Hostel - Part II (Unrated Widescreen Edition)

Customer Reviews:

The Gore the Merrier.......2007-09-12

How this film got released into theatres with an 'R' rating I have no idea (and that is a strong compliment). How this DVD can be released as a unrated edition blows my mind. That tells me something has been added to it to create an even more shocking film. This is by far the most brutal film I have ever seen. The best part is Heather Matarazzo getting bled in an homage to the Countess Bathory. Eli knows exactly what he is doing. He knows exactly what he is creating. Do not be fooled into thinking he is an irresposible film maker (as he has been called) out there making gore films. He is brilliant, and this films proves it.

Hostel 2 missing its mark........2007-09-11

If you've seen the first one, then you've pretty much seen this one. Yeah the plot(sure a plot) is almost identical. There are how ever some differences. Hostel 1's victims were all guys-Hostel 2 all girls. There were some other things revealed in this movie such as the network of people involved in making the warehouse run and who the people are that do the torturing and how they bid(in a similar fashion to an online auction site) to buy their spot in the torture room. Victims sex and nationality determine the price and competitivness of the auction.
Besides all that there was nothing really shocking about this movie, including the ending. Contrary to TV spot hype claiming to have the most disturbing or shocking ending in horror movie history. Yeah, not so much on that.
Frankly I was disappointed in this film, because the first movie was so uneasy to watch, even for a horror movie veteran like myself. You see in Hostel 1, you went on the journey to discover things first hand, all the horrors of the warehouse. from seeing what goes on in some of the other rooms, the sadisticness of the tormentors, the creepy setting of the old warehouse, even the old fat guy in the leather apron disposing of all the body parts in the incinerator. Hostel 1 tested your senses, and pushed the envelope to have it catagorized as horror/gore porn. And for the surviving character, as a audience member you were there to watch him fight his way to freedom, and even encounter other equally gross and uneasy situations, such as rescuing the asian girl. I admit that was a colon clinching scene.
Hostel 2 shows some other inventive ways to torture someone to death, including blood letting by use of a farming scyth.
Those of you looking to see gore in this film, yeah there is some, as in Hostel 1, but the uneasy feel of tension just wasnt there and the ending was such a disappointment. There was no fight for freedom, doing what it takes to get out. Nope, instead it was a buy off. do you want that in dollars or Euros?
Oh right and the shocking ending? If you guys want to see another on screen degroining watch "make them die slowly a.k.a Cannibal Ferox" or even "Sin City"
This Review is based on the theatrical release version of the film, I'm hoping that the unrated version will include an alternate ending that will be a little bit more action packed.
Bottom Line........Nothing you haven't seen before, good directing, crap for an ending.

Very violent and (surprisingly) suspenseful. VERY EFFECTIVE. An improvement over the 1st film........2007-09-10

Horror sequels usually fail do add anything interesting to the film(s) that came before simply because studios insist on the mere delivering of the same. It is like if they could isolate the things that worked and started reproducing it over and over. That's nothing new with that and any FRIDAY THE 13TH fan (like me) knows about that.

But Hostel 2 did a better job than most sequels usually do and it's a pity the film did not perform at the box office as expected... because this film actually very good.

After a brief intro starting exactly where the first film ended (where we see what happens with the guy who survived after he comes back home) there we go again to Europe where we meet three new will-be-victims (this time girls) as they fall into the same scheme.

Until then, nothing new.

But then... the narrative splits and we start to follow a secondary set of characters: the clients who paid for them. That is a very interesting change. And that is just the start of a great horror screenplay with a couple of really genuine well written twists. In products like this film, that level of quality is rare.

Now... I found it as violent as the first film. Meaning that the make-up and prosthetics are (as usual) made to shock. All other elements are equally fine.

This is one of the best sequels out there.
And it is worth a look.

Miserable film.......2007-09-07

i loved the first Hostel. the seamless shift of perspective from a EuroTrip knock-off to an extremely original and deeply disturbing horror film was nothing short of brilliant. characters were assembled (and disassembled) perfectly. i ended up cheering for the character i hated the most and the ending had me shaking with joy.

everything the first movie established, the second destroyed. our hero should not have re-occurred the way he did. not gonna spoil it, but it basically ruins his accomplishments from the previous movie, on top of being pretty damn silly. the movie is filled with silliness, though. from members of the world's most secret and illegal organization bidding for human lives on park benches and at board meetings to the very end of the film, everything's downright cartoony. it almost seems like they were trying to make more of a comedy than a horror film. now, if anything were actually funny, i'd be fine with that. but it simply isn't, and it's awful tedious to put up with such goofiness when you're expecting horror.

i was excited to see women in the situation the male leads found themselves in in Hostel, and i was even more excited to see through the eyes of the customers (the commercial where one asks what his friend is going to do to his victim and his friend say "you don't even want to know" had me salivating). but, alas, they bombed on characterization. the women are just meat puppets. i didn't care about them at all until they started getting slaughtered. the customers had a bit of an interesting dynamic, and one of them actually bordered on likable, but they ultimately had very small parts, and by the time they actually get into anything, the film's been frustrating you for over an hour and is almost over.

the content is over-the-top. not that i really have a problem with it, but there's some stuff that's worse than the stuff in Hostel. if that film was your limit, you may not be able to handle this. just a minor note.

in conclusion, avoid this film if you can. really, the only reason you should end up watching it after being properly informed is if you're chained to a chair, ironically

Not as bad as some say........2007-08-30

The problem with this movie is that you pretty much know whats going on because you saw the first one. The first one caught you by surprise because it started off as a road trip type comedy, with sex, weed, and (remember "The King of Swing"). Then people didn't start missing until the mid-point of the movie.

The story would make a dfficult sequel and I think Eli Roth did a decent job. What seperates Hostel from other Horror flicks and what makes it difficult for the sequel to be any where near as good as the first is that it's not a movie with "One Main Killer" that you can somehow figure out a way to bring them back in the sequel. - It's a movie about "An Orgination that captures and sells Humans to their Clients so they can enjoy killing them." - Making a sequel to that without making the exact same movie had to be a challange.

