate it........2007-05-12

You have to love the little moments because this movie is made of little moments. I watched this before I knew it was a comedy and when I found out it was I figured they just couldn't think of anywhere else to put it. This movie makes me feel like there are lots of things moving and changing that have nothing to do with me. A lot of people say they don't like the movie because they think Max is a prick. You're supposed to feel that way, I think. You're supposed to forgive him for that because he's got something special in him, or at least that in his case he knows about it. But it also seems like some people don't like the movie because it's different. I guess that if you're patient and you like the little things, you'll enjoy this movie. Also, if you feel like you're left out or sort of an outcast you might enjoy this movie. You know, the kind of person that doesn't have red or hammer as the first thing they think of when you ask them for a tool and a color.

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