So, what Eli Roth did in Part II was introduce you to the other side. While Part I focused on the victims, Part II focus more on the killers - how they prepare the day before, how the victim goes to the highest bidder, how newbie's get their hound dog tatoo, etc. (sort of puts to rest the mystery of why so many faces appear on milk cartons in America) - It also brings back Jay Hernandez' character (The survivor from Part I)

Think about it. If you saw Part I, then what's left to see? Those were my thoughts when I first heard they were doing a sequel. So for those that gave it a bad rating, what were you expecting? Personally I think Roth did a good job to say the original didn't leave much for a sequel to develope. It didn't have the gore like Part I, but IMO gore and extra blood doesn't make a good movie - anybody can add gore and blood to a flick. In order to like this movie you have to appreciate the story.

Average customer rating:

Chick Buddy Flick
THELMA & LOUISE DVD
Received the wrong edition
A CLASSIC ROAD FILM
You get what you settle for...

Thelma & Louise (Special Edition)
Starring: Susan Sarandon , Geena Davis , Harvey Keitel , Michael Madsen , and Christopher McDonald
Director: Ridley Scott
Manufacturer: MGM (Video & DVD)
ProductGroup: DVD
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ASIN: B00007BKVC
Release Date: 2003-02-04

Amazon.com essential video

Thelma & Louise is a feminist manifesto writ large on the big screen, a smart and funny gender reversal of the standard Hollywood buddy formula, a road movie extraordinaire, with characters who became instant cultural icons. No matter how you define it, Ridley Scott's 1991 box-office hit pinched a nerve and made the cover of national news magazines for tweaking gender politics like no movie before or since. Callie Khouri's screenplay overhauls the buddy formula with its story about two best friends (Susan Sarandon and Geena Davis) who embark on a liberating adventure that turns into an interstate police chase after a traumatic incident makes both women into fugitives; they are en route to a destiny they could never have imagined. The perfect casting of Sarandon and Davis makes Thelma & Louise a movie for the ages, and Brad Pitt became an overnight star after his appearance as the con-artist cowboy who gives Davis a memorable (but costly) night in a roadside motel. --Jeff Shannon

Description

Directed by action master Ridley Scott (Hannibal, Gladiator, Black Hawk Down) from an Oscar(r)-winning* screenplay by Callie Khouri, Thelma & Louise is an "exhilarating" (The Washington Post), full-throttle adventure hailed as one of the best road movies of all time! Susan Sarandon and Geena Davis star as accidental outlaws on a desperate flight across the Southwest after a tragic incident at a roadside bar. With a determined detective (Harvey Keitel) on their trail, a sweet-talking hitchhiker (Brad Pitt) in their path and a string of crimes in their wake, their journey alternates between hilarious, high-speed thrill ride and empowering personal odyssey even as the law closes in. *1991: Original Screenplay

Customer Reviews:

Chick Buddy Flick.......2007-08-09

It is a chick buddy flick but done pretty well and with some nice twists and turns. Worth watching over.

THELMA & LOUISE DVD.......2007-07-09

I am a big fan of both actors and wanted this special edition for my collection

Received the wrong edition.......2007-03-19

The movie deserves five stars, but the reason I'm writing is because Amazon has this DVD mislabeled as the Special Edition when, in fact, it is actually the standard edition. I ordered the SE, but received the standard edition. I returned the item and told Amazon other reviewers had complained about receiving the wrong edition as well. I hope they correct the error.

A CLASSIC ROAD FILM.......2007-03-14

What everyone says about THELMA AND LOUISE is right on the money; it's one of my favorites. As for this Special Edition: Included are 1) the widescreen (2:35) edition of the film (best seen on a big-screen TV), 2) two commentary tracks, one with director Ridley Scott, the second with Geena Davis, Susan Sarandon and writer Callie Khouri, 3) deleted and extended scenes with footage markers, and 4) the original extended ending with commentary by Scott. The four making-of documentaries, multi-angle storyboards and musicvideo are not on this disc. Is there a two-disc version of this with the extra material?

You get what you settle for..........2007-03-09

The very best line in "Thelma and Louise" is when Louise tells Thelma, "you get what you settle for." I have quoted that line time and time again to my children, friends, family, etc. There are many such literary gems contained within the writing of this wonderful movie.

Virginia Slims specifically marketed carcingenic tobacco products to millions of women by promising them "you've come a long way, baby," but we really haven't come as far as we should have. Thelma and Louise illustrates that very point with fine accuracy and almost too-close-to-reality dialogue.

I was so enamored of this movie that I purchased it and then watched it with each of my three daughters. After the movie, we had a discussion about why this was such an important film. The ending of "Thelma and Louise" is unspeakably sad but it too makes a powerful point about the futility and frustration of a woman's lot, even in our modern times.

The movie is very well written and provides painfully honest portrayals of marriage, men, women and their relationships.

Average customer rating:

some fine actors in a script written by hacks
Close, but no cigar
Human Trafficking
Donald looks better now than he did when he was younger,
Disturbing BUT very relevant!

Human Trafficking
Starring: Mira Sorvino , Donald Sutherland , Rémy Girard , Isabelle Blais , and Laurence Leboeuf
Director: Christian Duguay
Manufacturer: Echo Bridge Home Entertainment
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ASIN: B000ETR9VU
Release Date: 2006-05-02

Amazon.com

The Lifetime cable channel made TV history with this ambitious, acclaimed original miniseries on the horrifying phenomenon of human trafficking, or sexual slavery. It follows the fictional cases of young women around the world, lured or abducted, sometimes right off the street, into a world of unspeakable brutality--which the filmmakers show in almost overwhelming detail at times. Mira Sorvino and Donald Sutherland star as American government officials bent on exposing and stopping the phenomenon, and both are more than serviceable in their roles. But the revelation is Robert Carlyle, the Scottish star of The Full Monty and Trainspotting, who here is transformed into a ruthless criminal mastermind behind his own trafficking network. Even his Eastern European accent is spot-on and blood-chilling. The supporting cast of women and girls is strong, and in some cases, truly heartbreaking. And while sometimes almost unbearably harsh, the film serves as a reminder this terrible situation still exists and thrives; and told through the characters, is also a well-paced thriller. --A.T. Hurley

Product Description

Nominated for Two Golden Globes® - Best Actress and Best Actor in a TV Miniseries; Lifetime Television's most-watched miniseries of 2005. Featuring Emmy® and Golden Globe® Award winner Donald Sutherland (The Italian Job), Academy Award® and Golden Globe® Award winner Mira Sorvino (Mighty Aphrodite) and Trainspotting's Robert Carlyle, Human Trafficking is at once a gripping thriller, a cautionary tale, and one of the most fundamentally important stories of our time. DVD Features include: Interviews with Mira Sorvino and Robert Carlyle, Behind the Scenes with the cast and crew, and A "Take Action" Guide to shop human trafficking now!

Customer Reviews:

some fine actors in a script written by hacks.......2007-07-01

Mira Sorvino, Donald Sutherland, Robert Carlyle--solid actors with a history of excellent work to prove it.

My probelm here is with the jerky camera (like watching a car commercial), weak direction and weaker writing.
Is it necessary to show someone shedding tears every ten, fifteen minutes or going on some hysterical jag to keep reminding us how dire the situation is?

(Overacting is no fun to watch. Director's fault, that one.)

Yes, something should be done about the problem of human trafficking, and I hope governments of all nations have had their eyes opened up a bit, but the way things are presented here literally make you cringe.

Flick is abundant with cliches and implausabilities. Good stories are character-driver, as opposed to plot-driven.
So much here is idiotic and lacks credibility. Sorvino's background is absolutely sloppy writing (not to mention lazy) and not needed. Her bickering with her (husband? boyfriend? Not sure) was not only ridiculous, but annoying as hell.

Here she is this U.S. government-trained I.C.E agent, right?--but the (primary) reason she is able to relate to one of the females (who had been abducted in the Check Republic and smuggled into the U.S. and forced into prostitution) is because she, herself, had been molested by her (FAVORITE) uncle years before at age 12.

Come on. (I say by merely Sorvino's agent being a decent human being, with a need to do the right thing, would have taken care of that, without the writers resorting to this contrived background tale that stuck out as such like a sore thumb.)

Not only that, she ALSO happens to be Russian as well (by birth), who was raised in the U.S. (therefore giving her EVEN MORE CREDIBILITY with all these females who had been abducted in various countries overseas).
Also, later on in the film, she passes herself off as a Russian mail-order bride wannabe. Wait a minute. Are you kidding me? ARE YOU SERIOUS? (she does this to go undercover.)

REALLY? Don't you realize you're insulting the viewer?
HOW MUCH RESEARCH DID THESE WRITERS ACTUALLY DO--IS WHAT I'D LIKE TO KNOW.

SPOILER AHEAD:

At some point in the film, one of the victims, having been freed and given protective custody, is being shown her hotel room where she will be staying for a certain duration. While her "protector" Agent Sorvino is chatting on her cell phone, the said female (in protective custody) steps out on the balcony to take in the view below.
Guess what happens next? Said "PROTECTED" female is chilled by a sniper --- to Agent Sorvino's horror and dismay.

Sure. You call this writing? Tell me another fairytale. Better yet, learn your movie cliches (so that you might avoid them when you write your next HBO special, folks.)

This is what I mean by hack writing. And there are so many other situations that reek of cliche and/or WAY TOO FAR-FETCHED and/or SEEN IT BEFORE WAY TOO MANY TIMES in other weak flicks.

I'll end this rant by saying this is not the definitive take on the topic. I hope a real writer with some serious talent writes a screenplay about trafficking in humans, and that a genuinely talented film director handles the reins.

Close, but no cigar.......2007-05-24

This is a good docudrama, but it could have been so much better. First of all, I'm amazed at the reviewers who label this a "brutal" depiction of the slave trade. It's very, very tame. I guess it had to be that way to be shown on TV, but if I can easily imagine more brutal and effective means to this sickening end, I'm sure the professionals involved day in and day out are far worse. Apparantly, these reviewers have never even glimpsed the underbelly of society. (Lucky for them.)

This is a real problem. It was real a thousand years ago, and it will still be real a thousand years hence. If TV producers were as concerned with the reality as they were about staying several yards behind the PC line, "Human Trafficking" might actually have had a modest impact.

There was no problem at all with Sorvino's performance. The acting in general, was very fine. What was needed to propel this movie to greater heights was better music, tighter editing, and a "vision" to coordinate the story-line. I'd love to see Scorsese cut his teeth on a subject like this. So many of his films seem to glorify violence; this could be his chance to turn his mastery of that style to a more noble purpose.

Human Trafficking.......2007-05-16

The story of a world wide human trafficking ring that sucks vunerable girls into its grasp and the struggle of one FBI agent to battle against it.

Donald looks better now than he did when he was younger,.......2007-05-14

this movie is way too long. Not nearly brutal enough, to show how horrific it really is for those children sold into the sex slave business. The lucky ones die fast. Too many excuses are made by all governments that "deal" with this problem. The real problems is the goverments don't care and these children aren't important, because they're not connected or related to some big politician or movie star. Very sad.

Disturbing BUT very relevant!.......2007-04-27

This mini-series was very hard to sit through if only for its raw and disturbing subject matter dealing with the sexual exploitation of women and children around the world. Here it specifically deals with the trafficking of young women from the Eastern bloc, former communist nations and also the sexual slavery of children in the Philippines. The series is well-done, the plot is compelling as we are inexorably drawn into the depraved world of the traffickers, a world driven by consumer demand for raw & young human flesh, and also the plight of the innocent women and children who are enslaved against their will, and broken down both mentally and physically. It is a very relevant show for such atrocities continue to rise unabated in today's world, and it is hoped that the series would not only shed light on the thriving human trafficking industry but also educate and mobilise people to action. The acting was top-notch, expecially by the actresses who portrayed the victims, and also Donald Sutherland as head of ICE. Mira Sorvino was okay in the role of the female undercover agent, but not thoroughly convincing. The main characters in this dramatization were the girls who played the victims, for in seeing their plight and suffering ,one is filled with a sense of rage and hope for justice.There are many forms of human exploitation out there, and hopefully this series will shed some light on the subject & give voice to the victims.

Average customer rating:

Camp At It's Best
The good, the bad, and the ugly
The Carey Nations Rock!
Camp Rules
Must-have DVD ... but there is a discrepancy

Beyond the Valley of the Dolls
Starring: Pam Grier
Manufacturer: 20th Century Fox
ProductGroup: DVD
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ASIN: B000EXDSC0
Release Date: 2006-06-13

Amazon.com

One never tires of watching Russ Meyer's Beyond the Valley of the Dolls, a distant relative of Jaqueline Susann's bestselling novel, Valley of the Dolls, and its filmic counterpart, Valley of the Dolls. Kelly McNamara (Dolly Read), Casey Anderson (Cynthia Myers), and Petronella Danforth (Marcia McBroome), star as the hot female trio who clumsily navigate Hollywood during the Swingin' Sixties to promote their band, The Carrie Nations. Written by Rogert Ebert, Ebert calls the film the "first rock-horror exploitation musical," because BVD, as it's called by fans, encompasses all that was sexy, funny, hip, schlocky, stylish, and horrific about America's most interesting cultural period. BVD can be viewed as a Sixties' artifact, packed with consummate party scenes (and a cameo appearance by Strawberry Alarm Clock), as the original skin flick, as a proto-cult classic, or as a benchmark in American cinema, since it is actually well- written, artfully shot, and finely edited. This special edition re-release includes a second disc comprised of five featurettes, whose topics include Meyers' biography, the Carrie Nations music as soundtrack, Casey and Roxanne's titillating lesbian love scene, and the political climate during the Sixties. Revisiting Beyond the Valley of the Dolls, especially after Russ Meyer's recent death, reminds viewers to treasure his visionary obsession with female beauty. --Trinie Dalton

Description

When three female rock'n'rollers travel to Hollywood to claim an inheritance, they meet up with a kinky music promoter who turns them on to a whole new scene. At first, all seems very exciting and the naïve trio becomes submerged in his dangerous tinseltown underworld-before they discover his true motives.

Customer Reviews:

Camp At It's Best.......2007-09-04

I bet Fox didn't expect this when they hired Russ Meyers to a three picture deal. A movie that I wish everyone was required to see. Comedic, Dramatic, Thriller...ic, Beautiful. Russ Meyer and Roger Ebert's idiot brainchild of a movie Beyond the Valley of the Dolls comes your way in a beautiful Two Disc set. A cardboard case over a blue DVD case.

The movie itself looks wonderful. No flaws to be seen and if any you really have to squint to see. The extras are a delight. Plenty of featurettes, two commentary tracks and a few collectible portraits.

I recommend this movie, highly recommend it. It's a farce of a good time.

The good, the bad, and the ugly.......2007-08-02

Okay the Patriarch has to admit a mistake. Being a sixties buff, I kept hearing about a movie called, Valley of the Dolls. I did a search for it and found this movie. Oh, I thought, the movie is called Beyond the Valley of the Dolls. So I bought it. I'm not sure when but I did at one point realize I had bought the wrong movie. This movie is the product of Porn-guy Russ Meyer, and film critic Roger Ebert. So you know you're in for a trip. This movie is supposed to be a satire of the 60s, so it's not really meant to be taken seriously. However, it is really hard to tell whether I like this movie or not because it is like a mixed bag. It's got a little bit of everything. Or maybe it tries to be everything and ends up being nothing. The making of documentary that comes with this DVD calls it something like, A musical, cult, love story, horror, thriller, sex movie. Or something like that. The main character's last name is McNamara. I wonder if this is supposed to be some kind of joke. Think about it like, if a movie that was made today was a character with the last name of Rumsfeld.

Anyway, I'm going to do the Good, the Bad, and the ugly type of review. Okay so...

The Good: The music is very good and without it I don't know if I could handle it. The only problem is there isn't really enough of it. The girl's group only does about five songs. Strawberry Alarm clock does a couple songs too. The girl's group is like the Rock flowers. Do you remember those dolls from the early 70s called the Rock flowers? Of course you don't only the Patriarch knows random trivia like that. Anyway, the Rock flowers were three girls. Two white, one black, and they were supposedly rock stars and each came with a record with a couple songs on it. The girl's group in this movie is also two white, one black. Also, this movie is filled with nudity. We see a lot of breasts. They are plump and delectable so that helps prevent you from pressing the stop button on your remote.

The Bad: The movie has a very weak plot, and it doesn't really take itself seriously. It keeps going from serious to outright silly. In the end one character breaks his back and is rolling around in a wheelchair, but this is like, supposed to be funny. The movie gets so silly towards the end that it's like the director played a trick on us, got us interested in some plot that wasn't really there, and said, haha just kidding there is no plot.

The Ugly: There's quite a bit of gay in this movie. Now, I'm no homophobe. Ok, who am I trying to kid? Of course I am. But there is this one character that is outrageously gay and in the end it turns out he is a woman(?) so I guess she wasn't gay just...very manly. I don't know this movie can just get silly at parts.

So like I said. There's a lot going on in this movie so there is probably something for everyone. But if you don't like the 60s you will not like it at all.

The Carey Nations Rock!.......2007-07-12

The Carey Nations Rock!For all fans of the classic Russ Meyer film, strap this little baby into your music machine and be transported back into the bizzare and beautiful world that is 'Beyond The Valley of The Dolls'.Includes tracks by the 'Strawberry Alarm Clock', the original score, plus all the hits by the 'Carey Nations' including alternative versions."This is my scene and it Freaks me Out".

Camp Rules.......2007-07-05

If you're like campy 70s drug culture, hippie culture movies, this is the best one!! Top notch!

Must-have DVD ... but there is a discrepancy.......2007-06-12

I just got a DVD set from an on-line auction that includes an extra disc (Ebert commentary, and just tons of extras) and miniature lobby cards.

But the Amazon listing above (same ISBN!) has none of these extras listed and is just ONE disc:

Another oddity is that the Amazon listing says it is rated X whereas my DVD has it rated NC-17. The running time of my DVD is the same 109 minutes however so if they cut some scenes to "soften" it for NC-17 they must have put new material in. My guess is that the MPAA now requires DVD releases to adapt the rating equivalent from the new system.

Average customer rating:

Yesterday, Today and Tomorrow
Yesterday, Today and Tomororrow
Sophia Loren's "Yesterday"
good movie
A full Italian experience

Yesterday, Today and Tomorrow
Starring: Sophia Loren , Marcello Mastroianni , Aldo Giuffrè , Agostino Salvietti , and Lino Mattera
Director: Vittorio De Sica
Manufacturer: Koch
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ASIN: B0002C4ISQ
Release Date: 2004-06-29

Amazon.com essential video

Vittorio De Sica's delightful anthology comedy from 1963 pairs joined-at-the-hip costars Sophia Loren and Marcello Mastroianni in three funny stories about sex. The first finds Loren playing an impoverished woman with a jail sentence hanging over her head. A unique loophole in the law, however, keeps her out from behind bars: pregnant women and new mothers cannot be incarcerated. Forestalling her date with the pokey, this incredibly fecund felon keeps bearing children. Her lucky but exhausted accomplice is played by Mastroianni, who can't resist her siren call between deliveries. The middle vignette finds the two actors playing secretive lovers having an affair. Shot mostly from within and around his car, the pair self-consciously quibbles and keeps having comic mishaps that slow their progress. The last story is the cheekiest, featuring Loren as an expensive hooker whose date with a--shall we say "anxious"--Mastroianni is repeatedly broken up by a neighboring seminarian whose commitment to chastity has been rocked since seeing her. This tale includes Loren's famous striptease, the one Robert Altman sweetly parodied in Ready to Wear. --Tom Keogh

Customer Reviews:

Yesterday, Today and Tomorrow.......2007-07-02

De Sica is best known for the neorealist classic "The Bicycle Thief," but this hilarious, Oscar-winning sex farce shows the Italian director melding his keen observation of human behavior with broad humor, drawing on the prodigious talents of Italy's top two actors. Loren is sultry, brash, high-strung, and bawdy, especially in the justifiably famous strip-tease scene that figures so prominently in "Mara." The impeccably suave Mastroianni is a hoot, too, clearly enjoying his triple role as naughty playboy, high-profile john, and in "Adelina," sexually fatigued father of umpteen children--and counting! Few comedies today have as much style or sass as De Sica's "Yesterday."

Yesterday, Today and Tomororrow.......2007-05-08

The DVD is new but the technical quality of the picture and sound is so poor that it's impossible to watch the movie. It was a waste of my money and time.

Sophia Loren's "Yesterday".......2007-03-16

Product in good condition. However, the movie is in Italian with English subtitles, and this was NOT clearly stated in the ads. I would not have purchased it had I known.

good movie.......2007-03-11

Sophia Loren was great when she was young and even better as time goes on

A full Italian experience.......2007-03-10

This movie is divided into three different love stories, definitely takes you back to Southern Italian living about thirty years ago, and as such it provides the full spectrum of charming,humorous and manupalitive dynamics played out between a man and a woman - mostly from a female viewpoint.If you love Sophia Loren and Marcello Mastroiani at the height of their popular common career point and want to get some cultural impression of Italy it is worthwhile to dive into,but it sure is bit too "yesterday" for today's movie expectations.

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The Public Enemy
Great Cinema
The Public Enemy--an artistic yet forceful early look at the mob and their departed...
As a tsunami, nothing was able to stop Cagney once he was aroused, and no one even thought to try...
Cagney's first starring role and one of the first true talkies

The Public Enemy
Starring: James Cagney , Jean Harlow , Edward Woods , Joan Blondell , and Donald Cook
Director: William A. Wellman , and Alfred J. Goulding
Manufacturer: Warner Home Video
ProductGroup: DVD
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ASIN: B0006HBV2S
Release Date: 2005-01-25

Amazon.com essential video

Director William Wellman (Wings), a World War I veteran who turned his experiences in battle into an insistence on unpretentious violence in his films, made Public Enemy a particularly brutal account of the rise and fall of a monstrous gangster (James Cagney). Cagney delivers one of the most famous performances in film history as the snarling crook who--in one of the film's most famous scenes--smashes a grapefruit into the face of Mae Clarke. The film's a bit dated, but its action scenes still pack an unusual wallop. --Tom Keogh

Customer Reviews:

The Public Enemy.......2007-06-21

Wellman's "The Public Enemy" launched the film career of a pugnacious Irish-American from Manhattan's Hell's Kitchen who started out as a dancer, only to become the toughest tough guy of them all: Jimmy Cagney, never cockier than he is here. Since organized crime was a fairly new and frightening epidemic at the time, Wellman gives "Enemy" the stark feel of a purely cautionary tale. Both the famous grapefruit scene and Tom's final homecoming still pack a wallop, and a stunning Jean Harlow injects plenty of sex appeal as Tom's gal Gwen.

Great Cinema.......2007-05-29

James Cagney was a superstar actor 75 years ago. This is one of his greatest films. The Public enemy is to the gangster movie genre, what "It's a wonderful life" is to Christmas movies. Absolutely integral movie to gangster movie buffs. If you like scarface and goodfellas and the sopranos, you MUST watch this movie. I have seen this movie over 10 times and it is always fun. Cagney was great. This was one of the best dvd purchases I have made.

The Public Enemy--an artistic yet forceful early look at the mob and their departed..........2007-04-11

James Cagney scores a coup in his role as Tom Powers in the movie called The Public Enemy, which chronicles the rise and fall of Tom Powers within the criminal element. Tom's sidekick, Matt Doyle, is played well by Edward Woods. The decision to move Cagney into the leading role and let Matt Doyle be played by Edward Woods works very well for this picture.

The movie begins in the early 1900s when Tom and Matt are already up to no good as young street thugs. Theft, making people fall down, and con jobs are routine parts of their juvenile world. The movie progresses to see Tom and Matt into the early adult lives when they eventually move up in the gangster world in Chicago. They also switch "employers;" they go from working for peanuts from Putty Nose (Murray Kinnell) to making big money working for the big mobster Paddy Ryan (Robert Emmett O'Connor).

The Public Enemy does a great job of displaying the effects of Tom's lifestyle on the members of his household. Tom's brother Mike, played so ably by Donald Cook, acts very convincingly to show his disdain for his brother's involvement with organized crime. Tom's mother, played by Beryl Mercer, remains blissfully unaware that Tom is involved quite so deeply with the mob.

Jean Harlow is about the only actor in this film who could have been used more in the plot; her part is a good one but not a great one. Look for Jean playing Gwen Allen, a love interest of Tom's partway through the picture. She acts wonderfully.

The film's direction by William Wellman shines through all the way through the picture. The most graphic violence is what we never see--instead the camera pans away to show the reaction on Matt's face when Tom kills somebody, or the camera focuses on a record playing on a Victrola when another death has come. Other reviewers note that this enhances the seriousness of the violence--and they are right. Excellent!

The sound quality is excellent for a 76 year old film; and the cinematography is excellent. The characters are well framed within the camera and only off center when it enhances the quality of the scene.

The DVD bonus features only add to this terrific experience. In particular I liked the 20 minute extra entitled Beer and Blood. This extra focuses on Jimmy Cagney and how he participated in the making of this classic movie. The newsreel and shorts reflect good judgment as they greatly enhance the overall experience of watching this movie.

I highly recommend this film for fans of Jimmy Cagney. People who enjoy films about organized crime will consider The Public Enemy to be a classic, too.

As a tsunami, nothing was able to stop Cagney once he was aroused, and no one even thought to try..........2007-01-12

"Public Enemy" brought two things to the screen: the little tough guy, fast-talking, unscrupulous gangster characterization by James Cagney which was to follow him throughout his entire screen career, and the grapefruit scene...

Though "Public Enemy" created the Cagney image, he had already appeared in two other gangsters films for Warners, as a murderer prepared to let someone else pay for his crime in "Sinner's Holiday," and as a double-crossing hoodlum in "Doorway to Hell."

"Public Enemy," however, was a bigger-budget production, directed by William Wellman, and it contained all the elements of success... It is the story of two brothers who become Chicago booze barons in the Twenties... One was Cagney, the other Edward Woods...

It is sometimes claimed that the story of "Public Enemy" is based on that of "Little Hymie" Weiss, leader of the North Side Chicago gang after the murder of Dion O'Banion by the Capones in 1924... What is more likely is that the Cagney characterization is based on "Little Hymie"; the plot itself is pure fiction...

When Cagney, in his striped pajama, sat opposite Mae Clarke at breakfast and decided he had had enough of this boring broad, he wasted no time... He picked up half a grapefruit and planted it full into Clarke's face... It was a piece of screen action which has lasted down the years as the ultimate in violence from the gangster to his moll...

Of course, it isn't - it just seems that way... Since then gir1s have been slapped, kicked, beaten up, run over, shot, stabbed and raped, all in the tradition of mobster violence...

But at the time this scene was daring, and the more daring because it was totally unexpected... We remember Mae Clarke in "Public Enemy," yet forget that Jean Harlow was in it, too... There may have been good reason... The New York Times, reviewing the film in 1934, commented: "The acting throughout is interesting, with the exception of Jean Harlow, who essays the role of a gangster's mistress."

Cagney made violence and a life of crime magically seductive, and "Public Enemy" made him Warners' number 2 gangster, second only to Edward G. Robinson...

Cagney's first starring role and one of the first true talkies.......2006-12-01

The Public Enemy is one of the big three original gangster films along with "Little Caesar" and "Scarface". I call it one of the first true talkies because true dramatic acting is being employed by all of the characters with none of the dramatic posturing and gesturing that were common before. Also, much effect is made of the presence of sound itself, such as in the frequent gunplay and especially in the last scene with Cagney's character's "homecoming" with the sound of the song "I'm Forever Blowing Bubbles" playing in the background on the Victrola phonograph. The film's screenplay received the film's only Academy Award nomination, and was based upon the novel "Beer and Blood". However, the film wasn't given a Best Picture nomination, nor was Cagney nominated for Best Actor for his portrayal of gangster Tom Power. This film was released at approximately the same time Little Caesar was making a star out of Edward G. Robinson. Cagney's character was the more intimidating of the two gangsters, though, because Cagney's Tom Power came across as more physical than Robinson's Rico. Rico might shoot you, but Cagney's Tom Power made you fear he'd give you a terrible beating for the fun of it, then shoot you.

"Public Enemy" was one of the first gangster pictures to talk about the "whys" of crime as well as the specific criminal activity. In the case of lead character Tom Power, the root causes clearly included a doting mother and a brutish father. As for the specific criminal actions shown in the film, these were largely borrowed from actual events in the biographies of gangsters Earl Weiss and Charles O'Banion, and rewritten for the screen to accomodate the script. James Cagney's spot-on portrayal of a murderous thug was the role that made him a star. Unfortunately, it also typecast him as a gangster for the duration of the 1930's. The combination of the Hays code and his Oscar winning performance in "Yankee Doodle Dandy" finally began to diversify the roles he played.

As an aside, for such a well-made film, I did spot one particularly "Ed Wood" worthy moment. Clearly after prohibition has started, Tom and his partner in crime are loading beer into a truck that they then force on speak-easies around town. There is a huge sign on the building marked "BREWERY". Today, that would be like a house having a sign on it reading "METH MANUFACTURED HERE", inviting a quick visit by the authorities. If you enjoy this film, you might find "The Warner Gangsters Collection" a better value since it not only has this film but also includes "Little Caesar" and four other movies.

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Justine De Sade
Starring: Alice Arno , Marco Perrin , and Chantal Broquet
Director: Claude Pierson
Manufacturer: Blue Underground
ProductGroup: DVD
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ASIN: B000QXDD5U
Release Date: 2007-08-28

Description

"...I am a poor orphan girl..."

Innocent orphan Therese seeks her fortune in a wicked world where no virtue goes unpunished. While she strives to preserve her precious "virtue," Therese finds every inch of her flawless form systematically sullied as she runs afoul of depraved young nobles whose hounds have a taste for human female flesh; a surgeon with a scalpel in one hand and a whip in the other; men of the cloth who keep their female flock shorn and branded with a red hot iron; and a Count whose concubines must give him their very blood! Will Therese finally learn "how delicious it is to be a whore?"

Amazon.com

A Sundance Grand Jury prize winner and a true conversation starter, Capturing the Friedmans travels into one apparently ordinary Long Island family's heart of darkness. Arnold and Elaine Friedman had a normal life with their three sons until Arnold was arrested on multiple (and increasingly lurid) charges of child abuse. Because the Friedmans had documented their own lives with copious home movies, filmmaker Andrew Jarecki is able to sift through their material looking for clues. Yet what emerges is more surreal than fiction: the youngest Friedman son went to jail, the eldest became a birthday-party clown. In the end, we can't be sure whether Arnold Friedman is a monstrous child molester or the victim of railroading. The portrait of a disconnected family is deeply disturbing, either way, and this film is further proof that a documentary can be just as spellbinding as anything a great storyteller dreams up. --Robert Horton

Description

Winner of the Grand Jury Prize at the 2003 Sundance Film Festival, and with over $3 million at the box office to date, Capturing The Friedmans is nothing short of the most riveting, provocative, and hotly debated films of the year. Despite their predilection for hamming it up in front of home-movie cameras, the Friedmans were a normal middle-class family living in the affluent New York suburb of Great Neck. One Thanksgiving, as the family gathers at home for a quiet holiday dinner, their front door explodes, splintered by a police battering ram. Officers rush into the house, accusing Arnold Friedman and his youngest son Jesse of hundreds of shocking crimes. The film follows their story from the public?s perspective and through unique real footage of the family in crisis, shot inside the Friedman house. As the police investigate, and the community reacts, the fabric of the family begins to disintegrate, revealing provocative questions about truth, justice, family, and -ultimately-truth. With an abundance of exclusive DVD bonus features supplied on a second disc, Capturing the Friedmans is sure to capture you and pin you to your seat.

Customer Reviews:

FU..raming the Friedman's.......2007-08-10

So far,this is the only DVD I've made full use of;I've seen every section of it,I consider it the most importand movie of the century-and I think it should be required viewing by all prosecutors and jurors(at least).This is the year of the disbarrment of Duke proscecutor Mike Nifong for his unethical,politically driven prosecution of Duke's lacrosse athletes.And it's also the year of Oak Park,Michigan kindergarten teacher James Perry's sentencing for molestation.Perry is waiting a second trial because his convicion was based on similar witnesses in the Friedman case.Hopefully he will be exonerated-and Oakland County,Michigan's proscecutor will face disbarrment hearings.

Capturing the Friedmans.......2007-07-18

This harrowing film blends the Friedman's early light-hearted home movies with footage of the unfolding scandal, juxtaposing a seemingly idyllic family life with a domestic situation rife with anger, resentment and pain. Viewers may differ on Arnold and Jesse's degree of guilt, but few will maintain there wasn't something weird going on in that house. A bold, unsparing piece of work.

Reminds one of the McMartin/Buckey case.......2007-03-04

The McMartins and Buckeys were railroaded, their lives turned upside down, and all the time they were innocent. I don't mean that the Friedmans were totally innocent, but the fact remains that no physical evidence ever surfaced in regard to all the allegations of rampant sexual abuse of young boys. At any rate, the entire family suffered for the actions of two members. The filmmaker wisely does not take sides but presents the material so viewers can make up their own minds.

One of the BEST of its kind.......2006-10-31

In Adaptation, Robert McKee tells Nicolas Cage's character that the reason he can't write a successful script based on Meryl Streep's character's story, is because she is lying, and a story where the characters don't act truthfully can't work. But Capturing the Friedmans is successful despite the fact that the boys clearly are lying about something. In fact, people can't stop thinking about this film. Jarecki cleverly shows that as characters who lie, the Friedmans act very logically as they assume textbook roles of the codependent family model.

Clearly, the charges they went to prison for were ridiculous and even improbable, but something was up. The father certainly went to great lengths to be a family & community Hero (to hide his Addiction -- he played 2 roles) while the mother Enabled -- I won't say what -- by allowing the three boys and the dad to have a pact, a private club, from which she was excluded. After all, she knew her family wasn't right but she didn't go into his office or question the boys, allowing a strong secret to be kept from her in her own home. So the parents covered three roles - the Addicted, Enabler, and Hero. Next we have David, the Mascot, who immediately puts underwear on his head to distract the media's attention from his father. In the codependent model, a Mascot "clowns" around in order to distract attention away from the Addicted member. [He got so good at it, he's now a professional clown] A Mascot is either happy or sad according to whatever will get the most attention. When the underwear tactic didn't work, David went to great lengths to organize a campaign to prove his father was innocent--of these charges, at least. When the mother finally got it together and realized the father was a rat, he got vicious in redirecting the accusations toward her - again, any behavior that will distract attention from the Addicted/Dependent member. But his act is thin, because it turns out the father hid the child porn magazines where the boys would find them, but not her -- in his office and among the music in the piano bench. Being the main pianist among the boys, David must've looked through the music in the piano bench. So why did he defend his father? Jesse, the Scapegoat, took the negative attention by association and like a true Scapegoat, seems proud of it - winking at the camera when he says he will go to court and "abandon father." Also, in the car on the way to the sentencing, when David confronts him, asking if any of it happened during the computer classes, Jesse says no - but then his eyes change as he says nothing that HE saw, anyway. Seth, who declined to be a part of the film, seems to be the Lost Child (although I can't say for sure).

That's all the characters in the codependent family model. Wow. Looks textbook to me. So, Friedmans, notwithstanding the fact that you were clearly unfairly put in jail without a fair investigation or trial (and no doubt the prosecutors will suffer karmic consequences for that eventually), out with it - I don't want to say what I think you're lying about. Why don't you?

This family took the fun out of dysfunctional.......2006-10-01

An utterly fascinating look at the crash and burn of an American family.
The father, Arnie Friedman, was witness to his mother's inappropriate and self-serving sexual activity; unsurprisingly, he turns out to be a pedophile whose penchant for buying kiddie mags gets him investigaged for child rape. His wife, Elaine, who looks like the years with Arnie has sucked the life out of her, walks around in a fog, totally bewildered that a)she married such a creepy little freak and b)her three boys prefers dad to her. Oldest son Dave is in his own state of denial about his father's problems and blames it all on mom. The most sympathetic figure is youngest boy Jesse, who was imprisoned for 13 years for a most unsympathetic crime.

Did Arnie and Jesse rape those little boys? The interviewed accuser comes across as less than credible - he contradicts himself, can't remember the first episode of molestation (though remembers plenty else) and when asked to explain an important detail, hesitates as though he were thinking "what the heck do I say now?" The Feds appear to have been caught up in the same hysteria that got a bunch of innocent day care providers tossed in prison in the 1980s - they used interview techniques that were more like criminal interrogations and hypnosis (reknown for inducing false memories.) Way to manipulate and damage little kids, you dumb cops.

In any case, Arnie is a self-admitted pedophile and his taste for child porn victimizes his whole family, especially Jesse (possibly in more ways than one.) Despite this, his boys absolutely adore him. It's hard to understand why - on their home movies, dad comes across as an emotional dud, with a flat affect and a distant stare. The most animated he gets is when he pounds out "I'm In Heaven" on the piano the night before he goes to prison. The oldest son David is especially an apologist for Arnie. He implies that if Elaine had not been such a cold fish Arnie wouldn't have been in the predicament he ended up in. You just want to slap Dave around with the facts of life: "David! Wake up! Your parents didn't have sex because DADDY likes LITTLE BOYS!"

Watch this movie. At the very least, it'll make you feel better about your own screwed up family.

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Sensual Repression via the 80s
Thief of Hearts
Thief
The Ultimate Escapist Chick Flick!
NOT the Original Version

Thief Of Hearts
Starring: Steven Bauer , Barbara Williams , John Getz , David Caruso , and Christine Ebersole
Director: Douglas Day Stewart
Manufacturer: Paramount
ProductGroup: DVD
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ASIN: B00005Y1UZ
Release Date: 2002-04-16

Description

In Thief of Hearts, vicarious indulgence through the fulfillment of one's fantasies is given a new twist. If you met Ray and Mickey Davis, you'd swear they had a perfect marriage. But if you read Mickey's diary, you'd know that unrest us lurking just beneath the surface. Enter Scott Muller, a small time burglar who robs the Davis home - making off with assorted valuables and Mickey's diary. Muller becomes obsessed with Mickey. He plots to seduce her and play out her most secret fantasies. Mickey is an easy target for Muller's advances and soon the Davis's perfect marriage and perfect world is turned upside down.

Customer Reviews:

Sensual Repression via the 80s.......2006-06-10

This is a nostalgic bit of filmmaking from the 80s. The sights and sounds are inimitably 80s. However, this is sort of an enigmatic film. As much as it is part of the 80s it seemed to lack the chic timeliness of those days. I don't know why but David Caruso was the one actor who I remember being indelibly connected to it. Every time I think of this film all I can remember is Caruso's screen presence even though he is a minor yet disquieting character. Steven Bauer is very good and gives a heartfelt performance. Barbara Williams seemed rather detached and added to the obscure feeling this film has along with John Getz's performance as well. Bauer, Williams and Getz remain no more than shadowy figures upon recollection, while the production design, cinematography and story remain imbedded in the psyche. The story is interesting and disturbing at the same time and I wonder who really is the thief of hearts in this tale giving the film's ultimate conclusion. I think Douglas Day Stewart's directed only one other motion picture and he is primarily a screenwriter. The film's ambiguous style seems to bolsters that fact. The film is a very provocative mix of sensuality, sexual repression and seems to represents an era when introverted self gratification and glossy lifestyles replace traditional intimate values between otherwise loved ones. Interestingly, this film seems to have a strange allure about it leaving an indelible impression once viewed.

Thief of Hearts.......2006-01-30

The movie is great but its not for young viewers under 13 is really pushing it.. the movie has some sexual content and wouldn't even let my 13 year old watch it. Some violence but it has a lesson in the movie also. Crime doesn't pay, and love is blind. Steven Bauer was a hotty, back then ...

Thief.......2005-07-28

True 80's love story! Brought back memories of styles, habits, and music of the pass...The me generation!

The Ultimate Escapist Chick Flick!.......2005-03-24

The premise - how does it feel to be able to meet and then fall head over heels in love with your dream guy who willingly reinvents himself for you and loves you unconditionally?

I first watched "Thief of Hearts" back in 1985 when I was still a teenager and was very moved by the poignancy of it all. It has been 17 years since, but I feel no differently as I re-watched it on DVD. (Why did they not at least include a director's commentary in the bonus materials, amongst other things of producing a watered down verison of the original movie)?

The ending sequence was particularly heart-wrenching as Steven Bauer's character, albeit nothing more than a common burglar, broke into tears when he realised the fantasy world he had created for himself was over, but nonetheless defended the love of his life despite it all when it came to the crunch. Unlike many American movies where script-writers / directors inadvertently feel hard-pressed to provide a positively schmaltzy ending to love stories or the like, kudos to the restrain applied to "Thief of Heart"'s finale, ending the movie on the only credible, but no less cathartic, note to a doomed love affair.

NOT the Original Version.......2004-08-12

This has already been expressed here in the reviews, but just as a reminder one more time..... this DVD is NOT the original version. The original version has more material and is much better. Hopefully someday they'll release an Unrated Version the way it was on VHS at one time.

Average customer rating:

Chick Buddy Flick
THELMA & LOUISE DVD
Received the wrong edition
A CLASSIC ROAD FILM
You get what you settle for...

Thelma & Louise
Starring: Susan Sarandon , Geena Davis , Harvey Keitel , Michael Madsen , and Christopher McDonald
Director: Ridley Scott
Manufacturer: MGM (Video & DVD)
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